PART NINE - "I remember thinking, am I the only one like me who's ever walked these halls?"

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PART EIGHT -

"Blackness is a vehicle. It's a vehicle to get people where they need to go."


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PART SEVEN - "Who decided this? ... Did the skies open up, and the ballet God said, 'This is how it has to be'? No, it's just what we've all been programmed."

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PART SIX - "It feels like this hazy distant silhouette of a thing that doesn’t feel real, like a wild dream that I can’t fully recall."

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PART FIVE - "Gone unchecked, bad things can happen. And they did."

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PART FOUR - "Balanchine was so fond of perfume that leaves the scent of that dancer behind, and it still permeates."

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PART THREE - "There are no windows, because we don't need windows, because the outside world doesn't matter. He was God in the theater. Ever observing, ever present. Are you a patriot? Are you a citizen? Are you willing to do whatever I ask you to do?"

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PART TWO - "I would experiment a little. I would go to the theater, and the lights would go down, and I would say, 'Okay, I'm going to give you my mood. I'm going to give you all these troubles, and you do something with it,' said I to the stage. And then I would walk out, and I felt like somebody had rinsed me."

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PART ONE - "He used to say, 'What are you looking at dear? You can't see you. Only I can see you.'"

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A closed, elite group asks for sacrifice and extreme devotion from its members. It produces elegant dancers, but at what cost?

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