In London, and towns like Oxford, the Protectorate saw the return of stability, economic change and a revived social scene - and the arrival of the Coffee house, and the penny university. Stability and old rythmns re-established themslves around the country, and royalists reacted in different ways. Some like the L'Estrange family in North Norfolk preserved the old ways and accepted the new, though rattled by the Decimation tax. Others found artistic responses - like Katherine Philips, Izaak Walton, and Margaret Cavendish

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Cromwell's court struck a balance between the status required of a head of state, and the Cromwell's own openbness and informality. It was a court full of music, as was the supposedly joyless puritan state. There was little of the London theatre, though popular performance at fairs went on as before - but Britain saw its first Opera and John Playford's Dancing Master was all the rage. And in 1657, the first openly Jewish place of worship opened in Creechurch Lane

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After a year of the rule of the major generals, there was no money to support their militia. Now, the obvious solution was to repeat and continue the decimation tax; but the Council of State felt that parliament must be consulted. The opponents of the miliary regime gathered their strength - this was their opportunity to mount a coup of their own.

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There was much about Cromwell that was Elizabethan. He was fiercely patriotic, he dreamed of building as trading nation, and laying low the Spanish Empire with a Protestant Alliance. The Western Design against the Spanish Caribbean was part of that plan. It's outcome was to be a crisis for me; and in the face of security threats from within and without, and the withdrawal of God's approval a bold experiment was needed - enter the Major Generals

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Cromwell might have felt that the first 9 months went rather well, from his perspective - the Council of State was working well, getting things done, the settlement of the Commonwealth was proceeding and rebellions suppressed - and the first Protectorate parliament would surely be populated with serious, hard working men who would help heal and settle the nation. He was to find out that his nation was as yet far from settled or healed.

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This year we go to York and West Yorkshire, from 8th to 17th September. We'll stay in the Spa town of Harrogate, and in glorious York, Capital of the North with its Cathedral, the Minster, the medieval shopping street of the Shambles and loads of other sights too. We'll go to the Dales, and visit castles, sturdy limestone villages, fortified manor houses, grand stately homes. And the inspiration of artists and poets, Fountains Abbey. Plus there'll be breweries and folk music. Fun, laughter and history guaranteed. Go to the Podcast Tour page to find out more.

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Between 1654 and 1657, the the Tender of Union with Scotland and the Act of Settlement of Ireland were played out. They were very different in character. Over the following centuries, the former was largely consigned to a historical footnote. The second remains a source of anger and division.

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I am very pleased that Dirk Hoffman-Becking, of the History of the Germans podcast, has put together this episode about a very favourite event - the capture and hostage of Richard the Lionheart. Why Henry VI did it - and how in the end, Richard had his revenge. Sort of.

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Whether or not Cromwell knew about John Lambert's 'coup' of December 1653, by the end of the month England had a new constitution and a new Head of State - the Lord Protector. Cromwell was installed in Whitehall and Hampton court, new seals designed that drew on Cromwell's Welsh ancestry, and rthe Council of State started work.

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Contemporary poets found it difficult to deal with Cromwell, both before and after his death. Margaret Oakes talks about how the approach they took, and what they chose to reflect of the man and his career

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