The String

Episode 132: The timing was right to split the hour between two exceptional emerging artists making hard country music in the outlaw tradition. As you'll hear, Jesse Daniel and Jaime Wyatt have lived the life, paid the price and processed their pain and redemption in song. Both are products of the West Coast and both have dug deep into their own stories. Many are sizing up Daniel's 'Rollin' On' and Wyatt's 'Neon Cross' (produced by Shooter Jennings) as among the cream of 2020. These are candid, complimentary conversations.

Episode #131: Two of the most exceptional and provocative songwriters of their respective generations take on America's political divide and inject some radical empathy in the red/blue schism. Steve Earle addresses coal mining from the heart of a state that didn't vote like he does in Ghosts of West Virginia. BJ Barham caps off 15 years of leading American Aquarium with the amazing Lamentations, which debuted atop the Billboard Americana chart. This is a timely and complimentary pair of conversations.

Episode 130: She's a daughter of Grand Ole Opry royalty, but Pam Tillis found her own way to the music business and the top of the country charts in the 1990s. She's long been one of Music City's most independent-minded major leaguers, and she shows it on Looking For A Feeling, her first album in more than a decade. She works with some of Nashville's most creative musical minds too. Also in the hour, highlights from a 2008 interview in which we remember the timeless voice and humor of Joe Diffie, who died in March after contracting Covid-19.

Episode 129: Lilly Hiatt put in a lot of work at the local and regional level, including releasing two albums, before her third, Trinity Lane, met the moment and became a breakout work. So a lot of ears were lifted toward her 2020 release of Walking Proof, and it was quickly acclaimed as punchy, vivid and memorable. We talk about going on the road with her dad songwriter John Hiatt back in the day, the deserved success of Trinity Lane and new musical directions. Also, a get-acquainted talk with Nashville-born, rocking country songwriter Gabe Lee.

Episode 128: Katie Pruitt has been known as a phenom ready for big things in Nashville for a few years now. With patience and enough maturity to get the music exactly as she intended, Pruitt has now made her debut on Rounder Records. The album Expectations is a bold, ambitious and succulent collection, and vividly honest as well, with songs documenting a difficult journey from a conservative family in Georgia to a proud out gay woman in Music City. This is a 25-year-old singer, songwriter and guitarist poised for big things. Also in the hour, the journey of Arkansas born fiddler Jenee Fleenor. She was named CMA Musician of the Year and she's releasing her first recordings of her own music after years supporting others.

Episode 127: Paul Burch moved from Indiana to Nashville in 1994 when his friend Jay McDowell (BR549) told him about the burgeoning indie country music scene on sleepy Lower Broadway. In the 25 years since then, Burch has made uncompromising and original music with shades of classic honky tonk and timeless rock and soul. Here we talk about his role in the fascinating band Lambchop, the evolution of his band the WPA Ball Club and his new album Light Sensitive. Also in the hour, German-born bluegrass songwriting star Thomm Jutz.

Episode 126: This Spring, many of the outstanding women of roots music have released new albums, and here we catch up with two of them. Jessi Alexander, native of Jackson TN, moved to Nashville at 18 and landed songwriting and record deals. She's a hitmaker behind the scenes who rarely surfaces with her own heartfelt country music, but she sure does so on Decatur County Red, anchored in stories of her Tennessee coming-of-age. Jill Andrews is more urbane and silky in her sound, but the personal journey she shares on the album and book Thirties is full of challenges and the clarity that comes with time and triumph.

Episode 125: Recording producers are often the best people to speak with to gain extra insight into what makes some music more effective than others. And that's what we do this episode with two Nashville leaders with very different stories. Rick Clark came of age in Memphis and moved to Nashville in the 90s. He's been a DJ, a compilation curator and a music supervisor for film and TV. He's also getting back into songwriting and recording his own music. Neilson Hubbard is a key player in the modern Nashville music scene, with albums to his credit by Mary Gauthier, Gretchen Peters, Nora Jane Struthers and Matthew Perryman Jones. His own band of late is called the Orphan Brigade.

Episode 124: Caleb Caudle grew up in rural North Carolina outside of Winston Salem, captivated by music far beyond what his school peers cared about - English punk, folk music and Bob Dylan among them. Since entering the fray as a singer songwriter in the mid 2000s, he's released seven studio albums, with a brand new one on the way later this week. Better Hurry Up was cut in 2019 just days after the artist and his wife moved to Nashville. A crack band set up at the Cash Cabin in Hendersonville, surrounded by the spirit of Johnny and June. Great things resulted. Also in the hour, bass playing sideman turned impressive singer/songwriter Adam Chaffins.

Episode 123: Ron Pope is a case study in good indie art and commerce. He's an admired songwriter with an avid following for his cathartic, detail-laden songs and his range across a bunch of roots and rock and roll genres. Over more than a dozen albums, he's steered his own ship in a business partnership with his wife/manager and their Brooklyn Basement Records. The newest project is the sweeping album Bone Structure. A Georgia native, he got his career moving in New York and then moved to Nashville, where he's raising a daughter and keeping the songs flowing. Also in the hour, a radio field trip to Nashville's shrine of analog recording, Welcome To 1979.