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On paper, Afire seems like it is an alegory for climate change. It is actually a movie about Corbin irritating himself to death. Whoops!
Next week's movie, part of a VERY SPECIAL CHRISTMAS PNWICMFP is MEET JOHN DOE, by Frank Capra. You can watch it here, on Criterion, or here, on the Internet Archive, because a long time ago someone forgot to renew the copyright.
Did anyone see the new Miyazaki movie, aside from me? My man is operating heavy in an allegorical space right now. Also the use of blues and greens... very cool. No one uses color better in the history of the medium, you ask me.
Godard episode bwah bwah bwah bwaaaaaaah. Jean-Luc Corbard and Jean-Ellis Godard talk about MASCULIN FÉMININ, a bog standard Godard movie about... I honestly don't remember. Topics include: The Boy from The 400 Blows, all grown up, two specific dogs, if modern man can really get Godard, and other stuff, I presume.
Next week's movie is AFIRE, by Christian Petzold. Watch it here.
On this episode, Corbin and Mattbin talk about THE EYES OF LAURA MARS, a movie about violent images and Tommy Lee Jones's nipples. Topics include: images of violence and how we process them as individuals and as a society, Haneke, the difficulty in seeing prolific character actor René Auberjonois as anyone but Odo, and Helmut Newton. Corbin says next week's episode will be about "The Devil, Probably," by Robert Bresson, but he called an audible and we went with Jean-Luc Godard's 'Masculin Feminin' instead. So be aware of that.
Matthew and Corbthew speak on Canadian God Sicko David Cronenberg's eXistenZ, a movie about video games, guns made of chicken bones, teeth bullets, the unnerving creep of virtual reality onto reality reality. Topics include: the Mandela Effect fuel that is Willem Dafoe one being in one Cronenberg movie, video games in their moral panic era, and Cronenberg as a kind of non-savant Lynch. You can watch the movie for free here, with ads.
Corbs and Matts talk about JAUJA, which is sort of like if Taken starred Viggo Mortensen, was excruciatingly slow, and ended with a deeply unsatasifying resolution. It was great! Please note that since recording this episode, Corbin learned about Patagonia. You can watch this week's movie here, on Kanopy.
Big Corbs and Lil' Matty Movies talk about THE TREE OF WOODEN CLOGS, an Italian neorealist epic about the Last Pesants and their nice community. Topics include: modernity's strange slow creep, the limits of community, and the weird little glasses the priest wears. Features audio problems because Corbin needs a New Mic, but you can handle that, right?
Matty and Corbsy talk about COMPUTER CHESS, American Director Andrew Bujalski's fable about AI, shitty hotels, flirting, free will and the Mysterious Man of Myth, Michael Papageorge.
Dr. Movies and Mr. Ducks take up "Wild in the Country," a Serious Drama starring Elvis Prestly, who you might know from his other, less dramatic roles. Discussion includes: screenwriter Clifford Odets, a leftist snitch who was also maybe corny, the hazy period when Hollywood was trying to break into method acting and not quite succeeding, if you can see Elvis as not-Elvis (you can't), and when, exactly, it became unacceptable to bang your cousin.
Corbin and Matt discuss OPPENHEIMER, Christopher "Mr. Movies" Nolan's biographical picture about the life and career of J. Robert Oppenheimer, the director of atomic bomb development at Los Alamos. Topics include: the hole where the idealogy was supposed to go, the movie's IMMACULATE casting, a therotical version of the movie made by Mike Leigh, and Nolan's dialogue.
Discussion regarding GOD TOLD ME TO, American sicko auteur Larry Cohen's tribute to the joys and perils of murdering someone because God said so. Topics include: the ways the movie has read throughout time, if movies should have narrative closure, and goop.
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