Born in 1955, hailing from Durban, South Africa, Shaun Tomson won the IPS world title in 1977. He did 14 seasons on the world tour, and won 12 events, including the 1975 Pipeline Masters, in which he made giant leaps for backside tube riding. He starred in many '70s and '80s surf films, among them Free Ride, where he's seen pumping through the barrel at Backdoor and Off the Wall—an entirely new thing at the time.

But Tomson's surfing was only part of the equation. He was business minded, and in the late '70s launched a clothing label, Instinct, and in 1985 a surf shop, Surfbeat, in Santa Monica. He holds a BA in Business Finance. In 1991, Australia's Surfing Life mag named him as the world's all-time best tube rider. Tomson co-produced Bustin' Down the Door, a 2008 documentary film chronicling the rise of pro surfing in the early '70s. He's the author of the best-selling Surfer's Code: 12 Simple Lessons for Riding Through Life.

In this episode of Soundings, Tomson sits down with host Jamie Brisick to talk about transformative experiences in the tube, growing up in South Africa, the influence of his father, the highs and lows of his professional career, writing his book, and the passing of his son.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Born in 1976, hailing from Narrabeen on the northern beaches of Sydney, Oscar "Ozzie" Wright burst onto the scene in the mid-1990s and swiftly ascended to global surf fame—never in contests, but nearly always doing something imaginative, like flying through the air, doing spell-casting things with the tube, or surfing remote Indo in a pair of handcrafted bat wings.

Wright appeared in a number of Volcom-produced videos, among them BS!, Psychic Migrations, Lobotomy, and One Hundred and Fifty Six Tricks. A prolific maker of artwork in a variety of mediums including painting, drawing, sculpture, collage, ceramics, furniture, skate ramps, film, and video, Wright is also lead singer of the Goons of Doom, an experimental, piss-taking punk band.

In this episode of Soundings, Wright sits down with host Jamie Brisick to talk about the differences between North and South Narrabeen, airs, childhood memories, the influence of grunge, dealing with criticism, style, unlocking the self through creativity, going on tour with his band, and finding fun in subpar waves.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Born in Hawaii in 1961, Danny Kwock rode his first waves at Waikiki when he was ten. Surfing took a brief hiatus when he moved with his family to the San Fernando Valley, but picked up soon thereafter when they moved to Newport Beach, right at Wedge, which is where Kwock made his mark, charging big waves and becoming one of the brightest, flashiest surfers of the Echo Beach scene, wearing pink boardshorts and riding polka dot twin-fins when most Californians followed a far more understated ethos.

Kwock was featured on the cover of Surfer and Surfing magazines in the early 1980s, did a short stint on the world pro tour, but soon became a forerunner to what we now know of as a professional "freesurfer." But he also saw the virtues of the long game. When the opportunity arose to work in a behind-the-scenes role at Quiksilver, he jumped at it, and he hit his straps as the marketing director, a position he held from the early 1980s up until the mid-aughts. (It should be noted that Kwock's relationship with Quiksilver began a few years earlier, when he and his Echo Beach buddy Preston Murray got caught stealing boardshorts from the warehouse.) Kwock's early team captain/marketing position started in what were wild days. The industry grew fast, and he played an instrumental role in that growth.

In this episode of Soundings, Kwock talks with Jamie Brisick about meeting Duke Kahanamoku, surfing Wedge, the Echo Beach era, fashion, negotiating contracts, Andy Warhol, the wild days of the surf industry, and signing Kelly Slater to Quiksilver.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

For more than two decades, Sachi Cunningham has been training her lens on women and the pioneers of big-wave surfing.

After earning a BA in history from Brown University and a Masters of Journalism from UC Berkeley, Cunningham started the first video team at the LA Times, where she produced the award-winning series Chasing the Swell, which documents the first ever Big Wave World Tour. She was the first person, male or female, ever to have water shots published of wily Ocean Beach.

Other "firsts" include serving as the first female board member of Save the Waves Coalition and first woman to receive the Wave Saver Award from the non-profit. She documented the first women's heats at the Mavericks WickrX Invitational, the Puerto Escondido Big Wave Challenge, the Da Hui Backdoor Shootout, and The Eddie. Cunningham has been included in both Surfline's list of top filmmakers and Surfer magazine's list of top photographers. Her feature-length documentary, SheChange, about the quest for pay equity in big-wave surfing, is presently in post-production, and has been featured in the New York Times and on the Today show.

A mental health advocate and cancer survivor, Cunningham lives with her husband and daughter in the Outer Sunset neighborhood of San Francisco, where she's a Professor Emerita at San Francisco State University.

In this episode of Soundings, Cunningham sits down with Jamie Brisick to talk about shooting from the water at Ocean Beach and Maverick's, the importance of journalism, her quiver, motherhood, and her battle with cancer.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Born in Seattle, Washington, in 1949, Randy Rarick moved with his family to Hawaii when he was five. He started surfing at age 10, under the tutelage of the Waikiki Beach Boys. He was a Hawaiian state junior champ, and made the semifinals of the 1970 World Championships in Australia.

In 1976, at age 26, Randy and 1968 world champion Fred Hemmings founded International Professional Surfing, aka the IPS, which linked together what at the time were fragmented pro events around the world. They established a ratings system and a world tour, which ended with the crowning of a world champion. In 1983, Randy spearheaded the Triple Crown of Surfing, which linked together the three North Shore events, and also crowned a champion. Randy would helm the Triple Crown for the next 30 years.

Randy is also a surfboard shaper. He was taught how to shape by Dick Brewer and George Downing, and went on to make boards for Surf Line Hawaii, Dewey Weber, and Lightning Bolt.

While Randy might be one of the most widely traveled surfers of all time, having ridden waves in over 70 countries, he's called the North Shore home since 1969, and has lived in the same house at Sunset Beach for more than 50 years. He surfs out front, i.e., his backyard, regularly.

In this episode of Soundings, Rarick sits down with Jamie Brisick to talk about about the birth of the IPS and the Triple Crown, learning to shape from the masters, rating systems and standardization, surf purism, the importance of Hawaii, and spending a year traveling up the west coast of Africa.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Hailing from the central coast of New South Wales, Australia, Ross Clarke-Jones joined the ASP world tour in 1986, at age 19. He was good in the small waves that the tour typically competed in at that time. But when the surf jacked up to 20-plus feet in the 1986 Billabong Pro at Waimea Bay, Clarke-Jones heaved himself over leadges and exited the water as one of the world's great big waves surfers—and has held that position ever since. He's been a major force in nearly every Eddie, winning that coveted event in 2001. He's paddled Jaws, towed Mavericks, Nazare, and Shipstern Bluff, and pioneered several mutant, way-out-to-sea slabs. He was the subject of the 2006 documentary titled The Sixth Element: The Ross Clarke Jones Story, narrated by the late Dennis Hopper. He and Tom Carroll starred in Storm Riders, a big-wave surfing reality show on the Discovery Channel, which led to Storm Riders 3D, a feature-length documentary.

In this episode of Soundings, Clarke-Jones sits down with Jamie Brisick to talk about glory and catastrophe at Waimea Bay, manifestation, his lifelong relationship with Hawaii, racing sports cars, overcoming injury, maintaining motivation, dealing with fear, and the joys of small waves.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Surfwear tycoon Bob Hurley spent his early days around Huntington Beach, California, shaping for labels like Hot Stuff, Infinity, Wave Tools, and Lightning Bolt. After spearheading Billabong USA from 1983 to 1998, Hurley transitioned to the creation of his namesake brand, centered around an ethos of innovation that he observed in the youthful counterculture of Southern California at the time. While he stepped down as Hurley's CEO in 2015, he remains deeply involved in surfing, still sculpting foam, as well as working with John John Florence on the latter's own namesake company.

In this episode of Soundings, Hurley and Jamie Brisick sit down at the executive's ocean-front home in Newport Beach to talk about the key ingredients for his entrepreneurial success, Southern California's surf scene through the decades, the highs and lows of the industry, sponsoring Occy, learning to shape, and legacy.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Born in 1970, raised in Bondi Beach, Australia, Pauline Menczer found her way to the surfboard at age 14. Actually, it was half a surfboard—a snapped hand-me-down from her brother. Four years later she won the 1988 World Amateur Champs, hopped on the ASP world tour, and finished the year ranked fifth overall. Her surfing was loose, springy, full of hurled tail. She won lots of events, and, in 1993, the world title.

Menzcer has appeared in many surf videos, including 1998's Blue Crush (the surf video, not the feature film), 2001's Peaches: The Core of Women's Surfing, and 2004's Surfabout: Down Under. She's the unofficial star of the 2021 documentary Girls Can't Surf. She released her memoir, Surf Like a Woman, in 2024. She was inducted into the Australian Surfing Hall of Fame in 2018.

In this episode of Soundings, Menczer talks with Jamie Brisick about grommethood hazing in Bondi Beach, winning a world title, overcoming adversity, battling stereotypes, adjusting to life after pro surfing, and writing her memoir.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Born in 1986, Chris Burkard grew up on California's Central Coast and knew from a young age that he had to get out. Photography became the avenue. Primarily self-taught, Burkard won the Follow the Light Foundation grant in 2006, and away he went, working as a senior staff photographer for Surfline, Water magazine, and Surfer magazine, as well as freelancing for The New Yorker, National Geographic, and ESPN.com. In 2009, he was contracted by Patagonia to be a projects photographer.

Burkard's photo books include The California Surf Project, Come Hell or High Water: The Plight of the Torpedo People, Distant Shores, High Tide, and The Boy Who Spoke to the Earth. Along with still photographs, he makes films, including Russia: The Outpost Volume 1, Faroes: The Outpost Volume 2, The Cradle of Storms, and Under an Arctic Sky.

You might glean from those titles that Burkard has a penchant for the colder locales. On that note, he started photographing Iceland about two decades ago—and fell so in love with the place that, a couple years ago, he up and moved there with his wife and two sons. Along with photography, Burkard is also an avid adventurer, recently completing a 90-mile fat-tire bike ride across Vatnajökull, Europe's largest glacier.

In this episode of Soundings, Burkard talks to host Jamie Brisick about traveling, Ansel Adams, the allure of cooler climates, finding purpose, moving to Iceland, the state of surf photography, and the challenges and rewards of environmentalism.

Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Born in California in 1948, Jeff Hakman's father introduced him to surfing at age eight. Four years later, the family moved to Oahu, and the year after that, at the age of 13, Hakman surfed Waimea Bay for the first time. In 1965, he was invited to the inaugural Duke Kahanamoku Invitational, held at Sunset Beach. Hakman was 17. He won. In the ensuing years, on his Dick Brewer-shaped boards, Hakman transitioned seamlessly from longboards to shortboards—and went on a winning streak. He won the Duke again in '70 and '71; won the first Pipe Masters in '71; won the Hang Ten Pro and Gunston 500 in '72; and the Hang Ten again in '73. Bookending his stellar competitive run, he won the Bells Beach event in 1976. After winning that event, Hakman sat down with the owners of a fledgling Aussie brand called Quiksilver and convinced them to make him the US licensee.

Today, Hakman lives in Bidart, France, where he sits down with Jamie Brisick for this episode of Soundings to talk about surfboard design, growing up on the North Shore, the birth of the surf industry, humility, and the challenge of returning to an everyday existence after living the extraordinary.