Concluding on "Universality and Truth" from Richard Rorty's Pragmatism As Anti-Authoritarianism. It it coherent to simply not have a theory of truth? Rorty claims that he's not a relativist; he's just avoiding some useless parts of philosophy that just cause problems, including inculcating the respect for a non-human absolute, and this attitude undermines democracy.

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Chicago's iO Theater was graced on August 21 by Mark, Bill, and special guest theater educator James Whittington, who spoke about embodiment (see Maurice Merleau-Ponty), the possible disconnect between meaning and tone, and being in the physical presence of greatness. They acted out scenes (while still sitting!) about an unsuccessful party and Experiences-R-Us. 

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On "Universality and Truth" and "Pan-Relationalism," which are lectures 3-5 in Richard Rorty's Pragmatism As Anti-Authoritarianism.

How do we justify democracy? Rorty says we don't have to refer to transcendent Truth or Good to do this. He also denies the disinction between essential and accidental properties, and in fact between substance and property: Everything is just described in terms of its relations to other things, and which relations are important are not intrinsic to the thing, but a matter of a speaker's purposes.

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In light of the new film Trap, we look at this writer/director's oeuvre. Was he a bright light (The Sixth Sense) that at one point went out (certainly by The Happening), and has that light gone back on as he's regained full control in his most recent films (Knock at the Cabin, The Visit, et al.)? Is he a genius, overrated, or somehow both? 

Mark, Lawrence, Sarahlyn and Al disagree both about Trap and about the overall Shyamalan experience. 

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Amy started out as an NYC punk fan, was in the "cow punk" band Last Roundup with her brother, and then in a vocal trio called The Shams that released an album and an EP around 1993. She finally emerged as a full front-person as a solo artist in 1997; she's since released nine solo albums plus three more with her husband Wreckless Eric, who now serves as her producer.

We discuss "Bricks" from Hang In There With Me (2024), "Genovese Bag" by Amy Rigby and Wreckless Eric from A Working Museum (2012), and "Beer and Kisses" from Diary of a Mod Housewife (1997). End song: "Dancing with Joey Ramone" from Little Fugitive (2005). Intro: "Dark Angel" by The Shams from Quilt (1993). More at amyrigby.com.

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Continuing on Richard Rorty's Pragmatism As Anti-Authoritarianism, ch. 1, "Pragmatism and Religion" and 2, "Pragmatism as Romantic Polytheism."

Rorty evaluates past pragmatists' approaches to religion, arguing contra James that it can't be "privatized," that democratic social goals involve shared rationality, which means that all of our beliefs are open to the judgment of our peers.

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We begin a long series on Maurice Merleau-Ponty's "Phenomenology of Perception" (1945), focusing on Part I, "The Body": "Experience and Objective Thought."

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On Richard Rorty's Pragmatism As Anti-Authoritarianism (1997), ch. 1-2 about religion. Should democracy be defended on absolutist grounds, e.g. by reference to God-given or natural rights, the nature of Man, or the dictates of Reason?

Rorty says no! Democracy, ethics, and even truth itself are a matter for societies to decide for themselves. Monotheistic religion provides a negative model for ceding authority on these matters no something non-human.

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As Pretty Much Pop ends its 5th year of podcasting, Mark, Lawrence, Sarahlyn and Al break from our usual format to talk in a more free-form way about the thin line between the "new" media we talk about on the show and the classics of yesteryear.

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Continuing on "Knowledge First Epistemology" (2011), "Justifications, Excuses, and Sceptical Scenarios" (2015), and "Morally Loaded Cases in Philosophy" (2019).

How does knowledge-first epistemology relate to reliabilism? What are its moral implications? Does W. have a good argument against relativism and skepticism?

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