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This week on Transmissions: Detroit’s own Warren Defever of Third Man Records and the experimental pop group His Name is Alive. Since the mid-80s, HNIA has released over a hundred records, EPs, and projects on labels like 4AD, Rykodisc, Time STEREO, and Unsung Hunger. Recently Warren has been exploring way back in the archives, sharing some of the work that caught the ear of Ivo-Watts Russell, who eventually signed His Name Is Alive in the ‘90s. A new boxset collects it all, A Silver Thread: Home Recordings (1979-1990). He’s been tinkering and reworking a lot of that material too, and as always there’s no loyalty to genre or anything like that, on releases like Ghost Tape EXP and Return Versions. Warren’s a music lifer, a classic record person. He does archival audio work with Third Man Records in Detroit and sometimes he’ll put something out there for the internet to pass around like treasure, like “Every Thin Lizzy Guitar Solo 1971-1983,” a CD-R where he edited all that shredding together into a transcendent mega mix. We talked about that—and a lot more—for this particularly loose episode of Transmissions.
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This week on Transmissions: Detroit’s own Warren Defever of Third Man Records and the experimental pop group His Name is Alive. Since the mid-80s, HNIA has released over a hundred records, EPs, and projects on labels like 4AD, Rykodisc, Time STEREO, and Unsung Hunger. Recently Warren has been exploring way back in the archives, sharing some of the work that caught the ear of Ivo-Watts Russell, who eventually signed His Name Is Alive in the ‘90s. A new boxset collects it all, A Silver Thread: Home Recordings (1979-1990). He’s been tinkering and reworking a lot of that material too, and as always there’s no loyalty to genre or anything like that, on releases like Ghost Tape EXP and Return Versions. Warren’s a music lifer, a classic record person. He does archival audio work with Third Man Records in Detroit and sometimes he’ll put something out there for the internet to pass around like treasure, like “Every Thin Lizzy Guitar Solo 1971-1983,” a CD-R where he edited all that shredding together into a transcendent mega mix. We talked about that—and a lot more—for this particularly loose episode of Transmissions.

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