The Projection Booth

Wings of Desire, the 1987 film from Wim Wenders, stars Bruno Ganz as Damiel and Otto Sander as Cassiel, two angels out of many that watch over Berlin. They are immortal observers, watching the goings-on of the myriad people around them. Yet, they can never experience the full world in which the humans live. They know not taste, touch, feeling, or love...
Small Screen Cinema's Joe Yanick joins Mike to discuss Peter Falk, the sequel Faraway, So Close!, and the American remake City of Angels on this episode.
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On this special episode of The Projection Booth, Mike talks with Jeffrey Schwarz about his latest documentary, The Fabulous Allan Carr (2017) which follows the life and career of producer and caftan enthusiast Allan Carr. We discuss his triumphs like Grease and La Cage aux Folles as well as Grease 2 and Can't Stop the Music.
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On this special episode of The Projection Booth, Mike talks to Lydia Tenaglia about her film Jeremiah Tower: The Last Magnificent (2016), a documentary about culinary pioneer Jeremiah Tower and his travels and travails.
Ms. Tenaglia also shares stories of her early career; working on medical reality shows (Trauma: Life in the ER) and her role in bringing Anthony Bourdain to television.
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Based on a book by David Wong, Don Coscarelli's John Dies at the End (2012) stars Chase Williamson as a character named David Wong while Rob Mayes plays the titular John. The film chronicles the otherworldly adventures of Dave and John as they ingest a new drug, Soy Sauce, and travel to other dimensions.
Special guest Glynn Turman plays Detective Lawrence Appleton in the film. He discusses his "accidental" career and his groundbreaking appearance in "Peyton Place" as well as some of his favorite roles in Cooley High, The Serpent's Egg, and more.
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On this special episode of The Projection Booth, Mike talks with Professor Jad Smith about his book, Alfred Bester, part of the University of Illinois Press series, Masters of Science Fiction.
Bester, a master craftsman of prose, is best known for his seminal sci-fi books The Stars My Destination and The Demolished Man.
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Based on Charles Neider's book The Authentic Death of Hendry Jones, One-Eyed Jacks (1961) tells the tale of Rio AKA The Kid, played by Marlon Brando, and Dad Longsworth, played by Karl Malden. The two are outlaws who take very different paths, the Kid being a "noble" criminal while Dad eventually becomes a servant of the law. We watch them spar in the coastal Californian city of Monterrey where the tumultuous water serves as a metaphor for the raging emotions inside each man.
The film was originally supposed to have been a powerhouse production with Sam Peckinpah writing the adaptation, Stanley Kubrick directing, and Brando as the star. But things don't always work out the way they're supposed to. Instead, this became the first and only film that Brando directed.
Jamey Duvall and Paul Zimmerman join Mike to discuss Brando, Westerns, and more. Special guest Toby Roan is the author of the upcoming A Million Feet Of Film: The Making Of One-Eyed Jacks.
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On this special episode, Mike talks with director Steven Shainberg about his career from The Big Hit (1996) to Secretary (2002), to Fur (2006) to his latest, Rupture (2016) starring Noomi Rapace, Michael Chiklis, and Peter Stormare.
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Mike talks with Brian Hunter about the line-up for Cinetopia 2017, the annual film festival which takes place in Ann Arbor and Metro Detroit. For more information visit http://www.cinetopiafestival.org/
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On this special episode of The Projection Booth we discuss Michael Radford's 1984 version of George Orwell's Nineteen Eighty-Four starring John Hurt as Winston Smith, Suzanna Hamilton as Julia, and Richard Burton as O'Brien.

Emily Intravia of the Feminine Critique podcast and Samm Deighan of the Daughters of Darkness podcast join Mike to discuss Radford's 1984 as well as several other TV and film adaptations from the 1950s.
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In The Lost One (AKA Der Verlorene) (1951) we find Peter Lorre as Dr. Karl Rothe (AKA Dr. Karl Neumeister), working at a displaced persons camp after World War II. When a figure from his past, Hösch (AKA Nowak) (Karl John), appears at the camp the two men reminisce about their shared history during the war.
The film is a tense film noir by way of the German trümmerfilm (rubble film) and the only feature directed by Peter Lorre.
Daniel Bird and Samm Deighan join Mike to discuss The Lost One, Fritz Lang's M, and much more.
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