Corbin, Matt and SPACIAL GUEST SAM WHITELEY (Comedian, The Payton Years) talk about Foxcatcher, a BLEAK movie about wrestling (The non-cool kind), the world warping around the wealth of an unstable man, the question of what america actually is, and stamp collecting. If you like hearing Corbin say something unacceptably rude to a guest, this is the one for you!

Next week's episode is about Cecil B. DeMille's KING OF KINGS. It will be the first in a series of movies about JESUS OF NAZARETH, reagarded by most Christian sects as the incarnation of God on Earth. Watch it here. 

This week, Matt and Corbin talk about BORN IN FLAMES, a facinating little piece of second-wave feminist instigation from Lizzie Borden. I am worried we get something wrong about it by being white men talking about 'Born in Flames' so please do not hurt us. We talk about the movie's sense of feminism in relation to capitalism and how it feels very disassociated in the present day, the music in the movie, the sight of possible futures from the perspective of the present, and other stuff. 

Watch the movie here. Corbin also vicifoursly reccomends Lizzie Borden's other big feature, the neorealist middle class prostitution epic WORKING GIRLS, which you can see here.

Corbin's reccomendation can be acquired here (On sale!). Matt's is currently in theaters. Next week's episode is about FOXCATCHER, which can be seen here.

Corbin and Matt discuss "BAMBI," Walt Disney's animated classic about animal friends living in a forest idyl, and their deadliest, most terrifying enemy: human beings. 

You can read an enlightening and low key troubling essay about Bambi's literary origins here. 

Corbin's reccomendation can be seen here, on Kanopy. Don't read Ellis's reccomendation here. 

next week's episode is about "Born in Flames," by Lizzie Borden. Check it out here! 

Corbin and Matt talk about SEXY BEAST, a prehistoric crime drama from Jonathan Glazer. We talk about the advent of the chatty gangster picture, the way the movie does and doesnt subvert the tennants of this subgenre, end-of-history type blathering, and Ray Winsome, the titular Sexy Beast.

You can watch Corbin's reccomendation this week here. Also check out this Reba McEntire music video. Matt's can be seen here. You should check out Matt's if you want to stay current on upcoming episodes if you know what I mean. 

Next week's episode is about BAMBI. You can watch Bambi here, on Disney+, duh. 

THIS WEEK Corbin and Matt talk about 'News from Home," an avant-garde collage of still life 70's New York Footage and Chantal Akerman's mother's letters to her. It's really great but also there's not much to say about it in a podcast blurb, you know?

Next week we are discussing Jonathan Glazer's SEXY BEAST, which you can watch here, on Criterion or here, on Hulu. It's a wonderful movie! 

This week, Corbin and Matt talk about 'The Life and Death of Colonel Blimp,' Powell and Pressburger's incredible exploration of the life and career of a British Solider from the first half of the 20th Century. It's almost hard to talk about because it is such a rich text. We didn't even talk about how the central relationship of the movie reflects that of the movie's creators, we're so deep in it. 

You can, and should, watch this movie here, on Criterion, and here on HBOMax. 

If you want to read something really incredible about this movie, check out Kent Puckett's essay on the movie here, at JSTOR. Next week's episode is about Chantal Ackerman's "News From Home," which you can watch here. 

Corbin and Ellis and Cam, (A friend, the author of (In)Action), talk about David Lynch's stab at Frank Herbert's 'Dune,' on the eve of the release of Dune: Part Two. Topics include: why did they have David Lynch make this movie, exactly? Pardon the posting mess: it was Ellis's fault. Corbin is a GOOD BOY. Watch this movie here, if you dare. 

This week, Ellis and Smith discuss 'The Birds,' Hitchock's movie about that time all birds went buckwild and started mauling people. We talk about the various utilites of metaphor in addressing the picture, how fucking weird the non-birds parts of this movie are, the impressive job Hitch does in never giving you anhything close to a satisfactory cause and effect in the movie, and the less than impressive job he did in 'Respecting Tippi Hendren.' 

At the end of this episode we say that next week's episode will be "THE LIFE AND DEATH OF COLONEL BLIMP," available to watch here. But in real life we called an audible and will be talking about David Lynch's Dune instead. It's on HBOMax, which is a problem for Corbin, because he doesn't really HAVE HBOMax, per se. Wish him success in this journey. 

Today, Corbin and Ellis talk about HEAVEN'S GATE, Michael Cimino's mondo flop about the economics of cattle farming and a romance between a country singer and The Piano Teacher. The Cattle Economics stuff works better. 

Ellis and I watched the long version of this movie, which is available on DVD and streaming services. To the best of my knowledge, it is the superior version. Next week's episode is about Alfie Hitchie's "THE BIRDS," which can be seen on Criterion for ten or so more days. 

Hey whoops we were supposed to do Heaven's Gate this week but Corbin got the flu so we're releasing this backstopped episode regarding Howard Hawks' 1931 Pre-Code sleazesterpiece SCARFACE, a movie I suggested as a historical inquiry that ended up being one of the best things we've watched for the show. Topics include: violence, incest, the movie's wild mis en scene, and some other stuff.