The Screenwriting Life with Meg LeFauve and Lorien McKenna

In this episode, Meg gets real about where she’s at in her writing process — the doubts, the stalls, and the honest truth of feeling stuck. We answer listener questions about momentum, mindset, and the tough question of when it’s time to move on from a project that just isn’t working. Whether you're in a rut or wrestling with a story that won’t cooperate, this one’s for you.

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Fresh off the massive critical and commercial success of FINAL DESTINATION: BLOODLINES, friend of the show Sheila Hanahan Taylor is back to share the ins and outs of producing a studio movie. What can writers do to develop a good relationship with a producer? How does a producer serve both the studio's voice and the writer's voice? On today's episode, Sheila unpacks it all!

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This week, we’re joined by Kim Rosenstock (DYING FOR SEX) to explore how a complicated protagonist with a simple goal drives interesting, rich, and emotionally resonant storytelling.

Through the lens of her deeply personal and genre-blending show, which she co-created with Liz Meriwether, Kim shares how clarity of objective gave DYING FOR SEX its emotional depth, tonal range, and narrative momentum — and why writers shouldn’t be afraid to keep their characters’ goals simple, even when the journey is anything but.

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What’s it like to collaborate creatively with your spouse — and still want to have dinner together after? This week, we’re joined by Joe Forte, screenwriter (Firewall) and longtime writing partner (and husband!) of Meg LeFauve.

We talk candidly about the unique dynamics of working with your life partner — the communication hurdles, the unexpected benefits, and how to protect both the relationship and the work. Plus, Joe shares the power of writing retreats, how he thinks about mentorship, and what it really means to support another writer’s voice while honoring your own.

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When you’re pitching — whether it’s on studio IP or your own original idea — what sets you apart is your take. But what does that actually mean?

This week, Jac Schaeffer (WandaVision, Agatha All Along) breaks it down. For Jac, a great take starts with the emotional core — “what is the deep down” that connects you to the material. From there, it’s about delivering a pitch only you could give: not necessarily linear or formulaic, but full of energy, essence, and personal vision.

We talk about how far is too far from the IP, how to navigate studio mandates, and how to protect your voice in rooms full of competing takes.

🎬 Jac’s first feature, TiMER, is now available to stream for free on Tubi!

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In this special roundtable, we’re joined by three working screenwriters — Nic Curcio, Kristen Tepper, and Julia Yorks — who have each built successful writing careers while also growing authentic, engaged followings online.

We talk candidly about the growing pressure for writers to maintain a social media presence. From expanding your network to attracting opportunities, social media can help. But it can also complicate your creative process, affect your mental health, and make the work feel secondary.

This conversation is an honest look at that tension — and how, with the right mindset, social media can become less of a burden and more of a creative outlet that reflects your voice, supports your goals, and connects you to a writing community in an often isolating industry.

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Check out Nic, Kristen, and Julia's social accounts below...

Nic Curcio

Instagram: @nicolascurcio | TikTok: @nicolascurciowriter

Kristen Tepper

Instagram: @kristentepper | TikTok: @teppertoks

Julia Yorks

Instagram: @juliayorks | TikTok: @juliayorks

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Trey Edward Shults is an inspiration to directors everywhere — including Jeff. His debut feature, KRISHA, was a no-name psychological drama shot in his own home on a shoestring budget under $30K. Against all odds, it won SXSW, screened at Cannes, and eventually sold to A24. KRISHA stands as a beacon for anyone looking to make a personal, ambitious feature with limited resources.

Now Trey is collaborating with The Weeknd, and even though their new film HURRY UP TOMORROW feels bigger in scale, Trey's storytelling ethos remains unchanged: center the character, prioritize emotion, and use the camera as a tool to highlight the story — not to distract from it.

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In this special edition of our mailbag series, we’re flipping the script. Instead of questions from newcomers, today we hear from working, professional screenwriters—people already inside the industry, navigating the real-world challenges of a creative career. From handling difficult notes to sustaining momentum between jobs, Meg and Lorien dig into what it means to grow and survive as a writer at the professional level.

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BUY ROB'S BOOK: https://www.amazon.com/FILM-DIRECTORS-FIELD-MANUAL-Filmmaking/dp/1662850549

Whether you're on set or on the page, great storytelling relies on clarity, efficiency, and emotional truth. This week, veteran director Rob Spera joins us to discuss his new handbook on the fundamentals of directing—and how those same principles can elevate your screenwriting. From working with actors to mastering visual storytelling, Rob shares actionable insights that will sharpen your craft and help you write with a director’s eye.

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Emily Brundige was tired of waiting around for gatekeepers to say yes. So, she stopped asking.

In this candid conversation with Lorien, Emily shares how her frustration with the traditional hurry-up-and-wait pitch process pushed her to self-produce an animated short. That project — born from passion, resourcefulness, and a refusal to wait — eventually became GOLDIE, a series now on Apple TV+.

They dive into what it actually takes to make your own work, how festivals and buzz helped build momentum, and why animation is such a powerful space for self-starters. If you've ever felt stuck in development limbo, this episode might just give you the spark (and strategy) to make your move.

CHECK OUT EMILY'S BOOK HERE: https://www.emilybrundige.com/

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