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On 24 May 1945 the Supreme Commander of the German Navy, Admiral Karl Dönitz recorded the following words in his War Diary:
‘Wolf Pack operations against convoys in the North Atlantic, the main theatre of operations and at the same time the theatre in which air cover was strongest, were no longer possible. They could only be resumed if we succeeded in radically increasing the fighting power of the U-boats. That was the logical conclusion to which I came and I accordingly withdrew the boats from the North Atlantic. We had lost the Battle of the Atlantic.’
In this episode Dr Sam Willis speaks with U-boat historian Lawrence Paterson to find out how the U-boat shaped the global nature of the Second World War. The U-boat war was not confined to the Atlantic but fought in the Baltic, Mediterranean and in every other sea save for the Southern Ocean. It was a truly global conflict. Overstretched and undersupplied, it was this global nature of the U-boat role that ultimately doomed the campaign from the very start. Lawrence helps reset the mythology of the Battle of the Atlantic within the wider context of the war itself, analysing the chaotic German military and industrial mismanagement that occurred in all the theatres and hamstrung brilliant commanders and crews.
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Folklore, myths and legends relating to the sea have existed for as long as humans have been travelling by sea. The alien nature of the marine environment, the almost inconceivable scale of the oceans, the power of the sea, and the extraordinary richness in the ocean’s biodiversity has led to the creation and development of the most fabulous legends.
And one of the most important of those legends concerns women and the sea – women in the form of mermaids and sirens – both subtly different creatures: the mermaid having the torso of a woman and the tail of fish; a siren being a creature that first appears in Greek mythology, who lured sailors to shipwreck and death with their enchanting voices. Their appearance was different and although written descriptions are few and far between, they are depicted in art as birds flying over the sea and ships, but with the heads of women.
Such a rich story is culturally rather complicated. To find out more Eirwen Abborley-Watton spoke with Cecilia Rose a PhD Student at the university of Exeter whose work focuses on mermaids and sirens as figures of indeterminate gender in the art and poetry of the late Victorian Era and how these figures may still be used as symbols for transgender and non-binary communities today.
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Hosted on Acast. See acast.com/privacy for more information.
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The second of a new mini-series on ship models. Dr Sam Willis explores the extraordinary model of the SS Great Eastern held in the collections of the National Maritime Museum in London.
The Great Eastern, designed by Isambard Kingdom Brunel, was one of the most remarkable ships ever built.
She was the largest ship ever built – by an enormous margin.
measuring 692 feet(211m) and 17,274 tons gross she was almost twice as long as any ship that had ever been built.
Her registered tonnage was six times more than any ship ever built and in an age of the most extraordinarily rapid technological development her size was not actually surpassed until the launching of the Oceanic of 701 feet (214m) in 1899 and in tonnage by the Celtic of 21,035 tons gross in 1901.
She was the largest passenger ship ever built and could carry 4,000 passengers - seven times more than ever before. A figure not surpassed until 1913 by the German ship SS Imperator.
She was the first ships to carry three different methods of propulsion – screw, paddle and sail.
She was a pioneer in the laying of subsea telegraphic cables – laying the first successful Trans-Atlantic cable to USA.
For the video check out the Mariner's Mirror YOUTUBE channel!
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We explore the astonishing intertwined tales of both Robinson Crusoe and Alexander Selkirk, two men marooned on a desert island, one in fiction, one in real life.
Robinson Crusoe was a novel published in 1719 by Daniel Defoe – that supposedly came from the pen of Crusoe himself – and told the story of how he was marooned and spent 28 years on a deserted island in the Caribbean. The book was enormously successful and is widely considered to be the beginning of realistic fiction as a genre – Crusoe’s tale was entirely plausible at a time when ships were regularly sailing from the northern hemisphere to the tropics; when ships were regularly getting wrecked; when pirates were regularly attacking them; when there was still so much to discover about the world’s geography; when the idea of a sailor finding himself accidentally or deliberately abandoned on a desert island made perfect sense.
Crusoe’s story was based on a true story – the story of one Alexander Selkirk, a Scottish mariner who found himself castaway on a remote Pacific island for four years and four months a decade before Defoe wrote Robinson Crusoe. Selkirk is a fascinating character – and his history is absorbing, regardless of the fact that he found himself marooned. He was involved in buccaneering and privateering, he rounded the horn and sailed in the pacific where he attacked Spanish ships and towns – and it was here, on an island known as Mas al Tierra, 400 miles off the coast of Chile, that Selkirk chose to be marooned.
To find out more about these two brilliant stories, the way that Defoe intertwined them, and the way that we now believe they are intertwined, Dr Sam Willis spoke with Professor Andrew Lambert, Laughton Professor of Naval History in the Department of War Studies at King's College. In 2010 Lambert joined a German expedition to Mas al Tierra – now known as Robinson Crusoe Island, The expedition focused on the relationship between the fictional character of Crusoe, the real character of Selkirk, and the development of British global strategy that culminated in the arrival of Commodore George Anson’s naval expedition in 1741.
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