The Shit No One Tells You About Writing

In today’s Books with Hooks, Carly and CeCe critique two queries each, in the process discussing extraordinarily long query letters; why it’s tricky to have a character whose ultimate goal is death; including dual-POV in the metadata; the importance of curiosity seeds in the opening pages through interiority and emotionality; how not being specific enough in a query letter makes agents hesitate to request pages; lack of interiority in the third person; using spelling according to the country the story takes place in and/or where you’re pitching it; framing your memoir so it’s written for the reader, not the writer; starting a memoir with a bird’s-eye view or a summary of what happened; stripping the tension at the beginning of a story; and writing tightly on a scene level

After which Bianca chats with Abby Maslin, author of Love You Hard, about being clear as to why you’re writing a memoir; the universal threads of struggle that connect us as humans; removing shame from experiences; structuring a memoir; getting the reader to invest in the characters before throwing them into the action; not telling too much too soon; recognizing what parts of your memoir need to be cut out because they belong to a different memoir; and writing for therapy vs writing to tell a story

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Websites: www.theshitaboutwriting, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Abby can be found at www.abbymaslin.com and on Instagram at @abby_maslin

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In today’s Books with Hooks, Carly and CeCe critique two queries each, in the process discussing putting your own spin on a classic trope; writing physical descriptions of characters; the difficulties w beginning your novel focusing on a character who is not the protagonist; how to explain that you've had a previous agent; and a good example of voicey prose.

After which Carly chats with Kitty Johnson, author of Five Winters, about structuring a novel differently than the “norm”; creating obstacles for the main character to face; finding the balance between light and heavy topics; using emotional memories in writing; capturing grief in a story-forward way; and the most challenging and exciting things about Five Winters.

Finally, Carly and CeCe do their end-of-year wrap up!

Find us on our socials:

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Facebook: @tsnotyaw

Websites: www.theshitaboutwriting, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Kitty can be found at www.kittyjohnsonbooks.com and on Instagram at @kittyjohnsonbooks

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In today’s Books with Hooks, Carly and CeCe critique two queries each, in the process discussing the pros and cons of epistolary novels; the #ownvoices term being retired; baiting the reader in the opening pages; having too much character description and not enough plot in the query; linguistic calibration and earned emotionality; problems with omniscient POV and breaking the fourth wall; vulnerability in unlikable characters; and having a compelling ending to a chapter.

After which CeCe chats with Caitlin Barasch, author of A Novel Obsession, about her query letter and how she got her agent; how the editing process worked after the book deal; writing unlikable female characters; how suspense can live in the psychology of the story; writing tightly on a scene level; constantly keeping your character in motion on some level to keep the story moving forward; continually escalating things for the MC; writing “pause pebbles”; and how to find the heart of your story.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing

Facebook: @tsnotyaw

Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com 

Caitlin can be found at www.caitlinbarasch.com, on Twitter at @CatilinBarasch and on Instagram at @soembarasched

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In today’s Books with Hooks, Carly and CeCe each look at two query letters, and in the process discuss making sure interiority adds up—showing not just what a character thinks, but how they think; ensuring the line-level writing and unfolding of tension is allowing the reader to actively put the pieces of the puzzle together; ensuring there is specificity and the story climax in the query letter; making the first scene dynamic by giving the character a story-forward goal and a clear obstacle with power imbalance and sharp specifics; showing on the pages what a camera could capture and having interiority elevate that; using comps instead of themes in a query letter; using a selling type of language instead of a synopsis type of language in a query letter; and ensuring your hook can wow agents and editors, even in areas of a genre that are “soft” in the market right now.

After which, Bianca chats with Roxana Trabulsi, author of Of Mud & Honey about deciding on writing fiction instead of memoir; research vs personal experience; what constitutes ‘bloody good writing’; bringing a place alive that readers are not even remotely familiar with; reaching out to experts on the subject you’re writing about; publishing with an indie press; and including foreign words within the text.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing

Facebook: @tsnotyaw

Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com

Roxana can be found at www.roxanatrabulsi.com and on Instagram at @roxanatrabulsiwrites

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In today's Bonus Episode, Carly and CeCe answer all your burning questions, in the process discussing whether agents ever ask for full manuscripts right after reading a query; whether query word count will keep an agent from reading or requesting pages; the concept of “new adult"; and how to deal with query letters having been sent off with the incorrect comps.

After which Emilie Sommer from East City Book Shop joins us to give you her recommended comp titles.

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In today's Books with Hooks,  Jessica and Kate join Carly and CeCe who critique their work, in the process discussing  the important difference between a reader's curiosity about what happened before your pages started versus curiosity about what is going to happen in the novel; knowing exactly what you want your readers to be thinking  after reading your first pages; the issues with having a protagonist that is too self aware at the beginning of a novel; the requirements when choosing between  single and dual POVS; and the concept of the 'ick' factor.

After which, Bianca chats with Amber and Danielle Brown, twin sisters and co-authors of Someone Had To Do It . They discuss the synergy between co-authors as they’re developing characters and story; turning a script into a novel; making social and cultural commentary entertaining; drawing from your own life experiences; humanizing a really unlikable character to make them compelling; incorporating perfectly timed backstory; what to look for when choosing an editor and agent; and knowing when to say no to edits.

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Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com 
Amber and Danielle can be found at www.amberanddanielle.com and on Instagram at @amberanddanielle

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In today's Books with Hooks, Carly and CeCe each critique two query letters, in the process discussing WWII fatigue in the industry; the importance of the butterfly effect in time travel stories; how to compress plot in your query; packing in as many compelling elements as possible; and reading a perfect query letter.

After which, Bianca chats with Brad Smith, author of Copperhead Road, about how Bob Dylan, moonshine, and the origins of stock car racing inspired Copperhead Road; his experiences publishing with a small Canadian indie press; surprising the reader in the opening chapter; the importance of causality; how writing a book is like building a house; and killing your darlings.

Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com 
Brad can be found at www.bradsmithbooks.com

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In today's Books with Hooks, Carly and CeCe analyze two query letters each, and in the process discuss what constitutes a long query, in respect of word count; how statements in dialogue shouldn't be made simply to tell the reader something; avoiding vague references in queries; and getting a submission that reads like a published book.

After which, Bianca chats with Alexa Martin, author of Better Than Fiction, about her journey to publication; writing teacher books; planting curiosity seeds and having the reader be an active participant instead of spoon-feeding them everything; character arcs and how they are so integral to the character’s wants/needs; flipping genre tropes; Story Genius, character misbeliefs, the third rail, and causality; and putting hooks in your books.

Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com 
Alexa can be found at www.alexamartin.com and on Instagram at @alexambooks 

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In today's Books with Hooks, Carly and CeCe are left unsupervised as they critique two query letters each, in the process discussing the best way to frame your novel if it has series potential; the difficulty of marketing a quiet novel right now; how you should open your novel; matching query tone and novel tone to your genre; and the importance of readers being invested in your characters.

After which, Bianca chats with one of the bestselling authors of all time, Jeffrey Archer, about his latest novel, Next in Line; his 14-draft process; how he writes a story in 45 days and finishes a book in a year; writing what you know; plot twists vs. reveals; manipulating the reader; fictionalizing historical figures; the two levels of research; and magic moments in storytelling. 

Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
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Facebook: @tsnotyaw
Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com 
Jeffrey can be found at www.jeffreyarcher.com and on Instagram at @jeffrey_archer_author

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In today's Books with Hooks, Carly and CeCe are joined by two authors, Melissa and Elizabeth, whose work they critique. In the process, they discuss ensuring each that timeline in a dual timeline is its own story; keeping scenes condensed to keep propelling the story forward; mentioning the pandemic in contemporary fiction; baking in subtle references to things instead of explaining them to the reader; finding ways for a character to interact with other characters, especially when we’ll be spending a lot of time in their head; making small cuts to decrease word count; how not naming dramatic moments that change everything could mean losing agent request opportunities; telling the reader what’s going to happen vs letting them theorize; and ensuring you surprise the reader with something in the first chapter.

After which, Bianca chats with Jennifer Hillier, bestselling author of Things We Do in the Dark, about writing away real-world fears and anxieties; how she writes and includes/doesn't include backstory; how she structures her novels without the use of an outline; having no ego when receiving critiques; and the importance of planting curiosity seeds.

Find us on our socials:
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Websites: www.theshitaboutwriting, www.biancamarais.com and www.carlywatters.com 
Jennifer can be found at www.jenniferhillierbooks.com and on Instagram at @jenniferhillierbooks

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