The Projection Booth

Lemon Popsicle (AKA Eskimo Limon AKA Going All the Way) is a heartfelt 1978 coming-of-age sex comedy written and directed by Boaz Davidson and produced by Menahem Golan and Yoram Globus.
Mike talks with writer/director Boaz Davidson, star Zachi Noy, and star of the Lemon Popsicle remake, Last American Virgin, Diane Franklin.
Oren Shai and Heather Drain join Mike to discuss the original film, the American remake, and the 8(!) other films in the series. 
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Sam Fuller's Run of the Arrow (1957) tells the tale of O'Meara (Rod Steiger) the man who shot the last bullet of the Civil War. Disenfranchised by Reconstruction, he heads west to live with the Sioux (lead by Charles Bronson). Relevant in 1957 when the U.S. was tearing itself apart over Civil Rights, the film is still as relevant in today's tumultuous times.
Filmmaker Samantha Fuller discusses A Fuller Life (2013), the documentary about her father's life, while Christa Fuller offers insight about the making of Run of the Arrow. Paul Talbot, author of Bronson's Loose!: The Making of the Death Wish Films, discusses Charles Bronson's career and the times he played Native Americans in film.
Joining Mike are film scholar Cullen Gallagher and Joseph Maddrey, author of The Quick, the Dead and the Revived: The Many Lives of the Western Film.

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The Projection Booth celebrates our 300th episode with Russell Mulcahy's Highlander (1986), a science fiction/fantasy film in which immortals fight through time until only two remain -- Connor MacLeod (Christopher Lambert) and The Kurgan (Clancy Brown). Though originally a box office flop, the film found new life on cable and VHS before spawning a bizarre franchise.

The film's director, Russell Mulcahy, and original screenwriter, Gregory Widen, discuss their relationship with Highlander. Josh Hadley and Mike Thompson join Mike White in unravelling the many incarnations of the film's progeny.

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Noirvember 2016 concludes with a look at Arthur D. Ripley's The Chase (1946). Adapted by Philip Yordan from a Cornell Woolrich novel, the film tells the tale of Chuck Scott (Robert Cummings) a down-on-his-luck veteran who ends up working for gangster Eddie Roman (Steve Cochran) before falling for Roman's wife (Michèle Morgan) and stealing away with her to Cuba.
Cullen Gallagher and Maitland McDonagh join Mike to discuss The Chase, Cornell Woolrich, and more.
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Directed by Boris Ingster with a screenplay by Frank Partos , Stranger on the Third Floor (1940) defines the stylistic conventions that would come to be known as film noir. The movie stars John McGuire as a hot shot reporter and Margaret Tallichet as his best gal (who eventually becomes the protagonist). He's framed for a murder committed by the man only known as "The Stranger" (Peter Lorre).
Maitland McDonagh and Samm Deighan join Mike to discuss this first entry in the film noir pantheon as well as what it helped spawn. Author Stephen D. Youngkin joins the program to talk about the captivating Peter Lorre.
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Difficult to find on home video for many years, Jack Bernhard's Decoy (1946) stands as a highly off-beat film noir in which Margot Shelby (Jean Gillie) plays the consummate femme fatale with designs on the $400,000 her lover, Frankie (Robert Armstrong), has hidden. She needs to break him out of jail in order to get her hands on the money and does so by allowing him to be executed, only to bring him back from the dead...
Writers Christa Faust and Maitland McDonagh join Mike to discuss this usual film.

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The Frontier (2015) is a retro neo-noir in which Laine (Jocelin Donahue), a woman on the run, finds her way to a diner/hotel where the owner, Luanne (Kelly Lynch) hosts an amalgam of shady characters.
Film archivist Jared Case joins Mike to speak to director Oren Shai and co-writer Webb Wilcoxen about this new film.
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One of the most delightfully unusual movies of the decade, Jim Hosking's The Greasy Strangler (2016) is the tale of Big Ronnie (Michael St. Michaels) and Big Brayden (Sky Elobar), a father and son with a tense and greasy relationship. Trouble starts when Janet ( Elizabeth De Razzo), a disco tourist, enters the picture...

Skizz Cyzyk joins Mike to talk about this hilarious film.
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David Lynch's Mulholland Drive (2001) lived a double life as a television pilot and feature film. A neo-noir that plays with themes of identity, roleplaying, and obsession, the film stars Naomi Watts as innocent ingénue Betty Elms and Laura Elena Harring as Rita, a woman with a past hidden from herself.
Mike talks to Patrick Fischler and Laura Harring about their roles in Mulholland Drive (and a lot more). Professor Erik Marshall and author Jedidiah Ayres help elucidate the mystery of Mulholland Drive.

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In Coke Sams's Existo (1999), the Moral Majority runs the U.S. while artists like Existo (Bruce Arnston) and Maxine (Jackie Welch) hide out in The Sewer, an underground club run by Colette Watchuwill (Gailard Sartain).
Brought to us by some of the folks behind the Ernest films, Bruce Arnston, Coke Sams, and J. Clarke Gallivan, Existo is a hyperbolic, hysterical musical that is perfect viewing for this election cycle.
Skizz Cyzyk and Scott Calonico join Mike to discuss Existo as well as the Ernest P. Worrell (Jim Varney) phenomenon.
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