The Mariner's Mirror Podcast

Freak Ships of the Nineteenth Century is the title of a pamphlet written in 1966 by J Guthrie, then an employee of the maritime classification society Lloyds Register. It was written for private circulation amongst the staff. Guthrie realised that, as the premier classification society Lloyds Register were able to produce a very good technical description, often directltly from plans, reports and records of conventional ships. But this left a gap in their knowledge - 'But what of the unorthodox ships, the rebels from tradition: those monsters and freaks of the nautical world which, throughout the whole of the 19th century attained transient fame (or notoriety) before disappearing from the scene for ever?'. Guthrie's pamphlet aimed to answer that question by exploring some of the most radical nautical designs of the nineteenth century. 

This episode, the second of four, looks at the circular ships, usually associated with the Russian Vice-Admiral Popov, that came to be known as Popovkas. First built in 1873, these vessels were designed for the defence of Russia's shallow Black Sea coasts. With a limited draught of just thirteen feet, these vessels were nonetheless heavily armed and armoured. To find out more Dr Sam Willis spoke with the naval historian Stephen Mclaughlin.

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Freak Ships of the Nineteenth Century is the title of a pamphlet written in 1966 by J Guthrie, then an employee of the maritime classification society Lloyds Register. It was written for private circulation amongst the staff. Guthrie realised that, as the premier classification society Lloyds Register were able to produce a very good technical description, often directltly from plans, reports and records of conventional ships. But this left a gap in their knowledge - 'But what of the unorthodox ships, the rebels from tradition: those monsters and freaks of the nautical world which, throughout the whole of the 19th century attained transient fame (or notoriety) before disappearing from the scene for ever?'. Guthrie's pamphlet aimed to answer that question by exploring some of the most radical nautical designs of the nineteenth century. This episode, the first of four, looks at Monitors, a vessel type named after the original ship Monitor, built by the Union Navy in 1861 during the American Civil War. She led to an entire class of vessels all of which shared her curious design: an ironclad warship designed to float only just above the surface, with a single turret, to present as small a target as possible. To find out more Dr Sam Willis spoke with Andrew Choong Han Lin, a curator at the National Maritime Museum in Greenwich, London.

Subsequent episodes will look at circular ships, cigar ships and the unique Cleopatra, an iron vessel designed and constructed for the sole purpose of bringing an ancient Egyptian obelisk to London from Alexandria.

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This is the second episode dedicated to that maritime masterpiece of Samuel Taylor Coleridge, The Rime of the Ancient Mariner.

The first episode is a fabulous new reading of the poem with a specially-commissioned composition and soundscape designed to enthral the listener with the poem's weird, ethereal, supernatural glory.

This episode explores the text by crossing the boundaries between history and science, land and sea, past and present. Dr Sam Willis speaks with John Spicer, Professor of Marine Zoology at the School of Biological & Marine Sciences, at the University of Plymouth. John argues hat the poem could teach us a lesson or two about the way we treat our environment today.

In The Rime of the Ancient Mariner a sailor kills an albatross, which sets off a chain of events that fundamentally alter the sailor's world. Similarly, today we live in a world in which humankind is increasingly out of kilter withe natural world. The world is changing; it is transitioning. We are grieving for our climate. In particular there are numerous ways in which we have irrevocably altered the marine environment. The ocean's temperature is increasing and it is becoming more acidic. Through our activities that have impacted biodiversity we have set in motion what some scientists consider the greatest extinction of life in its history. Coleridge would not recognise the world in which we live after successive and relentless generations of technical and industrial revolutions, and yet his poem is oddly prophetic.

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This is the first of two episodes dedicated to that magical piece of prose so beloved by all with an interest in the sea – Samuel Taylor Coleridge’s The Rime of the Ancient Mariner, first published in 1798. Many know of it, some have read it but few people have actually heard it in full, and listening to this masterpiece is the best way of appreciating its full maritime and supernatural glory.

This episode therefore presents The Rime of the Ancient Mariner, in full. It is also a traditionally masculine poem, written by a man and usually read or performed by a man, usually an English man – so to help appreciate this story through a different lens, the story is read today by the wonderfully talented Elaine Kingston – who you are soon to discover, is a Scottish Woman. To bring the story to life we have also commissioned the multi-talented composer Jamie Whyte to create an original work that combines music and sound effects. The combination of Elaine's reading and Jamie's soundscape creates a dramatic new interpretation of this poem.

Coleridge’s story begins at a wedding party where a man is accosted by a grizzly old sailor, beady of eye, who begins to unravel his own history. We hear how he sailed from his home harbour south, and is trapped in ice at the South Pole. They manage to break free and the sailors credit their salvation to an albatross; but the mariner then shoots the bird with a crossbow. Although, initially, it seems like a good move for these superstitious folk, things start to go horribly wrong and the murderer of the albatross is blamed. The sailor is forced to hang the carcass round his neck and over time becomes more appreciative of the natural world - which redeems him.

The text is dramatic and haunting and Coleridge explores numerous themes and sub-themes. It defies any single interpretation but you will certainly hear themes of retribution, punishment, guilt, curse and fear.

Part 2 of this episode features an interview with Professor John Spicer, Professor of Marine Zoology at the School of Biological & Marine Sciences at the University of Plymouth, who believes that the poem could teach us a lesson or two about the way we treat our environment today.

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Scholars debate the period when pirates actually ruled the waves - and the answer certainly depends on the location in question - but by general consensus it was all over by 1730 and it had begun some 80 years earlier, around 1650. The Golden Age of Piracy had been born in this crucial period when European maritime powers were flexing their muscles and starting to project naval power beyond the horizon. As empires grew so did the quantity and quality of trade and the seas became littered with merchantmen carrying indescribable wealth across the oceans. And yet this was a time when the maritime geographies of the new empires was imperfectly known, and when navigation was still as much guesswork as it was a science - this was the period immediately before the means to calculate longitude accurately had been discovered. The result was that ships carried this trade at predictable times of year, on predictable routes, in locations that were impossible to police adequately. Although European naval powers did create naval bases in the tropics, it was a slow process and one with many pitfalls. At the same time thousands of young men were learning how to sail and how to fight in a near endless series of maritime wars. The result? A period of piracy so intense and colourful that it still lives on today in myth, legend, and increasingly detailed and accurate histories. To find out more Dr Sam Willis spoke with pirate historian Dr Jamie Goodall.

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Our Maritime Disasters mini series continues with the shocking, and scarcely believable tale, of HMS Guardian. In 1789 this 44-gun 2-decked ship of the Royal Navy was sent to the British colony in Australia under the guidance of the brilliant Captain Edward Riou. She was chock-full of convicts, livestock and provisions for the colony when she left England, and then re-stocked with provisions when the half-way point was safely reached at the Cape of Good Hope. Water was always a problem on such long journeys and any captain took advantage of a source of fresh water whenever it was discovered. Icebergs were such a source of fresh water, but approaching them was always fraught with danger, especially in the Atlantic hundreds of miles off the coast of South Africa when the weather could suddenly change....what happened next has been described as 'almost without parallel' in all of maritime history.

To find out more Dr Sam Willis spoke with Dr Margaret Schotte, professor of Early Modern History in York's Department of History whose book Sailing School: Navigating Science and Skill, 1550-1800 investigates how early modern sailors developed mathematical and technical expertise in the age of exploration and the print revolution - expertise that helped people like Edward Riou cope if it just so happened that their ship was horrendously damaged by an iceberg miles from home....

This episode includes a rendition of the song "The Forecastle Sailor, Or The Guardian Frigate" by the historian Seb Falk, most likely the first ever recording of the song.

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Our maritime disasters series continues with the anniversary of the first successful underwater trials in 1863 of the Confederate submarine H. L. Hunley.

Shortly after the Hunley’s first trials in late July 1863 she sank during another test run, killing five of her eight crew. She was raised but then sank again in October killing all eight of her crew including Horace Hunley, the vessel’s designer, before sinking for the last time in 1864, again killing all of her crew.

The story of the Hunley is remarkable - it’s one of those stories that you can return to time and again. The early submarine pioneers were exploring an environment as dangerous as the early space pioneers and did so willingly.

Why did these people willingly get inside an iron tube that was built to operate underwater at a time when the science of operating vessels underwater was not properly understood? Why did they continue to do so when the vessel repeatedly demonstrated it was dangerous?

To find out more Dr Sam Willis spoke with Michael Scafuri, senior archaeologist at the Warren Lasch Conservation Center in North Charleston South Carolina, today the home of the Hunley, as she was raised from the depths in 2000 with all of her secrets perfectly preserved.

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We continue our mini series on maritime disasters with the third part of our episode on the wreck of the magnificent Italian passenger liner the Andrea Doria. Launched in 1953 as a means to rebuild Italy's reputation and status on the world stage after the Second World War she enjoyed a splendid career for just three years before she sank in 1956 after a horrific collision off the coast of Massachusetts.To find out more about the wreck of the vessel itself Dr Sam Willis spoke with the underwater explorer John Moyer who has has dived over 120 times on the Andrea Doria wreck, one of the most dangerous wrecks in the world.

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This episode continues our mini series on maritime disasters and our investigation into the wreck, in the summer of 1956, of the Italian passenger liner, Andrea Doria. This episode includes eyewitness accounts from Linda Hardberger and Mike Stoller. Linda is now 80 and lives in San Antonio Texas – she has been a teacher, librarian, museum curator and is a mother and in spite of her terrible experience on the Andrea Doria has been boating for 40 years. Mike Stoller is now 89, lives in California and is one half of the songwriting team Lieber and Stoller – who wrote, among many other hits, Hound Dog, Jailhouse Rock and Stand by Me. The Andrea Doria was built in the 1950s, born from Italy’s bruised pride after the Second World War, and seen as a way to put Italy back on the map as a major player in the world of transatlantic travel. She became a hugely important ship for the Italian nation, a true icon of Italian culture and history. Launched in 1953 to great fanfare and fitted with the most exquisite Italian art, she enjoyed a successful career – though cut far too short by the events of July 1956.

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