For the last guest-episode of 2023, art critic Jarrett Earnest joins me to celebrate his beautiful new book, VALID UNTIL SUNSET (Matte Editions), which brings together his Polaroids and a second-person narrative to create a bewitching trip through memory, art, grief, friendship, and more. We talk about how the sudden death of his father paralyzed and then catalyzed him, the importance of making art before fully recovering from a bad experience, how the artist's job is to be a question mark, and how a Nan Goldin exhibition started him on taking pictures of the people and places that mattered to him. We get into his friendships with Genesis P-Orridge and Peter Schjeldahl, and Genesis' imprecation to do/make/be the Most Fabulous Imaginable Version, the importance of road trips and pilgrimages, what he learned from interviewing a series of art critics, the freedom & addictiveness of writing in the second person, why we need to make an argument about why any art matters at all today, and why he loves writing about artists he knows. Plus, we discuss the value of public-facing life in NYC, how it felt to perform selections from Valid Until Sunset, how he thinks of writing in terms of shape, the importance of having a really good analyst and really dumb personal trainer, why you don't need to be part of Barbenheimer, and a lot more. Follow Jarrett on Instagram and subscribe to his Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With his new book, ZERO AT THE BONE: Fifty Entries Against Despair (FSG), Christian Wiman fuses essay, poem, memoir and anthology in a singular work that explores how the act of writing a poem is a gesture of faith. We talk about the varieties of despair and joy, the question of whether the world is chaos or has order, and whether the relationship between art and life is a tension or an actual antipathy (as Henry James would have it). We also get into the urgency of mortality and the rare cancer that almost killed Christian on three separate occasions (including this year), the notion of having a calling and the difference between given and earned callings, who we're really trying to reach when we write a poem, whether Philip Larkin's Aubade is a poem of pure despair, how literature has taken the place of sacred texts, and what he's learned from teaching at Yale Divinity School. We also discuss The Void & how to tune it out, his thoughts on faith and Christ and how the incarnation of God in Jesus sacralizes the physical world, where poetry began for him, whether joy is passed down epigenetically like trauma (allegedly) is, what it's like having a Ninja Blender for a brain, coming around on poets in translation like Yehuda Amichai, the meaning of existence, and a lot more (I mean, if you can have a lot more after the meaning of existence). More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With the 60th anniversary of the assassinations of JFK & Lee Harvey Oswald, Danny Fingeroth brings us the new biography, JACK RUBY: The Many Faces of Oswald's Assassin (Chicago Review Press). Danny & I talk about what drew him to tell Ruby's story, how many JFK conspiracy rabbit-holes he had to avoid, the challenges of separating Ruby's life from myth & speculation, and how the bio began as a graphic novel collaboration with Rick Geary (!) before its prose incarnation (although he's still hoping for an adaptation). We get into what he learned from talking to Ruby's rabbi, Hillel Silverstein, the figures he would have loved to interview for this book, what Ruby's siblings & their kids went through in the aftermath of Jack's moment of infamy, the circus of Ruby's murder trial and Melvin Belli's failed epilepsy defense, and the danger of treating Ruby's life like a sitcom. We also discuss Danny's dizzying résumé, including his 20-year run as a writer & editor at Marvel Comics, discovering himself as a biographer with Stan Lee: A Marvelous Life, the complexity of the (working) relationships of Lee, Jack Kirby & Steve Ditko, the surreal of experience of meeting Gabe Kaplan while promoting JACK RUBY, and more! Follow Danny on Twitter, Facebook, Instagram, and Bluesky • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With The Nib, cartoonist & editor Matt Bors helped build an online (and print!) venue for political satire, graphic journalism and non-fiction comics that featured some of the best names in comics and gave space to a bazillion up-and-comers. Matt & I sat down during CXC to talk about his decision to close down The Nib after 10 years, how it felt to bring together the best political cartoonists under a single online umbrella, how tech money giveth and taketh away, and what this fall's farewell tour means to him. We get into what comes after The Nib (like Justice Warriors comic), how it felt to see one of his comics displayed on the floor of the House of Representatives, the challenges & rewards of building a diverse roster of cartoonists, why he always wanted a print companion of The Nib, and how mainstream comics and dystopian science fiction have always held an appeal for him (and why he'd love to do more with his Wasteland characters). We also discuss how it feels to have traded America for Canada and how the move has changed his perspective, the ways his post-Nib self spends less time getting mad online, how he plans to catch up on all the comics he's missed in the last decade, what it's like having his first two-week stretch as an adult without immediate editorial deadlines, and more! Follow Matt on BlueSky, Twitter, Facebook and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With his new collection, A YEAR AND A DAY: AN EXPERIMENT IN ESSAYS (NYRB), master essayist Phillip Lopate explores the world & himself through the mode of a weekly blog. We get into how he adapted to a short, time-constrained essay form for The American Scholar, how he avoided The Columnist's Curse (limitless curiosity helps!), whether an essayist can truly write about anything, and how he has and hasn't changed since the 2016-17 period in which he wrote these pieces. We talk about Phillip's integration of the private and public self in his writing, how his wife & daughter felt about being included in this book, the question of whether he's fulfilled as a writer, why he hides his journal, and how editing the three Great American Essay collections allowed him to leave something canonical behind for students & readers. We also discuss how it feels when readers thinking they know him from his essays, how his books and essays add up to a fragmentary, lifelong memoir (and why he'll likely never write an actual memoir or autobiography), why his multiple myeloma diagnosis was more of a psychological hit than a physical one, how he found himself working on a biography of Washington Irving, the benefits of a fragmentary unitary self, the career validation of being inducted into theAmerican Academy of Arts & Letters, and a LOT more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With her wonderful, hilarious & heartfelt new graphic novel, Brooklyn's Last Secret (Drawn & Quarterly), cartoonist Leslie Stein brings us the story of Major Threat, a getting-over-the-hill indy band on tour. During SPX 2023, we talked about how she mined the raw material of her own rock & roll tour experiences (and those of her friends) to make a comedy about touring life, why she started it during COVID lockdown in 2020, and how serializing it on Instagram served as an antidote to doomscrolling. We got into the evolution of her cartooning style and how she finds new modes to work in, the expectations vs. the reality of artistic life, the experience of going viral with a comic about Nirvana T-shirts (and her time playing in a Nirvana cover band). We also discussed going back to cons & festivals, why it's important to be an entertaining panelist, the role of music in art-making, why it's best not to open up emotionally to your bandmates when on tour, and more. Follow Leslie on Instagram and go buy some of her original pages • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With his new graphic novel/memoir, UNENDED (Uncivilized Books), cartoonist Josh Bayer explores family trauma, memory, art, and more. We get into how Josh spent five years trying to adapt his late father's unfinished play into a comic, the ways it did & didn't help him come to terms with his father's life and his mother's death, and why he blurs out his character's face on the page. We talk about the punk rock inspiration in his writing and art, the systems he uses to pull him out of storytelling morasses and how he learned to teach them to his students, learning to cope with his ADD (and wondering whether I have it too), studying at SVA in his 30s, and why he pursued comics over fine art. We also discuss mental health and treatment and how we deal with our father-issues, Josh's recent stint working at Carol Tyler's Ink Farm, the impact of the Masters of 20th Century Comics exhibition on his career, why it's tough to be Rollins, the question of whether he's forgiven his dad, and a lot more. Follow Josh on Facebook and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With The Secret Life of John le Carré (Harper), Adam Sisman reveals the secrets he couldn't publish in 2015's John le Carré: The Biography, and explores how serial deception & betrayals — through the multiple affairs le Carré (a.k.a. David Cornwell) conducted during both of his marriages — can provide a key to understanding the late, great spy novelist. We get into how Adam became a combo detective-psychoanalyst-confessor during his work on the biography, how he learned of le Carré's messy private life, why he decided to wait until after the author and his wife had died before publishing this new book, and whether he felt le Carré was manipulating him during their interviews. We talk about le Carré's monumental achievements chronicling the Cold War and Britain's decline (& his top 3 le Carré novels), the man's undeniable charm & his self-mythologizing, the times when he thought the biography might not happen, how he felt when le Carré published a memoir after Adam's biography came out, and the ways in which le Carré's upbringing — abandoned by his mother, reared by a con man father he struggled to escape from — may have contributed to his devotion to duplicity & seduction. We also discuss the moment Adam realized that biography is a human process, his thoughts on the new Errol Morris documentary with le Carré, the limits of interviews in general (NO!), what it means to put le Carré behind him with this new book, and plenty more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Let's celebrate spooky season with The Art of the Zombie Movie (Applause Books)! Author Lisa Morton & I talk about her new book and the fun of researching the history of zombies in pop culture and folklore, the challenge & joy of assembling the 500 illustrations in the book (including one-sheets, stills, alternative art, and more), and how she got messed up at an early age by Dawn Of The Dead. We get into her history of horror (it was all over once she saw The Exorcist), how she found herself as a writer and wound up with 6 Bram Stoker Awards®, her take on fast vs. slow zombies, and what she found researching the George Romero papers at UPitt. We also discuss her experience as a bookseller in Los Angeles (go, Iliad Bookshop!), getting her heart broken by screenwriting, her work to bring the classic Fantasmagoriana anthology to a new reading public, and a lot more. Follow Lisa on Instagram, Facebook and Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With MONICA (Fantagraphics), legendary cartoonist Daniel Clowes has pushed the limits of his storytelling and art to make one of the great graphic novels of the decade. We sat down during CXC weekend to talk about this amazing, haunting, hilarious book and how it grew out of his attempts at trying to figure out his childhood, the ways in which MONICA is haunted by the deaths of cartoonists Richard Sala and Gary Leib (oh, and those of Daniel's brother and mom), what art, community and mortality have come to mean to him, and how certain panels took him 5 years to draw. We get into what he's learned from using multiple genres within a single book, the artists who influenced him and the ones he had to escape, the 7-year gap from his previous book, PATIENCE, and what's changed, and his late-stage depression at finishing MONICA. We also discuss how he was always awaiting the shift from pamphlet-comics to hardcover original books, how thankful he was to not be good enough to get work at Marvel or DC in his youth, what it's like writing and drawing his books without any editorial input, his only takeaway from writing for movies, the Americanness of his comics, why he prefers drawing over writing even though A) he's a really good writer and B) would never draw from someone else's script, the only advice he would ever give young artists, and a lot more. Follow Daniel (sorta) on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack