Art: Kate Banazi

Across three episodes, we’re bringing you a special audio edition of Notes, the Wheeler Centre’s digital publishing series. For this edition, participants in our 2020 podcast development programme, Signal Boost have created audio stories around the theme 'Order'.

It’s a word that brings to mind structure, organisation, command or subjugation. Think: the natural order, alphabetical order, out of order. It’s a title, descriptor, an alternative. A holy order, a tall order, or law and order? It can be a direction, or a request. Get your house in order. Take your marching orders.

In this episode, Maddi Miller delves into the hidden stratigraphy of Melbourne.

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Robin Wall Kimmerer and Tara June Winch

‘When a language dies, so much more than words are lost,’ the botanist and writer Robin Wall Kimmerer has said. ‘Language is the dwelling place of ideas that do not exist anywhere else.’

In our Broadly Speaking talk on translation and language, we bring together two First Nations writers whose work reflects on Indigenous languages and the languages of the natural world.

Kimmerer is a professor of environmental biology at the State University of New York and an enrolled member of the Citizen Potawatomi Nation. She’s also the author of the remarkable bestselling essay collection, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants.

In this podcast, she speaks with acclaimed Wiradjuri writer Tara June Winch, whose Miles Franklin-winning novel, The Yield, is about traditional language and the stories that words contain. Join them as they discuss how living organisms and living languages can connect us to the past and enrich our collective future.

The Broadly Speaking series is proudly supported by Krystyna Campbell-Pretty AM and family.

We had a few technical problems while trying to record this conversation as an event, scheduled for Tuesday 27 October at 6.15pm – so we rescheduled the discussion to take place exclusively in podcast form.

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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.

In this episode we’re talking to Katerina Bryant about her debut memoir Hysteria, a compassionate and insightful account of illness, strength and women’s stories.

‘We’re told that illness has a narrative structure, and that it ends. We're told that illness is a tragedy that is, or should, be overcome. I was trying to fit my own narrative within that structure, and it wasn't fitting. And through the act of writing, I was able to see how much of a trope that was and how, really, the experience of living with chronic mental illness like I do is not the difficult part. The difficult part is finding how to live within a world that doesn't accommodate that, and doesn't believe that it's ongoing.’

Hysteria is out now through NewSouth books.

Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donate

See omnystudio.com/listener for privacy information.

Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.

In this episode we’re talking to Craig Silvey about his novel Honeybee, a tender coming-of-age story about a transgender teenager called Sam, a chance encounter she has with a man called Vic, and the ways in which both lives are changed by their unlikely friendship.

‘For readers of all levels of sophistication, [dialogue] is the element of a novel that no one passes over. Everybody reads dialogue. It's so revealing of a character and it's the best way for us to understand characters – when they speak purely to us. It's a way to make them feel distinct and unique, and a way to have a text feel dynamic because we're shifting away from that narrative voice and we're introducing different tones and different rhythms. It’s a vital piece of the puzzle… and something I’ve always delighted in’.

Honeybee is out now through Allen & Unwin.

Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donate

See omnystudio.com/listener for privacy information.

Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.

In this episode we’re talking to Chris Flynn about his novel Mammoth, a playfully original and thought-provoking story about how a fossil collection of prehistoric creatures came to be on sale at a natural history auction in New York in 2007 (narrated by a 13,000-year-old extinct mammoth).

‘I do struggle with books that are deadly serious. And when I realised this book was going to be partially about climate change, and mankind's early influence on the climate at the end of the Ice Age, and how that has affected us ever since, I got a bit worried that it was all going to be very, very preachy … And so I wanted [Mammoth] to be a little bit lighter, a bit more humorous. I think it's a nice way to [engage people with] a serious topic – by making people smile about it.’

Mammoth is out now through UQP.

Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donate

See omnystudio.com/listener for privacy information.

Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.

In this episode we’re talking to Rawah Arja about her debut young adult novel The F Team, a funny and authentic story about what it means to grow up in Australia today.

‘I always say to the kids that I teach, and the kids that I mentor in schools, I never want to be in a room where everybody looks and sounds like me. I believe growth and learning in life is about mixing with people that are different to you... I think everybody has the right to tell their own story. For a long time in publishing, I got used to being comfortable with the back of the line. And I thought that was where I should be... I should be happy that at least I'm even in the line. And then you grow up and you realise that no, I have every right to be at the front of the line, because my story is just as amazing as everybody else's.’

The F Team is out now through Giramondo.

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It's been 20 years since Aileen Moreton-Robinson wrote Talkin’ Up to the White Woman, the seminal work of Australian First Nations scholarship that exposed the blinding whiteness, and the serious limitations, of Australian feminist thought.

In her book, Moreton-Robinson traces and honours the history of Indigenous women’s activism in Australia and lays bare some uncomfortable truths about white women’s complicity in racial oppression. She exposes, too, the prevalence of biased and blinkered thought prevalent within white feminist academia. Talkin’ Up to the White Woman has shaped the thinking of feminist and First Nations scholars across the globe.

Aileen Moreton-Robinson

To launch our Broadly Speaking series, we’re presenting the formidable Moreton-Robinson in conversation with critical race and whiteness scholar Fiona Nicoll. The pair discuss the twentieth anniversary of Talkin’ Up to the White Woman. What questions and experiences informed the writing of the book, and how does it seek to understand power? How did Moreton-Robinson experience colonialism in academia? How do some feminist movements clash with ideas of Indigenous sovereignty – and what are some alternative ways of thinking?

A transcript of this event is available to read here.

Presented in collaboration with State Library of Queensland and RMIT Social and Global Studies Centre.

The Broadly Speaking series is proudly supported by Krystyna Campbell-Pretty AM and family.

#TWCBroadlySpeaking

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Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.

In this episode we’re talking to Robbie Arnott about his novel The Rain Heron, a lyrical, compelling ecological thriller about our relationship with the natural world. The Rain Heron is equal parts horror and wonder, and utterly gripping.

‘I think all stories are human stories, in a way. I knew [that] I wanted to write a lot about the environment, and I wanted to create these worlds that felt very visceral and tangible while also being quite fantastical… I tried to have all the imaginative elements as things that feel like they fit neatly into these people's lives and into the world they live in. I didn't want to over explain them or make it feel like I was heaping on a bunch of exposition about why there's a bird made out of rain... And I thought, if it's something that characters just accept, then they'll feel more human.’

The Rain Heron is out now through Text Publishing.

Download a PDF transcript of this episode here.

Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donate

See omnystudio.com/listener for privacy information.

Photo: Claudia Baxter

Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.

In this episode, Stella Charls speaks with Mirandi Riwoe about her novel, Stone Sky Gold Mountain. It's a heartbreaking and universal story about the exiled and displaced; about those who encounter discrimination, yet yearn for acceptance.

‘I don’t believe in being prescient by giving [characters] thoughts and actions that would have been totally out of place, but I think there is a place for bringing the story … closer to what it actually probably was. […] Fiction is handy; you’re building up empathy for these characters that are representative of actual people, and what they actually did think.’

Stone Sky Gold Mountain is out now through UQP.

A PDF transcript of this interview will be available soon.

Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donate

See omnystudio.com/listener for privacy information.

Take Home Reading is a new short-form audio series for readers and writers – shining a spotlight on Australian writers with recently released books. In each instalment, you’ll be introduced to a writer, learn a little about what they’ve been reading lately, and hear a short reading from their latest work.

In this episode we’re talking to Laura Jean McKay about her novel The Animals in That Country, a bold, exhilarating and original novel that asks what would happen, for better or worse, if we finally understood what animals were saying.

‘And of course, the animals don't say the things that humans wish that they were saying. They're not saying "I ruff you!" or anything like that. They're quite brutal, their relationship with humans is really fraught, because that's the way that human relationships are with animals. As they get to know each other they are trying to navigate this new space together.’

The Animals in That Country is out now through Scribe Publications.

Download a PDF transcript of this episode here.

Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donate

See omnystudio.com/listener for privacy information.