Retirement. It is a word with notes of one chapter solidly shutting down and, with good fortune, another opening up—a transition in chapters we expect to manifest later in life. 

Hadley Hammer, in her late thirties, is in such a transition. Hammer sent out a notice today, Feb. 17th, marking her retirement from performance skiing. In other words, from being a pro skier. 

In her retirement statement, she writes, "I am walking away from peak performance, but not from the mountains nor the outdoor community and certainly not from skiing, which I still think is the most delightful way to spend time. My aim isto take all my experience, be it growing up and living in mountain towns to professional athletics, and combine them with my love and adoration of storytelling. I want to use my words to shape culture and habits. To celebrate play, delight, partnerships, and the natural world.”

At The High Route, we primarily know Hammer as a fine writer. Someone whose sentences take time to craft and whose narrative arcs speak truths. She's got a solid essay on fashion style in the backcountry in issue 1 of The High Route magazine. (For more of Hammer’s writing on style, check out her Substack, TOGS. 
 

For someone soon to be pushing into her fourth decade, Hammer has lived a full-spectrum existence. And we explore those ups and downs (but mostly the ups) in this episode. We are grateful for her time and look forward to working with her in the future. 

For now, we'll link to a snazzy short-film released today, filmed and produced by Sophie Danison, titled Fortune."Fortune is a short film—an incantation to see our own fortune by observing closely the beauty of the world around you.”

Thanks for listening, and have a good day, 

The High Route Team.   

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is shipping. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

Sometimes, the eyes go wide, the mind quiets and thoughts turn to the realization that you might be watching mastery. Chamonix-based skier, Vivian Bruchez illicites these expressions. For some time now, he has captured the imaginations of steep-skiing fans. Many skiers and riders open new lines, climb, and descend in good style: they break on through a mental, physical, or terrain barrier and make something audacious look possible. This is, in many ways, Bruchez's signature. No matter how steep or exposed, he pivots on a dime, dry skis with aplomb, and exudes joy. Whether it's his disheveled signature hair or his easy-going vibe, Bruchez is likable and at the pinnacle of the rarified ski-mountaineering scene in the Alps and beyond. 

His list of first descents runs deep.

In this episode of The High Route Podcast, we connect with Bruchez after his day on Chamonix's slopes, teaching a class for ENSA, the French National School of Skiing and Mountaineering. While we don't discuss specific lines he's opened, we do dive into his thoughts on his mental preparedness, how he tries to see life through a child's eyes, and, of course, for the gear folks out there, we discuss his choice in equipment for the steeps.

Those looking to watch and learn more about Bruchez can find links in our THR Curates series.  

Thanks for listening, and have a good day, 

The High Route Team.   

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is shipping. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

On this episode of The High Route Podcast, we do some exploring with Andy Sovick. If you are unfamiliar with Sovick, he is the humble founder of Beacon Guidebooks. Several years ago, Beacon released a few high-quality ski atlases that generated some buzz. The business has grown, yet the company remains dedicated to core values that promote safety while providing ski-run information to the community.

Go on most, if not all, outdoor-oriented online forums, and somewhere, without much filtering, you land on threads dealing with gatekeeping. Here at The High Route, we discuss and think about this a lot—how much information disclosure relates to ski zones is too much and how much is just enough. Likewise, Sovick has thought about this a bunch, too. He possesses a good perspective on blending information that allows others to enjoy the backcountry while being deeply grounded in creating a product that informs potential users about the pitfalls in and around the terrain described in their ski atlases.

And if you love maps, Sovick has a few book recommendations.

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is ready to ship. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

Thanks for listening,

The High Route Team   

One of the best parts of liking to ask questions and running The High Route is the opportunity to speak to folks we admire and want to learn from. With this in mind, photographer Drew Smith is the guest on this episode. 

Smith’s work spans the spectrum from outdoor-related commercial work to full-value expedition photography. We are drawn to his images for many reasons. First and foremost, there’s his documentarian style and vibe. In short, Smith is along for the ride, documenting rather than staging, keeping up with rather than slowing the tempo down. He’s a high-level climber and snowboarder who is often along on an expedition as an equal: he’ll lead ice and rock pitches, set a booter, crampon up a face with his snow sliding tools in tow, and camera ready. 

Born and raised in rural Montana, low-key and modest are Smith’s hallmarks as he’d rather draw attention to his art and craft than to himself. We are excited to close out the 2024 podcast year with his interview.

You find find Smith's photography here at Drew Smith Media.

You can find Smith's written musing's here at Drew's Plan.

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is in the works. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

Thanks for listening,

The High Route Team   

It has been more than a minute since our last episode. Over here at The High Route, there has been a bit of burying our heads in the sand as we focus on sending out our final proofs for our print version of The High Route. In the spirit of print, we have Michael Levy as our guest on the podcast. 

Levy is the driving force behind the resurrection of Summit Journal—an esteemed print magazine last printed in 1996. The history of Summit Journal is pretty fascinating, and Levy speaks about that legacy in more detail on The Run Out. If you do not read or subscribe to Summit Journal and enjoy climbing-related stories, we suggest you try it. Levy has combined his keen editor's sensibilities to produce a large-format magazine that borders on art. No matter how you approach it, Levy's vision has moved the needle positively regarding print offerings in the adventure scene. 

Joining Levy is the regular host and our THR mainstay based in Anchorage, Alaska, Alex Lee. The conversation is part self-serving; we have a ton to learn from folks like Levy as we go into the deep end with our print venture.

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is in the works. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

Thanks for listening,

The High Route Team   

The first snows have fallen. And if the local webcams have anything to say about it, it might as well be winter. Snow sliding and keeping bases intact—that's another story. 

The story today, on The High Route podcast comes from Salt Lake based Mali Noyes. Let's see where to begin.

Catching up with Noyes is, and was, part of the problem. Not unlike many of us, she is busy. She is also on the move. Energy. Motion. Mountains. Running. Skinning. Skiing. Nursing. 

She grew up in Sun Valley, Idaho, and became part of a speedy crew of nordic racers at the Sun Valley Ski Education Foundation. Kilometer after kilometer, season after season, year after year, you can imagine the incredible base fitness. She went on to ski at the University of Utah and, once free from the constraints of school, took that drive and fitness into the backcountry. 

Noyes is an accomplished mountain runner, earned a spot on the Freeride World Tour in 2016, and is a Salomon athlete. After years in the mountains gaining experience, she has ventured into the Alaska Range and beyond. All the while, she took the time to attend nursing school. When she is not in the hills, she works as an oncology nurse.

There's also something else to know—we don't really explore how she skied this or that line. Which, we think, is OK. We take the time on the podcast to get a little deeper and discuss things like how annoying it might be to answer questions like "What's it like to be the only girl on an expedition?" We also explore how Noyes expanded her avalanche education and now takes more ownership over assessing where and when she skis. 

All this is to say that we had an excellent time during the interview—we learned a ton.  

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is in the works. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

Thanks for listening,

The High Route Team   

Bonjour listeners of The High Route Podcast. On this steeps and slogs episode, we feature Aurélien Lardy.

Good energy and ceaseless energy are two key qualities for those making a life for themselves in the hills. Aurélien Lardy, a prolific ski mountaineer based out of Chamonix, has been on a tear for the past few years. If first descents or rare repeats are a benchmark, Lardy, who goes by "Aurel" for short, has notched plenty of them. For example, he and Gaspard Ravanel repeated a sought-after ski/snowboard descent of the L’éperon des Jumeaux on the north side of the Aiguille du Midi this past May. 

Did we bury the lead here? In this episode of The High Route Podcast, Lardy takes a breather from the alpine as we catch him in Chamonix. (We recorded the interview this summer.) A former ski racer, and lover of both front flips and easy-access Cham-steeps, the San Antonio Spurs, and slow churn expeditions, we are psyched to have Lardy as our guest. 

There is something about Lardy's style that belies the very exposed positions he finds himself in. If you are a visual learner keen on mastering steep turns, Lardy's utterly smooth technique is the opposite of what we may conceive of as a jump turn. It is a high-alpine meditative practice: ski tips remain in contact with the snow, knees remain slightly bent, releasing just the right amount of kinetic energy, ski tails swing around, completing the turn. Mathematicians, surely, could derive an elegant equation to explain what we see. Then again, it could be pure art—steep-turning ballet.
 

Lardy and his steep skiing and ski traversing clan will also surely make an appearance at an adventure film fest touring near you. He's featured in films about skiing in Argentine Patagonia (Painting the Mountains) and a mega-traverse in the Alaska Range (Les Jours Sauvages). If you still need to get your fill, the film Chronoception chronicles his adventures in Kyrgyzstan—it should be available online soon. 

No doubt, Lardy and his people are prolific. Let's focus on the Alaska Range ski traverse for a moment. 50+ days. And as noted in Les Jours Sauvages, the style is heavy and slow. The ski party enters the range in the low-lying bush, weighed down by sleds and a fair share of cigarettes; they slog into the heart of the Central Alaska Range via the Peters Glacier. They ski Denali and Sultana (Foraker), ski traverse and muddle out the range, and eventually pack raft back to Anchorage. Mon Dieu!

Conversely, Painting the Mountains is a film about expressing the extrême. Photographer/filmmaker Matthew Tufts helps frame the narrative as Lardy, Vivian Bruchez, and Jules Socié repeat the Whillans-Cochrane on Aguja Poincenot—a line first skied by Andreas Fransson.

You can follow his high-octane adventures on the socials. 

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is in the works. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

Thanks for listening,

The High Route Team   

In this episode of The High Route Podcast, we speak with Lou Dawson. As much as anyone in North American ski mountaineering, Dawson has been a cornerstone of the sport and the broader culture.

Last spring, he released his memoir, Avalanche Dreams. Already reviewed on the site, here's what our writer Alex Lee had to say:

If you know who Lou is, or if you don't, his story is a gripping wallop of adventures, family, and gravity. 

Alex joins the podcast as we discuss the writing process with Lou and converse about his decades-long life and continuing adventures in the hills.  

You can find more information about Lou here, where you can also learn how to purchase the book. 

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is in the works. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

Thanks for listening,

The High Route Team   

Some things should be laid to rest, like the idea that splitboarders are universally slow on the ups and slow to transition. Sure, the gear might be, generally, heavier, but the athletes, in our experience, are fit, fast, and able to ride terrain in eye-opening ways. 

Nick Russell fits this mold. A snowboarder living in California's Sierras, Russell and his easy-going vibe balance his moxy in big-mountain terrain. In this episode of The High Route Podcast, Russell provides some basics for non-snowboarders, such as the merits of soft boots over hard boots. He also details his immersive snowboard-alpinism (shralpinism??) experiences this season on India's Papsura and Mount St. Elias.  

Along with Jerry Mark, Blake Gordon, and Russell, this was the second group (first snowboarders) to ride/ski Papsura. The 6,461m mountain was first skied in 2017 by Hilaree Nelson, Jim Morrison, and Chris Figenshau.

After listening to Russell, we are not afraid to make this claim: Maybe it's time to learn snowboarding. It's just another way to find happiness in the backcountry. 

We're psyched to have Russell as our guest.  

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is in the works. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.

Thanks for listening,

The High Route Team   

Welcome to Season 2 Episode 2 of The High Route Podcast. 

There's a video clip on YouTube, back from 2014, cataloged by RedBull. You've likely seen it. Cody Townsend shimmies on his skis, perched above The Crack, which would become the best ski line of the year. A decade might as well be a lifetime ago.

Since then, Townsend transitioned from ski movie staple to something more arduous and certainly less glamorous (we're biased), but maybe more fun—ski mountaineer.

For those not tapped into the freeride or ski movie culture, Townsend came into our lives with his Fifty Project just at the right moment. Townsend and videographer (and badass skier) Bjarne Salen began The Fifty quest in 2019. For now, after three attempts at Mount St. Elias and 46 completed descents, the duo may call it good. 

That is neither news to many nor the point of the story. 2019 became 2020, which brought us into Covid lockdown. The Fifty became a needed spiritual go-to as social isolation became the norm. It is fair to say The Fifty became a part of the community's social fabric over the past five years. The project became the topic of many skin-track discussions and post-tour banter sessions. Although we're pretty certain his legal birth certificate has Cody Townsend emblazoned on it, he's one of those mononymous folks now, as if we've known him for years: "Cody."

In this episode of The High Route Podcast, we chat up Cody and get a brief intro to his ski career, but then swim into the deep end of ski mountaineering. We discuss style, the art of the jump turn, and mountain athlete inspiration.     

If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.

We are also excited to announce Issue 1.0 of The High Route magazine is in the works. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.

The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you’ve spotted a UFO in the past or visited the 7th dimension, “Beautiful Alien” is a good tune to start with.

Thanks for listening,

The High Route Team