The Lonely Palette

By Tamar AvishaiArts Visual Arts

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Typical duration
23 min
per episode

Based on Podcast App listening data

The Lonely Palette episodes

May 18, 2021 Bonus - Look With Your Ears No. 1: Abstraction
Artists Explored:
Agnes Martin, Jackson Pollock, Mark Bradford, Jasper Johns, Donald Judd
See the Images:
addison.andover.edu/AboutUs/Pages/Podcast.aspx
Music Used:
The Blue Dot Sessions, “The Zeppelin,” “Pinky,” “Flattered,” “A Little Powder,” “Arizona Moon,” “Daymaze,” “The Summit,”
Jason Leonard, “Ritual Six”
Further Listening:
The Lonely Palette on Jackson Pollock: bit.ly/3eUQdsE
The Lonely Palette on Jasper Johns: bit.ly/3hDFq82
Support the Show:
www.patreon.com/lonelypalette
23 min
May 12, 2021 Trailer - Look With Your Ears (in partnership with the Addison Gallery of American Art)
For more information on the exhibition, visit:
addison.andover.edu/Exhibitions/90/…es/default.aspx.
Music used:
The Blue Dot Sessions, "Waterbourne"
2 min
April 22, 2021 Re-ReleaseEp. 37 - Ansel Adams' "The Tetons and Snake River" (1942)
Music used:
The Andrews Sisters, "Bei Mir Bist Du Schoen"
The Blue Dot Sessions, “Vibrant Canopy”, “Bridgewalker”, “The Yards”, “Silver Lanyard”, “Velvet Ladder”
Tamar Avishai, “Michigan”
Joe Dassin, “Les Champs-Elysees"
See the images:
bit.ly/2znbBEL
Support the show:
www.patreon.com/lonelypalette
28 min
April 01, 2021 Ep. 52 - Ólafur Elíasson's "Untitled (Spiral)" (2017)
Music used:
The Andrews Sisters, "Bei Mir Bist Du Schoen"
The Blue Dot Sessions, “Daymaze,” “Plate Glass,” “Discovery Harbor,” “Wahre,” “Checkered Blue,” “Quarry Clouds,” “Enter the Room”
See the images:
bit.ly/3sJUXWu
Support the show:
www.patreon.com/lonelypalette
32 min
March 08, 2021 Re-ReleaseEp. 28 - Yoko Ono's "Cut Piece" (1964)
See the images:
www.thelonelypalette.com/episodes/201…t-piece-1964
Music used:
The Andrews Sisters, "Bei Mir Bist Du Schoen"
The Blue Dot Sessions, "Plaster Combo", "Valantis", "Strange Dog Walk", "Hundred Mile", "Down at the Bank""
Support the show:
www.patreon.com/lonelypalette
26 min
February 18, 2021 Ep. 51 - Mary Kelly's "Post-Partum Document" (1973-79)
See the images:
bit.ly/3uaWHta
Music used:
The Blue Dot Sessions, “La Inglesa,” “Eggs and Powder,” “Paper Feather,” “Arizona Moon,” ”Lowball,” “Palladian,” “Simple Vale”
Support the show:
www.patreon.com/lonelypalette
37 min
January 28, 2021 Re-ReleaseEp. 20 - Henryk Ross's Photographs of the Lodz Ghetto (1940-44)
See the images:
www.thelonelypalette.com/episodes/201…-lodz-ghetto
Music used:
The Blue Dot Sessions, "Doghouse", "Drone Pine", "Drone Birch", "3rd Chair", "Our Fingers Cold"
Support the show:
www.patreon.com/lonelypalette
25 min
December 19, 2020 TLP Interview with Ralph Steadman, Artist & Illustrator
[2:18]: Love of Picasso and Duchamp.
[3:11]: Where do you start with caricature, the body or the soul?
[5:40]: Drawing with a pen – “no such thing as a mistake.”
[7:09]: The difference between illustration and “fine art”.
[9:55]: Use of the geometric in Steadman’s work, ink spatter, a conversation with the paper.
[13:10]: Coming to the U.S. in 1970, David Hockney “Paranoids”.
[14:30]: Use of photographs and text in drawing.
[15:15]: I, Leonardo, the terror of the blank canvas, and “prorogation”.
[17:53]: Style, “exposing depravity” and being purified by drawing it.
[22:33]: Early career before collaborating with Hunter S. Thompson, alchemy, gonzo.
[29:08]: Favorite faces to draw.
[30:48]: 2020, the pandemic, and finding the birdsong in doom.
Interview Webpage:
bit.ly/38erSJX
Music Used:
The Blue Dot Sessions, "Crumbtown"
Support the Show:
www.patreon.com/lonelypalette
37 min
December 18, 2020 BonusEp 0.4 - Tamar Avishai interviews Ralph Steadman
You’ve seen the work of 84-year-old Welsh artist and illustrator Ralph Steadman, even if you haven’t realized it. His searing political caricature and trademark flying ink spatter have illustrated major works of literature and journalism for the past half-century – and most notably the hallucinogenic writing of Hunter S. Thompson, resulting in an alchemic collaboration that wove together journalism and illustration to create what history has described as Gonzo, and what Steadman calls the meeting between an ex-Hell’s Angel with a shaved head and a matted-haired geek with string warts.
We spoke in advance of his new retrospective, “Ralph Steadman: A Life in Ink,” and talked about this storied, ink-stained career: what it means to illustrate depravity, how a caricature can capture both body and soul, and where to look for the ever-present birdsong that undergirds our current doom.
[2:18]: Love of Picasso and Duchamp.
[3:11]: Where do you start with caricature, the body or the soul?
[5:40]: Drawing with a pen – “no such thing as a mistake.”
[7:09]: The difference between illustration and “fine art”.
[9:55]: Use of the geometric in Steadman’s work, ink spatter, a conversation with the paper.
[13:10]: Coming to the U.S. in 1970, David Hockney “Paranoids”.
[14:30]: Use of photographs and text in drawing.
[15:15]: I, Leonardo, the terror of the blank canvas, and “prorogation”.
[17:53]: Style, “exposing depravity” and being purified by drawing it.
[22:33]: Early career before collaborating with Hunter S. Thompson, alchemy, gonzo.
[29:08]: Favorite faces to draw.
[30:48]: 2020, the pandemic, and finding the birdsong in doom.
Interview Webpage:
http://bit.ly/38erSJX
Music Used:
The Blue Dot Sessions, "Crumbtown"
Support the Show:
www.patreon.com/lonelypalette
37 min
December 04, 2020 Ep. 50 - Carrie Mae Weems' "Not Manet's Type" (1997)
See the images:
bit.ly/3omDroO
Music used:
Django Reinhardt, “Django’s Tiger”
The Blue Dot Sessions, “Jumbel,” “Turning to You,” “Pastel de Nata,” “Junca,” “Min,” “Basketliner”
Support the show:
www.patreon.com/lonelypalette
35 min

About The Lonely Palette

From the publisher's feed

Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum…