The Wheeler Centre

The panel, from left to right: Santilla Chingaipe, Fatima Bhutto, Tressie McMillan Cottom, Jia Tolentino and Aminatou Sow — Photo: Hannah Koelmeyer

What is feminism under capitalism? What is feminism without it?

'Art does become so very important – because it does help a community articulate a way of understanding the world that allows them to reimagine it, rather than reproducing it.'

Tressie McMillan Cottom

Not all of us can afford to lean in, because some of us aren’t even in the room. We’re rightly galvanised by the fact that there are more CEOs at ASX200 companies in Australia named Andrew than there are women – but when did feminism become about earning power? Doesn’t it have to be anti-capitalist? Market ideas about success and failure seem like a shaky foundation for liberation for the 99% of women, so what does an uncommodified resistance look like?

In this conversation from Broadside 2019, hosted by Santilla Chingaipe, our panellists – Aminatou Sow, Fatima Bhutto, Jia Tolentino and Tressie McMillan Cottom – discuss She-EOs, 'ethical consumption', reimagining value and good ancestorship.

Tressie McMillan Cottom, Jia Tolentino and Aminatou Sow on stage at Melbourne Town Hall — Photo: Hannah Koelmeyer

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In this episode, recorded at the inaugural Broadside festival of feminist ideas, two of the world’s most fearless, most honest, most forthright voices – Fatima Bhutto and Mona Eltahawy – unpick the challenges and pitfalls of a life of truth. With host Sisonke Msimang, they discuss artistry, the west, power and biography.

Sisonke Msimang, Fatima Bhutto and Mona Eltahawy on stage at Melbourne Town Hall — Photo: Sophie Quick

'The role of artists is never to celebrate power.'

Fatima Bhutto

There's a million reasons why we're told to keep quiet on difficult subjects: propriety and decorum, convention and status, fear of retribution. When women try to introduce nuance into certain public debates, it doesn't usually go well for them. Western media conglomerates are often more interested in protecting power than interrogating it. If a woman offers an unvarnished analysis of power structures, or a contrary view, it's often framed as ugly, inappropriate or ungrateful.

In this episode, recorded at the inaugural Broadside festival of feminist ideas, two of the world’s most fearless, most honest, most forthright voices – Fatima Bhutto and Mona Eltahawy – unpick the challenges and pitfalls of a life of truth. With host Sisonke Msimang, they discuss artistry, the west, power and biography.

Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donate

See omnystudio.com/listener for privacy information.

With her book Thick, sociologist, professor and author Tressie McMillan Cottom delivered a treatise on beauty, media, money, misogyny and race, a searing analysis animated by the ‘radical idea …[that] black women are rational and human’. In this episode, recorded at the inaugural Broadside festival of feminist ideas, McMillan Cottom joins Aminatou Sow to discuss her work and career.

Tressie McMillan Cottom — Photo: Hannah Koelmeyer

'People really like to consume [black women] – our emotions, our cultural exchanges, the way we look, the way we speak, our experiences, our traumas. We do not have as much capacity for rendering visible our intellectual work … Can I evoke an emotional response from an audience? Publishers will want me to publish something that will be evocative, without being thought-provoking.'

With Thick, Tressie McMillan Cottom delivered a treatise on beauty, media, money, misogyny and race, a searing analysis animated by the ‘radical idea …[that] black women are rational and human’.

An award-winning sociologist, professor and author described as ‘transgressive, provocative, and brilliant’ by her Hear to Slay co-host Roxane Gay, McMillan Cottom works her way through politics, history, sociology and culture with critical dexterity and unapologetic force.

In this episode, recorded at the inaugural Broadside festival of feminist ideas, McMillan Cottom joins Aminatou Sow to discuss her work and career – including navigating academia, the publishing industry and addressing perceptions of how her work fits into various categories.

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In this episode, recorded at the inaugural Broadside festival of feminist ideas, host Jan Fran leads a discussion with writer and sex worker advocate Gala Vanting, spoken word performer and disability activist Jax Jacki Brown, YIRRAMBOI First Nations Festival creative director and Yalukit Marnang founder Caroline Martin and Monash University design researcher and XYX Lab founding director Nicole Kalms. They talk about urban space – and, ultimately, the intellectual work we have to do before we can even begin to talk about building anything.

A woman’s place in the world and right to move through it freely has always been controlled. Workplaces, our city streets, pubs and parks are not just traditionally unwelcoming, but can be dangerous and destructive. Patriarchy has, until now, dominated our public spaces, and the way that different bodies and identities are policed within them.

So how can public space be reconceived, and how can we create a city that is truly accessible? Can we break our urban environments free from Anglocentric and gendered constructs of the past? And – are we even asking the right questions?

Pictured, left to right: Jan Fran, Niki Kalms, Caroline Martin, Gala Vanting and Jax Jacki Brown — Photo: Hannah Koelmeyer

In this episode, recorded at the inaugural Broadside festival of feminist ideas, host Jan Fran leads a discussion with writer and sex worker advocate Gala Vanting, spoken word performer and disability activist Jax Jacki Brown, YIRRAMBOI First Nations Festival creative director and Yalukit Marnang founder Caroline Martin and Monash University design researcher and XYX Lab founding director Nicole Kalms. They talk about urban space – and, ultimately, the intellectual work we have to do before we can even begin to talk about building anything.

Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donate

See omnystudio.com/listener for privacy information.

At the Athenaeum Theatre, historian William Dalrymple joins author Clare Wright to discuss the long reach and devastating legacy of the East India Company.

Clare Wright and William Dalrymple at the Athenaeum Theatre — Photo: Jon Tjhia

Historian William Dalrymple ­­believes the stunning greed and violence of the militarised East India Company is ‘history’s most terrifying warning’ about unregulated corporate power, and the insidious means by which shareholders exert dangerous influence on the state.

Dalrymple – co-director of the Jaipur Literature Festival, and bestselling author of books including The Last Mughal, City of Djinns and Nine Lives – examines the corporation’s ruinous legacy in his latest work, The Anarchy: The Relentless Rise of the East India Company.

The Anarchy describes an aggressive colonial power operating under the guise of a multinational company, using a ruthless 200,000-strong private army to extort, plunder and dominate vast swathes of Central, South and Southeast Asia – answerable only to its distant investors. At a time when global media corporations and tech giants wield growing and increasingly pervasive power and influence, the story is a timely cautionary tale.

At this event, William Dalrymple joins author Clare Wright to discuss the long reach and devastating legacy of the East India Company.

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At this very special event hosted by Michael Williams in October, legendary Australian children's book author Mem Fox discusses her stories and her career. She shares, too, why encouraging us all to read aloud has been such an important part of her work.