Dr. Luke Mills joins me to talk about his article "His Dark Materials," as well as C.S. Lewis' nightmare imagery across his fiction. Among other things, we discuss:
[2:08] – Welcome & guest introduction: Dr. Luke Mills, Associate Professor of English at Wingate University[2:57] – Dr. Mills's article: "His Dark Materials: C.S. Lewis's Nightmares as Inspiration"[4:10] – What drew Mills to the topic: Lewis's dreams of lions and the writing of Narnia[5:09] – Lewis's diary (All My Road Before Me) and the wolf-and-sheep nightmare (April 27, 1923)[6:13] – Reading of the wolf-and-sheep nightmare[7:07] – Lewis as an author of both heavenly beauty and horror[7:41] – The Unman in Perelandra and Lewis's vivid portrayal of evil[8:39] – How common were nightmares for Lewis? Insects, specters, and a lifelong pattern[10:29] – Lewis near death: vivid dreams and beautiful visions[11:38] – Etymology of "dream" and "nightmare" (Old English roots)[12:07] – Did Lewis think his dreams were spiritually significant?[12:46] – The Dark Tower and J.W. Dunne's Experiment with Time: precognitive dreams[15:21] – Lewis, Tolkien, and their shared interest in time and dreams[16:29] – Lewis's belief in precognitive dreams and his complicated relationship with Dunne's theories[17:22] – The Dark Tower: the chronoscope and alternate timelines[20:01] – Dreams as portals to other realities; Lewis's strong belief in the supernatural[22:07] – Lewis's imaginative receptivity; running toward and away from something[24:09] – Preface to Paradise Lost, letting the "leash slip," and Lewis's portrayal of evil[26:13] – Other nightmare imagery in Lewis: The Last Battle, Perelandra, That Hideous Strength[27:31] – Ransom's strange dream in Perelandra; the Unman as absurdist horror[30:17] – Lewis and the word "un-man": dreams about his dead father and Perelandra's antagonist[32:24] – Lewis's horror of corpses; childhood trauma of seeing his mother's body[34:10] – Zombie squirrels and a digression to Grove City College[37:11] – Are Lewis's nightmares demonic? Dreams of lions before Narnia[38:24] – Lewis, modernism, surrealism, and the via negativa[40:21] – Till We Have Faces: modernist technique and divinely sent nightmares[43:03] – Aslan as terrifying: the scratch in The Horse and His Boy[46:09] – Mark in the Objective Room at N.I.C.E.: nightmarish images turning him toward the good[47:12] – Closing thoughts; terror and the uncanny as paths toward the good[50:07] – Where to follow Dr. Mills; current research on Lewis's library at UNC (including Lewis's marginalia)As always, if you want to get in touch, email me at [email protected]
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