The Screenwriting Life with Meg LeFauve and Lorien McKenna

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Joey Tuccio may know more writers in Hollywood than just about anyone. In fact, he loves writers so much, that he created an entire program to nature, incubate, and propel writers to representation through his brainchild ROADMAP WRITERS. Today, in a re-broadcast of a hugely attended Facebook live from 2023, we ask the hard questions about what it really takes to get a manager.

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John Hoffman is the first to admit his surprise at just how comfortable he felt directing Meryl Streep on his set for Only Murders In The Building. She's not the only legend to have appeared on the show...Steve Martin, Martin Short, Tina Fey, Paul Rudd, Nathan Lane: it's a murderers' row. And yet, it's been decades of hard work, ups and downs, passes, "almost-greenlights" and visits from Moetta...John's imaginary muse, that have earned him the confidence to showrun one of TVs most beloved comedies. Learn about how he built that confidence in today's lovely conversation.

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When Patton Oswalt considers a part, he has a simple litmus test: "When the movie is finished it's either gotta be, 'I can't believe they pulled this off, or this movie should not have been made.'" Risk has always been an important part of Patton's life as an artist in every medium: writing, acting, performing, and stand-up. Enjoy this incredible conversation with one of our best working stand-ups.

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Though he's perhaps best known as Miguel on This Is Us, Jon Huertas has been a TV staple for decades, having worked on broadcast, cable, and streaming, both in front of and behind the camera. With such a deep well of experience, Jon has incredible advice for TV writers in today's conversation.

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Years ago, Alex Convery and Tate Hanyok were merely attending the Austin Film Festival as screenplay competition winners, and this year, they're attending as panelists! Find out how they used the festival to meet writers, rep, and most importantly, motivate their career in the right direction.

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Barbara Stepansky’s career is the culmination of years of incredibly hard work. In addition to winning the highly competitive Nicholl Fellowship, Barbara is a WGA-award winner for a TV movie, the head writer on a German-language Netflix show, and a writer/producer on Starz’s Outlander. Today’s conversation is all about how Barbara built her uniquely multi-faceted career.

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How does a Chicago-based Indie film team break into Sundance, sell their movie at the fest, debut with a 100% on Rotten Tomatoes, and make a Box Office Splash? They make a really, really great movie. Writer/director Kelly O'Sullivan knows a thing or two about Indie Filmmaking; her debut "Saint Frances" won SXSW in 2019. Today she discusses how she writes, casts, and directs outside of the traditional indie ecosystem, and how you can, too.

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Whether it was writing for SNL in the '80s, writing RAT RACE in the 90s, or creating MONK in the 2000s, it's no secret that Andy Breckman has had an incredible career. What does he chalk it up to? Luck (and a whole lot of hard work).

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When Paul W. Downs, Jen Statsky, and Lucia Aniello were first pitching Hacks, they didn't have a precise tonal comp when the network asked. But the trio ultimately knew that they wanted a show that was allowed to be "hard funny," but still make lots of space for rich emotional moments. Today, Paul and Jen discuss HOW they walk that tightrope while writing, and how centering Ava and Deborah's professional and personal relationship serves as their creative North Star helps the process.

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Animation is a MEDIUM, not a genre. This, among many other important lessons on today's episode, is one of the first things Lorien tells people who are interested in writing animated TV for children. Today we discuss how to break into children's animated TV, how production considerations weigh into the writing process, and what it means to signal a "red alert" in your work (hint: this is a good thing).

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