Bassist Jorge Roeder is from Peru; vocalist Sofía Rei is originally from Argentina. Both of them are based here in New York, and have worked with a broad range of New York musicians (John Zorn, Bobby McFerrin, Julian Lage, and many others); and that experience is reflected in the ease with which they move between Latin, jazz, and experimental music. (Between them they’ve worked in classical music, jazz, avant-garde, Latin music, metal, and electronics.) Their brand new album together, called Coplas Escondidas, is just the two of them – voice and bass – and it's a collection of songs with a variety of quietly thrilling textures and dramatic melodies. Sofía Rei and Jorge Roeder play in-studio. 
Set list: 1. Días de Sitio 2. Prestados 3. Negro Sobre Blanco

The Quiet Thrill and Expressive Song-Play of Sofía Rei and Jorge Roeder, In-Studio

WNYC, New York Public Radio, brings you Soundcheck, the arts and culture program hosted by John Schaefer, who engages guests and listeners in lively, inquisitive conversations with established and rising figures in New York City's creative arts scene. Guests come from all disciplines, including pop, indie rock, jazz, urban, world and classical music, technology, cultural affairs, TV and film. Recent episodes have included features on Michael Jackson,Crosby Stills & Nash, the Assad Brothers, Rackett, The Replacements, and James Brown.

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Singer Kiran Ahluwalia was born in India, grew up in Canada, and is largely based here in New York. Her music reflects her transcontinental upbringing, as she mixes the sounds of traditional South Asian song forms with Western rock and jazz. A two-time JUNO (Canadian Grammy) winner, Ahluwalia’s work has featured collaborations with leading musicians from the Celtic and Fado worlds, as well as Malian super group, Tinariwen. Her six-piece band includes electric guitar, tabla, drum kit, accordion/organ and electric bass and is led by guitarist Rez Abbasi, a Pakistani-American who is also Ahluwalia’s husband. Her latest album, Comfort Food, features songs that protest Hindu fundamentalism in India and the nationalism that continues to stir conflicts between India and Pakistan and celebrates pancakes… Kiran Ahluwalia and her band perform some of these songs in-studio. - Caryn Havlik
Set list: 1. Dil 2. Tera Jugg 3. Pancake

Kiran Ahluwalia's Songs of Protest and Hope

Shabaka Hutchings, now Shabaka, has been a crucial and connected London-based musician for years, leading arena dance-jazz band Sons of Kemet, cosmic psych-dub-funk trio The Comet Is Coming, and the collaborative band Shabaka & the Ancestors. He began incorporating layered flutes on the last Sons of Kemet record Black to the Future, and kept on picking up more and other woodwinds, first on his 2022 ambient meditation, Afrikan Culture, and now on his new full-length, Perceive Its Beauty, Acknowledge Its Grace. On it, Shabaka plays flutes: the Slavic woodwind called svirel, Japanese shakuhachi, Andean quena, and even clarinet. Plus, rapper and flutist André 3000 contributes flute to “I’ll Do Whatever You Want”.
This time, in his visit to our studio, Shabaka, together with Charles Overton on harp and Austin Williamson on drums, play some of the songs from Perceive Its Beauty, Acknowledge Its Grace. Plus, Shabaka talks us through the different flutes in his bow case, including a clay turtle ocarina and a non-student shakuhachi. Read more on Shabaka’s Shakuhachi journey via SoundAmerican. – Caryn Havlik
Set list: 1. Insecurities / As the Planets and the Stars Collapse 2. Living 3. I'll Do Whatever You Want 

Shabaka's Latest Adventure: Connecting to Nature and Breath With Flutes

José James has often been called a “jazz singer for the hip hop generation,” having come to jazz through tracing hip hop samples and over the course of twelve records, he’s also incorporated R&B;, soul, rock, funk, and Latin music into his songs. While he’s mostly sung his own music over the years, he has occasionally covered songs by some of his favorite artists: Bill Withers, Gil Scott-Heron, Erykah Badu and Billie Holiday.
James has just released a new album called 1978, which sees him looking back, past hip hop, to the soul music of the 70s. But this is soul music with a message; songs like “For Trayvon” make that clear. But it’s also message-music with soul: José James closes the album with “38th & Chicago,” which has a jazzy bassline, an almost bossa nova guitar sound, and a Caribbean lilt in the percusson. José James and his band play some of these hot grooves in-studio. -John Schaefer
Set list: 1. Let's Get It 2. Planet Nine 3. Saturday Night (Need You Now)

José James Threads the Past Into Message-Music With Soul

American indie rock-chamber collective, San Fermin, has been making lush, wide-angled Baroque-pop songs for more than a decade. The band was founded by Brooklyn-based keyboardist Ellis Ludwig Leone, who has multiple creative outlets as a songwriter, classical composer, and founding partner (with bandmate Allen Tate) of a record label focused on collaborations. The latest batch of 'immediate pop' songs on the 2024 album, Arms, is about things falling apart, but the process of making it brought people together, (Brooklyn Magazine). The band San Fermin plays some of these new songs, in-studio.
Set list: 1. Weird Environment 2. Didn't Want You To 3. Arms

Community-Fueled Chamber-Pop By San Fermin

France-based Cameroonian musician and composer Blick Bassy’s quiet and beautiful songs fall somewhere on the spectrum of R & B, pop, and folk, while the sounds of West and Central Africa have continued to resonate. His Bandcamp calls it "Africanity at the crossroads of soul, folk, and electro". Past albums by Bassy have also referenced Delta blues, and his latest effort, Mádibá, dedicated to the theme of water, is full of modern electronic beats, delicate guitars, brass arrangements, and rich Bassa vocals. Blick Bassy is about to release an extended version of that 2023 LP; it’s called M​á​dibá Ni Mbondi and is due out on May 17. Catch him on tour in the U.S.A. this May. -Caryn Havlik
Set List: 1."Loba" 2."Hola Me" 3."Li Yanga"



Mádibá Ni Mbondi by Blick Bassy

The Quiet Thrill and Expressive Song-Play of Sofía Rei and Jorge Roeder, In-Studio

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