The Screenwriting Life with Meg LeFauve and Lorien McKenna

Despite this being his first produced feature, David Hemingson's script for THE HOLDOVERS is one of the most celebrated of the year, nominated for over 40 industry prizes (including the Oscar), having won many of them. He's a self-proclaimed "journeyman" writer having bounced between children's animated, network comedy, and hourlong procedurals for over two decades. Even given his decades of experience, his approach to working with Alexander Payne was still one of humility, openness, and discovery. Today, David, Lorien, and Jeff, discuss how Hemingson's "unsellable" pilot about an all boys prep school became a new American classic.

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Hearing Celine Song discuss her authority as an artist is powerful stuff. Despite no feature film directorial experience, she knew she had the secret key to lead the production of Past Lives, which is now a 2024 Oscar nom: a fierce commitment to her script, the story, and characters. For Celine, all of the power and authority that we bring to our work comes from the simple fact that we are the authors and engineer of that sacred document that drives the whole thing: the script.

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We talk about lava, character wounds, and emotional storytelling ALL THE TIME on the show, but it's important to remember: there's more to good storytelling than an emotionally juicy character. Today, Oscar-winner (and friend-of-the-show) Michael Arndt discusses this, along with trends he is noticing in the evolving world of 21st century cinema.

GREAT RESOURCES FROM MICHAEL:

http://www.pandemoniuminc.com/

https://www.youtube.com/@michaelarndt8848

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Cord Jefferson knows what if feels like to watch a project die. Recently, he had a greenlit show that was so close to shooting that the production office for the show had an physical address. And then, it died. In a creative funk, Cord discovered Percival Everett's novel Erasure which immediately reignited a passion in Cord, and eventually became his debut feature film AMERICAN FICITION. Today, Cord discusses the process of adapting the novel.

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ORIGINALLY BROADCAST ON JUL 26, 2023

Despite being a multiple Academy Award winner, celebrated producer, and feature/TV director, Jodie Foster is still aiming for a singular goal: to tell truthful stories. On today's show, we discuss how Jodie processes her work, how she collaborates with others, and what Robert De Niro taught her on the set of Taxi Driver.

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Do you ever feel stuck in your work? Like there's an invisible wall blocking you from generating your best material? You're not alone, and today, we're thrilled to be joined by 5-time NYT bestselling author Adam Grant to talk about just this. Adam's new book HIDDEN POTENTIAL illuminates how we can elevate ourselves and others to unexpected heights, which couldn't be more relevant to you as a writer.

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Don't worry, we hate talking about it too. And yet, Paco de Leon has a way of discussing money that feels safe, generous, and even hopeful. She specializes in helping creatives and freelancers manage their money by talking about what they believe about their income and even...gulp...themselves. You'll feel better about both your finances, and yourself after we finish this conversation!

FOR MORE ON PACO: www.thehellyeahgroup.com

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As we navigate the holidays, it's easy to look back (and forward) on our career and feel a complicated mix of emotions. But at the end of the day, we HAVE to give ourselves permission to dream if we want to maintain stability in this business. Today, we discuss just that!

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It's that time of year when hundreds of Holiday Movies air on screens all over the world. Whether its Hallmark, Lifetime, Disney+, Netflix, or Apple, or even Theaters, it's one of the hottest markets around for emerging and professional writers, and for Holiday screenwriting Queen Eirene Tran Donohue, one of the best ways to break in. Listen to her break down why!

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Having begun his career as an actor, and then transitioned to an Oscar-winning writer/director, Tom has worn MANY hats in this business. Because of that, he has a particularly unique point of view when it comes to writing. Today, Tom discusses how he embraces his multiple creative identities when approaching the blank page, especially he considers drafts that are going to producers, the studio, or actors.

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