The most played episodes among Podcast App listeners.

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   Number 1: TLP Interview with Judith Wechsler, Art Historian and Filmmaker

   "Walter, let's go for a walk." - Judith Wechsler, in the arcades of Paris. Professor Judith Wechsler is an art historian, filmmaker, writer, researcher, Francophile, and leading expert on Paul Cezanne and Honoré Daumier. She’s the daughter of a major religious philosopher. Her resume reads like a who’s who of 20th century art historians – Meyer Shapiro, Linda Nochlin, Leo Steinberg, Gershom Sholem. Her films tell the story of 20th century Europe, image by image. She was also my grad school advisor. And she’s now a dear friend. Hers is the voice that lingers in my head, reminding me to show my work. Her background in dance and filmmaking speak to someone who, like me, sees art and art history as something that can be understood not just academically, but creatively, and interpreted creatively. You just need to make sure there’s a net below that cliff to catch you. We all have a mentor, and Judith is mine. This conversation is deeply personal. It’s the story of a student, and her teacher, and the questions and answers that craft our journeys. Episode webpage Music used: The Blue Dot Sessions, "A Little Powder," "Basketliner" Support the show by becoming a patron or by just sending us a tip.

   May 12, 2025·48min
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   Number 2: Bonus - Why Public Radio Matters: A Conversation Between Rumble Strip's Erica Heilman and Jay Allison

   It's September, and time to get back to work. That means defending public radio against federal defunding, exploring its core values, and taking an honest look at how we got here. I'm proud to share this conversation between my Hub & Spoke colleague Erica Heilman, host of the exquisite and unflinching Rumble Strip, and her buddy Jay Allison, founder of Transom, producer of The Moth Radio Hour, and generally one of the most stalwart producers in the industry, about why public radio matters. Episode webpage. Support the show by becoming a patron or by just sending us a tip.

   September 05, 2025·27min
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   Number 3: In Plain Sight - Ep. 3: "Go Deeper"

   "You don't go look at a Rothko; you go inside a Rothko." - Claire, visitor, National Gallery of Art Modern art. Two little words that strike so much fear in the heart of the average museum goer. When you're used to straightforward, legible paintings and sculptures, Modernism can be pretty destabilizing. Pretty weird. Canvases are now spattered with paint, or lined with grids, or barely containing the shapes that seem to want to float away. A car tire is cut apart and reassembled. A giant mobile floats in the air, catching the breeze. And it's natural to ask, well, what does this mean? What is this piece about? How did I just go from Post-Impressionism to Fauvism to Cubism to Futurism, when the subject matter of these paintings all kind of look similarly shattered and rebuilt and hastily glued back together again? How could I ever understand the nuances of this stuff without a graduate degree? But I promise you, you can. Learn more. See the images. Music Used: The Blue Dot Session, “Tall Harvey,” “Highway 430,” “Ranch Hand,” “Cornicob,” “The Melt,” “A Common Pause,” “Within the Garden Walls,” “Basketliner”

   August 07, 2025·21min
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   Number 4: In Plain Sight - Ep. 2: "Listen Closer"

   "Questions and the search for answers, and the appreciation of beauty, and then wanting to share it with other people, to go look at it closely together. Then you realize you've got something that can feed you for the rest of your life as a career." - Emily Pegues, curator, National Gallery of Art. Museum curators are an intimidating species. Those experts with their degrees. How could they possibly remember what it was like to walk into a museum for the first time and feel overwhelmed by the sheer volume of history on display? How could they imagine what it’s like to be a visitor who doesn’t care about a landscape with cows? After all, we’re not born knowing the stories these paintings tell, or how to seek them out. In the second episode in our series, we’re going to explore how a long look into an artwork can inadvertently engage another sense: hearing. Hearing the stories that a painting can tell. And the curators at the National Gallery are here to help. Help put us in the best possible position to receive these stories; help us listen to what these paintings are saying to us. And how to imagine these stories moving through the centuries, embracing us the way they once embraced them for the first time, and making them want to do what they do. Learn more. See the images. Music Used: The Blue Dot Sessions, “Gentle Son,” “Pinky,” “Origami Guitar,” “Arizona Moon,” “Tangeudo,” “The Melt,” “Lina My Queen,” “Brer Rhetta,” “Georgia Overdrive”

   July 31, 2025·26min
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   Number 5: In Plain Sight - Ep. 1: "Look Longer"

   "There are different levels of looking. And it's exciting to bring people to the different levels." - Estelle Quain, docent, National Gallery of Art How do YOU feel when you walk into an art museum? Is it familiar? Intimidating? Do you have a guard trying to shush you, or an overly-enthusiastic friend trying to tell you what to like? Are you joyful? Are you sad? Are you… bored? You’re not alone. Whether it’s your first time in an art museum or your 10,000th, everyone’s going to respond differently. That’s why we made this podcast. In June of 2024, I was honored to be the Storyteller-in-Residence at the National Gallery of Art in Washington, DC. I spent a week in the museum talking to and recording as many people as I could: curators, museum staff, visitors. We talked about what brought them to the museum, and what keeps them there. We talked about what makes the museum experience transcendent, and, bluntly, what can get in the way of that - what stands in the way of connecting with an artwork, what makes them feel like they never learned the secret knock to access this world. After all, in order to make a space inviting, you have to understand why some people can feel left out. In this three-part series, a collaboration between the National Gallery of Art and The Lonely Palette, we’re going to explore the idea of what it means to open yourself up to an art museum, one artwork, or conversation, at a time. And how the tools to do this have been here for you all along, literally in plain sight, just waiting for you. Today, in the first episode of our series, I talked to various museum staff about preconceived notions of art that visitors bring with them to the museum. We discussed how their jobs are to meet visitors where they’re at, and to encourage them to go further. To look longer. Learn more. See the images. Music Used: The Blue Dot Sessions, “Brer Rhetta,” “Greylock,” “Alustrat,” Vela Vela,” “Caprese,” “Setting Pace,” “Our Fingers Cold”

   July 24, 2025·26min
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