Over the last several years, American listeners have grown more and more attuned to the sounds of West African pop music—also known as Afrobeats–whether it’s the swaggering Nigerian Afro-fusion of Burna Boy, the playfully genre-bending anthems of Ghanaian-American singer Amaarae, or the enthusiastic dabbling of stateside superstars like Drake and Diplo. On this episode, Pitchfork Editor Puja Patel is joined by Nigerian journalist Joey Akan, publisher of the Afrobeats Intelligence newsletter, and Mankaprr Conteh, Pitchfork Editorial Operations Associate, for a discussion about the music’s global rise and the West’s complicated rush to embrace it, as well as the fraught nature of the term “Afrobeats” itself. 

Building Pitchfork’s year-end lists of the best albums and songs is a lengthy and painstaking process, involving careful consideration of the 1,000-plus releases we review each year, and others we may have missed. We include innumerable factors in our decision-making, but sometimes it’s a matter of following instincts: with a gun to your head, which would you choose? On this episode, Pitchfork Editor Puja Patel is joined by Reviews Editor Jeremy Larson and Contributing Editor Andy Cush for some good-natured arguments about which songs by some of our favorite artists—like Waxahatchee, Phoebe Bridgers, Destroyer, and Moses Sumney—should make the cut this year.

A few months ago, we launched the Pitchfork Request Line, asking listeners to call in with requests for music to soundtrack whatever is going on in their lives. On this episode, Pitchfork Editor Puja Patel is answering your requests along with Contributing Editors Rawiya Kameir and Philip Sherburne. They take calls from a midwestern transplant who’s nostalgic for her suburban D.C. hometown, a Mancunian looking to recapture the feeling of his city’s famously vibrant live music scene, and a father who’s teaching his kids music history by way of Willie Nelson. They also discuss the music they’ve been turning to for comfort during a difficult year.

In a year of historic protests, on the eve of a critical election, we’ve been thinking a lot about the place of music in movements for social and political change. In this episode, Pitchfork Editor Puja Patel speaks with Jason King, professor at NYU and founding faculty member of the Clive Davis Institute of Recorded Music, and Allison Hussey, Pitchfork Associate Staff Writer, about the changing role of protest music across American history, from 19th-century Black spirituals to Public Enemy, Lady Gaga, and Janelle Monáe. They also touch on the secret history of a Bob Dylan classic, and the new ways pop stars have engaged with activism in the social media era.

A global pandemic hasn’t slowed the prolific output of Adrianne Lenker, who released her gorgeous solo collections songs and instrumentals this week, not long after making two of 2019’s most celebrated albums with her band Big Thief. On this episode, Lenker chats with Pitchfork Editor Puja Patel about the music that accompanied her occasionally turbulent journey from childhood as a musical prodigy to adulthood as one of her generation’s greatest songwriters. She touches on an early fascination with jazz guitarist Pat Metheny, a teenage encounter with the songs of Elliott Smith, and the story behind her Leonard Cohen tattoo.

What is hyperpop? A movement? A meaningless label? A Spotify playlist? Whatever the answer, it surely has something to do with 100 gecs, the duo of Laura Les and Dylan Brady, whose songs sometimes sound like the last three decades of popular music happening all at once. On this episode, Pitchfork Editor Puja Patel interviews Les and Brady about their conflicted relationship to the genre they’ve come to embody, as well as their influences—ranging from PC Music to Lil Wayne to John Zorn to Britney Spears—and a new wave of artists who are taking their cues from gecs themselves. 

It’s been six months since the live music industry operated under any semblance of normalcy in the U.S., thanks to COVID-19. Which means most of us haven’t seen a proper show in at least that long. When will concerts come back, and what needs to happen before they do? Are outdoor events and reduced-capacity venues safe and financially viable options? Can a livestream really match the energy of an in-person performance? On this episode, Pitchfork Editor Puja Patel is joined by two veterans of putting on shows—Kristen Kaza, co-founder of Chicago’s beloved Slo ‘Mo series of queer dance parties, and Adam Krefman, Pitchfork’s own Executive Director of Festivals—to discuss those questions, as well as their own experiences with navigating the pandemic’s challenges