This week, we go analogue by exploring how to document memory through physical media. And to pull back to back from the interconnected digital world and just ... sit with art.   

You get to hear why some of our friends at fbi.radio are stepping back from digital. Also fbi.radio is awesome. Please give a little love by being a supporter. 

Special thanks to Tommy, Benny, Jasmine, Lindsey and Catarina for being a part of this episode.

 

The Analog-ish Revolution by Kwame Slusher

Kwame even made a 7 minute  story about paring back the digital and going analog ... ish. 

 Produced by Kwame Slusher

 

 

Tintypes by Maya Fawaz

In an age where everyone has a high-quality camera in their pocket and a cloud claiming their photos, people are going even more analogue than a digicam. And then some people - like Cole Caswell - are going even further than that.  

Produced  by Maya Fawaz

Supervising Producer was Persephone Waxman. 

 

Year 2537 by Sepehr Jamshidi Fardi and Eugenia Zoubtchenko 

This one is from the archives!

On his shelf in Sydney, Sepehr has a camera from the future. Sepehr's father’s camera allows him to reflect on a pivotal moment from the past of the country he was born in … Iran. 

That story was produced by Sepehr Jamshidi Fardi and Eugenia 

 

If you want to know more about what’s happening at All the Best, check out our Substack! It’s a round-up of all our activities ... with a little bit of BTS.

And the deadline for our first Audio Club challenge is on 23 March.  And we plan to have a little listening party.  🎉 🥳 🎈 

 

All The Best Credits

Host: Gabriella Accaria

Executive Producer: Melanie Bakewell

Programming & Community Coordinator: Catarina Fraga Matos 

Production Manager: Kwame Slusher

Community Coordinator: Patrick McKenzie

Theme Music composed by Shining Bird

Cover Art: Ray Vo

Special shout-out to all our volunteers.

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