The Projection Booth

Brace yourself for a mind-melting trip into cinematic obscurity as Mike White, Heather Drain, and Ben Buckingham dive headfirst into There Is No 13 (1974), the elusive, long-suppressed anti-war film from director William Sachs. Blending absurdist humor, surreal vignettes, and unflinching commentary on the Vietnam War, the film follows draftee George Thomas (Mark Damon) through a fractured journey of memory, fantasy, and emotional unraveling.

Almost impossible to find and never properly released in the U.S., There Is No 13 has lived more as rumor than repertory staple, with tales of government pressure and controversy haunting its legacy. First screened at the Berlin Film Festival to strong reactions, it’s become a ghost of radical cinema -- one that challenges, confounds, and sticks in your brain like shrapnel.

As part of our “Maudit May” celebration of cursed and forgotten films, this episode comes with a warning: spoilers abound, so track down this rare gem if you can. Then come back for a lively, unfiltered discussion of one of the strangest anti-war films you’ve never seen.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

Mike welcomes director Lexi Alexander to discuss her latest film, Absolute Dominion (2025), a dystopian martial arts thriller set in a world torn apart by religious warfare. They dig into the film’s provocative premise, the challenges of balancing action with social commentary, and the process of staging large-scale fight sequences on screen. Lexi shares insights into the production, working with actors like Désiré Mia and Alex Winter, and her thoughts on the state of modern genre filmmaking.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

Actor James A. Watson Jr. joins Mike White in The Projection Booth for a lively and insightful conversation about his remarkable career. Best known for his work on Quincy, M.E., The Rookies, and Hill Street Blues, Watson reflects on breaking into Hollywood, the challenges he faced as a Black actor, and his early film roles in Halls of Anger and The Organization. He shares behind-the-scenes stories from Airplane II: The Sequel and offers a candid look at working in both television and film across the 1970s to today. 

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

The Marvel machine rolls on! Mike welcomes Chris Stachiw and Father Malone back to The Projection Booth to unpack Thunderbolts (2025), Marvel’s latest plunge into the morally murky side of the MCU. With a roster of antiheroes and reformed villains, Thunderbolts flips the superhero script—so does it soar or stumble? The trio dives deep into the film’s character dynamics, chaotic action, and franchise fatigue, pulling no punches as they debate whether Marvel’s gamble pays off.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

Mike welcomes film writer Mike Sullivan and critic/podcaster Amy Nicholson to dig into So I Married an Axe Murderer (1993), Tommy Schlamme's cult romantic comedy where Mike Myers plays it (mostly) straight — no prosthetics, no outlandish characters, just a jittery San Francisco beat poet navigating his fear of commitment. That is, until his charming new love, played by Nancy Travis, starts to look suspiciously like a black widow killer. Expect plenty of riffs on the film’s quirky mix of romance, murder mystery, and Myers’s rare leading-man turn — plus some love for its killer soundtrack and sharply oddball 90s vibe.

Producers Cary Woods and Rob Fried join Mike to discuss the behind-the-scenes of the film.

Addendum: I think that it may have been James Gammon who played Gus, Charlie's mentor, in the deleted scenes.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

Director Rachel Feldman joins Mike to discuss her powerful new film Lilly (2025), a long-overdue portrait of activist Lilly Ledbetter. They explore the real-life struggles that inspired the story, the battle to bring Lilly’s fight for equal pay to the big screen, and the challenges of crafting a deeply personal historical drama in today’s Hollywood landscape. Feldman shares behind-the-scenes insights into the film’s development, the emotional performances at its core, and why Lilly’s story continues to resonate now more than ever.

The film opens in the US on May 9, 2025.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

In an episode 14 years in the making, Mike White, Mark Begley, and Chris Stachiw discuss Airplane II: The Sequel (1982), the zany follow-up to the original comedy classic. The episode features exclusive interviews with Ken Finkleman, Al Jean and Mike Reiss, plus conversations with Robert Hays and James A. Watson Jr.. Expect hilarious stories, insider perspectives, and a look at how the sequel carved its own path in comedy history.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

Join us on The Projection Booth as we welcome back Turner Classic Movies host, Alicia Malone, to discuss her latest book, TCM Imports: Timeless Favorites and Hidden Gems of World Cinema. In this episode, we delve into how Alicia curated a selection of international films, organizing them by season and mood to provide the perfect watch for any time of year. Alicia shares the fascinating process behind the book's creation, including the hidden gems she unearthed during her research and her personal favorite discoveries. Whether you're a newcomer or a seasoned cinephile, this conversation is packed with insights and recommendations that celebrate the rich diversity of global cinema.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

Tension simmers and explodes in La Haine (1995), Matthieu Kassovitz’s electrifying portrait of disenfranchised youth in the Parisian banlieues. Mike is joined by guest co-hosts Lumi Etienne and Judith Mayne for a deep dive into the film’s kinetic black-and-white visuals, pulsing energy, and unflinching look at police violence, social unrest, and systemic alienation.

Set over a volatile 24-hour span, the story follows three friends -- Vinz, Saïd, and Hubert (Vincent Cassel, Saïd Taghmaoui, and Hubert Koundé) -- as they struggle to navigate a world marked by brutality, disillusionment, and rage.

Special guest Ginette Vincendeau, one of the foremost scholars of French cinema, brings essential context to the conversation, examining La Haine’s place in postcolonial French film, its socio-political impact, and its enduring relevance in the global discourse on race, power, and resistance.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.

Co-hosts Maurice Bursztynski and Jonathan Melville join Mike to take on a Patreon request from listener John Atom -- Nevil Shute’s On the Beach. They dive into both the 1959 Stanley Kramer film and the 2000 TV mini-series directed by Russell Mulcahy. Set in the aftermath of a nuclear holocaust, the story centers on a U.S. submarine that finds refuge in Melbourne, Australia, where residents face the grim reality that the fallout is heading their way.

The episode explores the emotional depth and existential dread of both adaptations, from the restrained melancholy of Gregory Peck and Ava Gardner to the more modern approach with Armand Assante and Rachel Ward. With perspectives shaped by different eras, the hosts unpack how each version captures the quiet devastation of waiting for the end.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at http://weirdingwaymedia.com.