It’s been 80 years since the release of the Hollywood classic, Casablanca. When the film opened in 1943—just a year after the U.S. joined World War II—audiences were thrilled by its love story. Humphrey Bogart stars as the cynical owner of Rick’s Café, a nightclub in Morocco. Ingrid Bergman plays his old flame Ilsa, who’s married to a dashing Resistance leader hunted by the Nazis.

Many of the characters at Rick’s Café are European refugees trying to make their way to America. What most viewers didn’t know is that those characters were played by actors who themselves had recently fled the Nazis. This casting choice lent the film an authenticity that helped deliver its message: that a war far from our borders was a war worth waging.

The Real Refugees of Casablanca

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This month marks 30 years since Nelson Mandela became South Africa's first democratically elected president. However, the story of Mandela's rise to the presidency isn't all that simple. The four years between Mandela’s release from prison and his election to the presidency were some of the most violent in South Africa's history. That's the story you'll hear this week, as we revisit one of our favorite releases: Mandela: An Audio History.Listen to the full Mandela: An Audio History series at mandelahistory.org. Find all stories from Radio Diaries at radiodiaries.org.Follow us on X (formerly Twitter) and Instagram @radiodiaries.

Mandela's Election: 30 Years Later

50 years ago, radio broadcaster Studs Terkel published a book called WORKING: People Talk About What They Do All Day, and How They Feel About What They Do. Terkel went around the country with a tape recorder and had conversations with ordinary Americans about their jobs and their reflections on them. The book ended up being an unexpected bestseller. For a long time, the recordings of these interviews went unheard, but back in 2015, we and Jane Saks at Project& were given access to the original raw interviews. We also tracked down some of the people Terkel had interviewed to catch up on their lives, and made a series called "Working, Then and Now." 50 years later, it's interesting how much some jobs have changed, and others have disappeared entirely. Today on the podcast, we revisit that series in an hour-long special.

Working, Then and Now

Paul Alexander, one of two people in the U.S. still relying on an iron lung to survive, died on March 11, 2024 at the age of 78. Paul contracted polio in 1952 at six years old, and has had to rely on an iron lung — a big metal ventilator that encases the body from the neck to toes — since then. We spoke to Paul a few years ago about his life and the lessons he’s learned from living under uncommon circumstances. So, this week on the podcast, we’re sharing some of that conversation, as well as revisiting the story of the now the only person in the U.S. still relying on an iron lung to survive: Martha Lillard.

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This story has support from the National Endowment for the Humanities and listeners like you. Music from Blue Dot Sessions, Epidemic Sounds and the song “Iron Lung” by Taylor Phelan and the Canes. Follow us on X (formerly Twitter), Instagram and Facebook @radiodiaries, and visit us at radiodiaries.org.

My Iron Lung (Revisited)

We’re revisiting one of our favorite stories from years ago — with a new twist. Laura Rothenberg spent most of her life knowing she would die young. She had cystic fibrosis, a genetic disorder that affects the lungs. She documented her life in an audio diary, showing her attempt to live the normal life of a nineteen year old college student. Laura died in 2003 — but her audio diary wasn’t all she left behind.

You can find Laura Rothenberg’s book of poetry, When Poetry Visits, at https://www.codhill.com/product/when-poetry-visits/#:\~:text=The%20poems%20in%20this%20collection,people%20do%20by%20old%20age.

You can also find Laura’s memoir, Breathing for a Living, at Barnes & Noble and Amazon.

Thanks to Taylor Schilling for featuring in this episode. Special thanks to Bryan Doerries and Mary Rothenberg.

My So-Called Lungs (Revisited)

In 1921, a man named Harry Pace started the first major Black-owned record company in the United States. He called it Black Swan Records.

In an era when few Black musicians were recorded, the company was revolutionary. It launched the careers of Ethel Waters, Fletcher Henderson, William Grant Still, and Alberta Hunter, artists who transformed American music.

But Black Swan’s success would be short-lived. Just a couple years after Pace founded the company, larger, wealthier, white competitors started to take an interest in the artists whose careers Pace had propelled. Then, Pace’s own life took a mysterious turn.

This episode was originally published in 2021.

The Real Refugees of Casablanca

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