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This episode we all hail to the king and sing the praises of Army of Darkness. The conclusion to the Evil Dead saga trilogy trades horror for high adventure and humor, and it does it with incredible flair.
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This week we've packed up and are heading back out to that cabin in the middle of the woods for Evil Dead 2: Dead By Dawn. We're joined by filmmaker Brad McHargue to tackle whether this is a sequel or remake, how the passage of time and experience allowed this to be a bigger and bolder experience and the role that Stephen King played yet again in helping Sam Raimi's young career. This is the movie where it feels like Bruce Campbell becomes the knuckleheaded Ash we've come to know and love all these years later. Plus, and this is very important, we get into an in-depth discussion on the difference between school lunches in America vs Canada. Riveting stuff as always.
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After a couple months tackling the extreme and often dank and depressing world of French horror, we needed a bit of a reprieve. We need a little bit of rest and relaxation. We need to get away from all the hustle and the bustle and the grind of the everyday world. So we’ve packed up a weekend travel kit, gotten behind the wheel of our old jalopy and are taking the back roads to a little cabin in the middle of the woods. What could possibly go wrong as we set out to break down the Evil Dead franchise?
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We wrap up our overview of French horror with a movie so upsetting, Mike made it a point to lock every door and window to his place despite living on the third floor of a building at the time. This one is A LOT, & our host is joined by Jim Rohner of the Cast of Cthulu pod to discuss what it is that's so upsetting about this home invasion flick that mixes elements of cat & mouse thrillers with slasher films and extreme body horror.
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RAW is a coming of age story through the lens of cannibalism and extreme body horror. Julia Ducournau's feature directing debut alternates between strikingly beautiful imagery and blood soaked horror that sickens the stomach. This week we're joined by Reyna Cervantes (co-host Horror in Session) and Sarah Anne Stubbs (co-host Geeks Who Eat) to talk the near Cronenbergian levels of body horror RAW delivers.
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It's been called The Paris Texas Chainsaw Massacre by smartasses, but Xavier Gens debut feature is a one of the most overtly political movies of French extreme horror. Inspired by the rise of right wing nationalism and violent clashes between protestors and Parisian police in the early 21st century, Frontiers is the grim tale of four Muslims that escape Paris' burning streets after committing a robbery only to fall captive to Nazi saluting cannibals on the outskirts of society. It is one of the bloodiest, gnarliest and mot grizzly titles we've discussed to date. Joining us this week is returning guest-writer & illustrator Dani Ryan. Dani tells us of her love for extreme horror and why this one resonates with her.
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This week we kick off our retrospective of French horror with one of the most nihilistic, brutal and unpleasant movies we've ever covered: Pascale Laugier's Martyrs. This unrelenting film features a final act that puts the audience front and center for one of the most horrific torture scenes in movie history. Despite all of the horror, is there a glimmer of hope in the film's ultimate message? We ask Mary Beth McAndrews (Scarred for Life) for her thoughts on extreme horror, trauma and victimhood, nihilism, and Mademoiselle's eyebrow game. If there ever was a show where we wanted to leave our listeners a sobbing puddle of existential goo, this one is it.
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This week, DeVaughn Taylor of the Bloody Blunts podcast joins Mike and Lindsay to talk about one of their collective favorite horror films of the past ten years: SINISTER. We travel down a pretty winding road this week as we talk about finding footage that's not found footage, killer kids, family annihilators, the problems with true crime as entertainment, the pros and cons of jump scares, suburban paranoia, Daddy Hawke and his cardigan, and so much more.
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This week, we're joined by the co-host of the Horror Queers Trace Thurman to talk about the final FINAL DESTINATION movie (for now). Talk about going out on a high note. This one is a return to form with a stunning opening set piece and a jaw dropper of an ending that turns the film upside down as a sneaky prequel pic.
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