In this week's Rough Cut podcast, Gabriel Fleming, ACE talks about one of this summer's biggest movies, Angel Has Fallen.

Gabe tells us about...

• Going from Jean-Luc Godard to Gerard Butler
• Working solo vs collaborating with other editors
• Finding magical moments within handheld camera shots
• Working with 48fps in editorial
• Cutting against a "clock"
• The importance of lunch

In this week's episode, Emmy-winning editor Kelley Dixon, ACE calls in to talk about her experience editing her first feature film, Paramount Pictures' The Goldfinch. Kelley tells us about...

• The challenge of translating Donna Tartt's 800 page, Pulitzer prize-winning novel into a feature film
• How working on a feature compares to television
• Understanding how to serve the vision of the director while being true to yourself
• Being aware of when the characters are "aware"
• The power of profile shots, proscenium framing and pre-lap edits

Boo! Things take a turn for the creepy in this week's Rough Cut podcast with Jason Ballantine, ASE ACE as we talk about his new film, IT - Chapter Two.

Jason talks to us about...

• The challenge of following up the #1 box office horror movie of all time
• Working the pendulum between horror and comedy
• Literal headaches from VFX
• The balance between developing characters and driving plots

In this week's episode, veteran editor Robert Leighton joins us on a canal ride in Amsterdam to look back upon a career that includes such beloved films as; This is Spinal Tap, The Princess Bride, Bull Durham and When Harry Met Sally, just to name a few. Bob talks to us about…

• Pioneering the "mockumentary"
• The benefits of "flipping the gate"
• Finding refuge under the avocado tree
• Editing big to small
• Getting the day off on When Harry Met Sally

Recorded prior to EditFest LA '19, ACE Editors Molly Shock, Maura Corey, Jamie Nelsen and Tom Costantino hold court on the topic of Demystifying the Differences Between Scripted and Unscripted TV Editing.