The String

Episode 272: Lola Kirke got on America's cultural radar as an actress - starring in the Amazon series Mozart in the Jungle, along with roles in Gone Girl and Mistress America alongside Greta Gerwig. But during those years, she was also quietly nurturing her passion for songwriting and music - specifically country music. The pandemic brought her to Nashville where her album Lady for Sale was released by Third Man Records to great acclaim. Now she's about to release the new EP Country Curious and make her debut on the Grand Ole Opry. She's a bold, dynamic personality and this was a really fun conversation that bridges New York, Nashville and Hollywood.

Episode 271: In just five years, including the pandemic shut-down, Nashville native Gabe Lee has grown from an unknown "hometown kid," as one of his titles proclaims, to a debut last year on the Grand Ole Opry. Working independently with the boutique Torrez Music Group, Lee has released four albums, earning the admiration of critics and a grassroots fan base that's adding up to something special and sustainable. The most recent opus is Drink The River, which Lee took in a more acoustic and nuanced direction than his prior release, and which might be emerging as his career record.

Episode 270: In an episode that revisits the netherworld between Americana and jazz, I speak with two extraordinary female drummer/composers who are at the peak of their creative powers. My featured guest is Allison Miller, a renowned New York artist who's led her own band Boom Tic Boom and joined in with the supergroup Artemis. For her newest album Rivers In Our Veins, she studied rivers and their ecosystems to inspire a 12-song cycle for jazz ensemble and tap dancers. It's utterly original and enthralling. Also with water on her mind is Sofia Goodman, a Nashville-based jazz leader whose growing by leaps and bounds as she explores contemporary sounds without limits. Secrets of the Shore uses aquatic sounds as a starting point, but it's the serene and complex harmonies she writes for her brass and wind instruments that really makes this collection sparkle.

Episode 269:

Rosanne Cash says she's a forward-looking artist and thinker, not prone to looking back. But when she regained control over the master recording of her 1993 album The Wheel, it prompted an idea. She's launched the new label Rumble Strip Records with John Leventhal, the producer and guitarist she fell in love with while working on it with him. Cash, one of the most fascinating and sophisticated roots musicians and a founding figure of the Americana movement, calls The Wheel a "watershed" for her in many ways beyond her new life with Leventhal. She'd moved to New York where she's lived ever since. And she branched away from the country mainstream. The re-issue of The Wheel, now out for the first time on vinyl, prompted a riveting conversation. Also in the hour, Colorado-reared newcomer Jobi Riccio.

Episode 268: The late John Prine's team at Oh Boy Records in Nashville put the little-known west coast songwriter Tré Burt on the national Americana/folk radar by signing him to a deal and re-releasing his debut album Caught It From The Rye in 2019. He grew up between the Bay Area and Sacramento, where, after being exposed to the guitar by an older brother, music became a focal point. He grew as a songwriter through the open mic scene and self-booked tours and some adventurous travel around the world. His spare acoustic folk style gives way to more rhythmic neo-soul textures on his exciting third LP Traffic Fiction, giving his personal lyrics new ways to shine.

Episode 267: When Ben Wright, then 28 years old, saw a banjo for sale in the window at Chicago's Old Town School of Folk Music, he had no idea how far it would take him. Not just to gigs at the country's best bluegrass festivals but to an improbable life of sharing American music with audiences young and old in more than 25 countries. Not only does Ben's band, the Henhouse Prowlers, have a new record deal and a fine new album, the quartet has a track record of sharing bluegrass and good vibes with more non-Americans than probably any other band. And they've created a non-profit called Bluegrass Ambassadors to extend that mission into the future.

Episode 266: Lindsay Lou grew up surrounded by community folk music in Michigan, and when she connected with a scene and a band in East Lansing where she completed college, she set her plans for a career in medicine aside to hit the road and connect with her original dreams. But it's pretty clear from her ravishing voice that she was born to sing, and she made quite an impression, especially in western newgrass circles, as the lead singer and songwriter of Lindsay Lou and the Flatbellys. Living in Nashville since 2015 though, change was inevitable, and she processes some big life shifts and stylistic evolution on her new album Queen of Time. It's the most ambitious and enthralling release of her career, and there's a lot to talk about.

Episode 265: Two great male voices in new Americana. Cruz Contreras has been a key player in the East Tennessee music scene for twenty years, steering accomplished roots projects Robinella and the CCstringband and the Black Lillies. In 2019 he wrote and recorded his first solo album only to see the pandemic upend his plans for its big rollout. He made good use of the lost years, getting married, having a son and moving to a new place. But at last he thought it was time to release Cosmico. And I catch up with Logan Ledger who's back with his second album Golden State, a lush western-tinged album of melancholy but gorgeous songs. Both interviews took place on the same day during AmericanaFest 2023.

Episode 264: One might imagine that after 17 years singing country music and releasing ten albums, an artist would have shared all of her secrets with her audience, but Eilen Jewell says only in the aftermath of 2020 and a bunch of disruptive change and loss well beyond the reach of the pandemic, that she was ready to get real in ways she never had before. The result is Get Behind The Wheel, a cracking country blues album that extends the winning streak of this veteran artist, who made her way from her home town of Boise, ID to the top of the Boston scene and back home again. Also in the hour, the crafty roots pop of professional songwriter Jenny Owen Youngs.

Episode 263: Dan Auerbach's Easy Eye Sound in Nashville has been one of the key discovery points for roots music in the past decade. And thanks to them, Robert Finley has become a rare and special thing - a top tier American soul and blues artist who found a worldwide audience in his 60s. He hails from north Louisiana, and his life in music has been tenacious and adaptable and fascinating. Only after he lost most of his sight, forcing him to retire from home construction, did he push music to the fore and connect with a roots music network. Evidence of how great that is can be heard on his third Easy Eye album Black Bayou. This is a magical and unpredictable conversation.