Specialising in philosophy of mind, Sam Coleman is a reader in philosophy at the University of Hertfordshire. Coleman's main work centres around questions concerning consciousness, predominantly, on what has come to be known as 'the hard problem of consciousness'. To paraphrase Colin McGinn, the problem can be summarised as follows: how does soggy grey matter give rise to vivid technicolour experience?

In this episode, we're going to be focusing on Coleman's views concerning 'Personhood, Consciousness and God', specifically relating to pantheism. In a word, pantheism is the view that God is identical with the universe, as the pantheist slogan goes, "God is everything and everything is God." If we are to think of personal identity as a stream of uninterrupted consciousness, Coleman argues that pantheism runs into significant problems. Instead, Coleman suggests an alternative theory of personhood which leaves open the possibility of a personal God, which is identical with the universe. As we will find, Coleman's view bridges fascinating philosophical questions concerning personal identity, metaphysics of consciousness and God, into an original and exciting pantheist theory.

Specialising in philosophy of mind, Sam Coleman is a reader in philosophy at the University of Hertfordshire. Coleman's main work centres around questions concerning consciousness, predominantly, on what has come to be known as 'the hard problem of consciousness'. To paraphrase Colin McGinn, the problem can be summarised as follows: how does soggy grey matter give rise to vivid technicolour experience?

In this episode, we're going to be focusing on Coleman's views concerning 'Personhood, Consciousness and God', specifically relating to pantheism. In a word, pantheism is the view that God is identical with the universe, as the pantheist slogan goes, "God is everything and everything is God." If we are to think of personal identity as a stream of uninterrupted consciousness, Coleman argues that pantheism runs into significant problems. Instead, Coleman suggests an alternative theory of personhood which leaves open the possibility of a personal God, which is identical with the universe. As we will find, Coleman's view bridges fascinating philosophical questions concerning personal identity, metaphysics of consciousness and God, into an original and exciting pantheist theory.

Rutger Bregman is a historian and author, best known for his bestselling book, Utopia for Realists: and how we can get there. Arguing for new utopian ideas such as a fifteen-hour work week and universal basic income, Utopia for Realists has been translated into over 30 different languages, making headlines and sparking movements across the world.

Despite the fact we've never had it better, says Bregman, here in the Land of Plenty, we lack the desire and vision to improve society. The crisis of our times, of our generation "is not that we have it good, or even that we might be worse of later, but that we can't come up with anything better… Notching up purchasing power another percentage point, or shaving off our carbon emissions; perhaps a new gadget – that's about the extent of our vision."

At best, Bregman provides us with a desirable and achievable vision of human progress; a world with no borders, 15-hour work weeks and a universal basic income for everybody. At worst, Bregman wakes us up from our dogmatic slumber, encouraging us to ask important questions about 21st-century life. In his own words:

"Why have we been working harder and harder since the 1980s despite being richer than ever? Why are millions of people still living in poverty when we are more than rich enough to put an end to it once and for all? And why is more than 60% of your income dependent on the country where you just so happen to have been born?"

Part I. Utopia for Realists.

Part II. Further Analysis and Discussion.

Rutger Bregman is a historian and author, best known for his bestselling book, Utopia for Realists: and how we can get there. Arguing for new utopian ideas such as a fifteen-hour work week and universal basic income, Utopia for Realists has been translated into over 30 different languages, making headlines and sparking movements across the world.

Despite the fact we've never had it better, says Bregman, here in the Land of Plenty, we lack the desire and vision to improve society. The crisis of our times, of our generation "is not that we have it good, or even that we might be worse of later, but that we can't come up with anything better… Notching up purchasing power another percentage point, or shaving off our carbon emissions; perhaps a new gadget – that's about the extent of our vision."

At best, Bregman provides us with a desirable and achievable vision of human progress; a world with no borders, 15-hour work weeks and a universal basic income for everybody. At worst, Bregman wakes us up from our dogmatic slumber, encouraging us to ask important questions about 21st-century life. In his own words:

"Why have we been working harder and harder since the 1980s despite being richer than ever? Why are millions of people still living in poverty when we are more than rich enough to put an end to it once and for all? And why is more than 60% of your income dependent on the country where you just so happen to have been born?"

Part I. Utopia for Realists.

Part II. Further Analysis and Discussion.

Published in 1915, Franz Kafka's The Metamorphosis is a gruelling and ironic depiction of the pressures imposed by family and profession in the Twentieth Century. The novella centres around travelling salesman Gregor Samsa who, one morning, finds himself transformed into an insect. What follows, depending on the interpretation, is a reflection of how modern life provides a misunderstanding of predicament and a lack of empathy towards those who have been beaten down by an unforgiving capitalist system.

Equally, The Metamorphosis asks questions of Gregor himself. Over time he has continued to disregard his own well-being and autonomy, seeing himself as the saviour of his family's debts. Yet, by doing so, he has missed the fact that his family appear to resent the house he has chosen to rent, or that their debts are not quite as bad as they seemed. He has taken a cross which he need not have beared.

In the words of Vladimir Nabokov, "In The Metamorphosis, contract and unity, style and matter, manner and plot are most perfectly integrated".

Contents

Part I. The Life of Franz Kafka.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Published in 1915, Franz Kafka's The Metamorphosis is a gruelling and ironic depiction of the pressures imposed by family and profession in the Twentieth Century. The novella centres around travelling salesman Gregor Samsa who, one morning, finds himself transformed into an insect. What follows, depending on the interpretation, is a reflection of how modern life provides a misunderstanding of predicament and a lack of empathy towards those who have been beaten down by an unforgiving capitalist system.

Equally, The Metamorphosis asks questions of Gregor himself. Over time he has continued to disregard his own well-being and autonomy, seeing himself as the saviour of his family's debts. Yet, by doing so, he has missed the fact that his family appear to resent the house he has chosen to rent, or that their debts are not quite as bad as they seemed. He has taken a cross which he need not have beared.

In the words of Vladimir Nabokov, "In The Metamorphosis, contract and unity, style and matter, manner and plot are most perfectly integrated".

Contents

Part I. The Life of Franz Kafka.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Published in 1915, Franz Kafka's The Metamorphosis is a gruelling and ironic depiction of the pressures imposed by family and profession in the Twentieth Century. The novella centres around travelling salesman Gregor Samsa who, one morning, finds himself transformed into an insect. What follows, depending on the interpretation, is a reflection of how modern life provides a misunderstanding of predicament and a lack of empathy towards those who have been beaten down by an unforgiving capitalist system.

Equally, The Metamorphosis asks questions of Gregor himself. Over time he has continued to disregard his own well-being and autonomy, seeing himself as the saviour of his family's debts. Yet, by doing so, he has missed the fact that his family appear to resent the house he has chosen to rent, or that their debts are not quite as bad as they seemed. He has taken a cross which he need not have beared.

In the words of Vladimir Nabokov, "In The Metamorphosis, contract and unity, style and matter, manner and plot are most perfectly integrated".

Contents

Part I. The Life of Franz Kafka.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Published in 1915, Franz Kafka's The Metamorphosis is a gruelling and ironic depiction of the pressures imposed by family and profession in the Twentieth Century. The novella centres around traveling salesman Gregor Samsa who, one morning, finds himself transformed into an insect. What follows, depending on the interpretation, is a reflection of how modern life provides a misunderstanding of predicament and a lack of empathy towards those who have been beaten down by an unforgiving capitalist system.

Equally, The Metamorphosis asks questions of Gregor himself. Over time he has continued to disregard his own well-being and autonomy, seeing himself as the saviour of his family's debts. Yet, by doing so, he has missed the fact that his family appear to resent the house he has chosen to rent, or that their debts are not quite as bad as they seemed. He has taken a cross which he need not have beared.

In the words of Vladimir Nabokov, "In The Metamorphosis, contract and unity, style and matter, manner and plot are most perfectly integrated".

Contents

Part I. The Life of Franz Kafka.

Part II. The Plot.

Part III. The Meaning.

Part IV. Further Analysis and Discussion.

Currently Visiting Professor of Science and Religion at Union Theological Seminary in the City of New York, Robert Wright's work in journalism, psychology and philosophy has been deeply influential. Robert is the author of many best-selling books including 'The Moral Animal: Why We Are the Way We Are: The New Science of Evolutionary Psychology', 'Nonzero: The Logic of Human Destiny', 'The Evolution of God', and most recently, 'Why Buddhism is True: The Science and Philosophy of Meditation and Enlightenment'.

Our focus for this episode is Robert Wright's latest book, Why Buddhism is True. In a word, Wright defends the Buddhist view that 'the reason we suffer is because we don't see the world clearly'. The reason we don't see the world clearly, says Buddhism, is because our perception of our own minds and 'the outside world' is impaired by illusions. Viewing Buddhism through the lens of evolutionary psychology, Wright argues that we have good reason to think that this Buddhist claim (that suffering is caused by illusion) is true, and that Buddhism also holds the answer to how we can alleviate ourselves from illusion and suffering.

Part I. Why Buddhism is True.

Part II. Further Analysis and Discussion.

Currently Visiting Professor of Science and Religion at Union Theological Seminary in the City of New York, Robert Wright's work in journalism, psychology and philosophy has been deeply influential. Robert is the author of many best-selling books including 'The Moral Animal: Why We Are the Way We Are: The New Science of Evolutionary Psychology', 'Nonzero: The Logic of Human Destiny', 'The Evolution of God', and most recently, 'Why Buddhism is True: The Science and Philosophy of Meditation and Enlightenment'.

Our focus for this episode is Robert Wright's latest book, Why Buddhism is True. In a word, Wright defends the Buddhist view that 'the reason we suffer is because we don't see the world clearly'. The reason we don't see the world clearly, says Buddhism, is because our perception of our own minds and 'the outside world' is impaired by illusions. Viewing Buddhism through the lens of evolutionary psychology, Wright argues that we have good reason to think that this Buddhist claim (that suffering is caused by illusion) is true, and that Buddhism also holds the answer to how we can alleviate ourselves from illusion and suffering.

Part I. Why Buddhism is True.

Part II. Further Analysis and Discussion.