The following is a plenary presentation from the 19th General Meeting of the International Thomas Merton Society, Regis University, Denver, Colorado, delivered on June 21, 2025.

Estevan Rael-Gálvez is the director of Native Bound-Unbound, a Mellon Foundation sponsored digital humanities project centered on the millions of indigenous people whose lives were and have been shaped by enslavement. Dr. Rael-Gálvez, anthropologist, historian, and Indigenous slavery scholar, has served as the state historian of New Mexico, the executive director of the National Hispanic Cultural Center, and senior vice president of historic sites at the National Trust for Historic Preservation. He has participated in public history and digital history projects involving communities linked to Mt. Taylor, Girl Scouts USA, Santa Fe, and many other broad, vast and important projects in public memory and public storytelling and narrative-making.

The following is a plenary presentation from the 19th General Meeting of the International Thomas Merton Society, Regis University, Denver, Colorado, delivered on June 20, 2025.

Susan Reynolds is a theologian and ethnographer whose first book, People Get Ready, received the 2024 Best Book Award by the College Theology Society.

Reynolds is an assistant professor of Catholic Studies at Emory University’s Candler School of Theology in Atlanta, GA, and is a contributing writer for Commonweal magazine. Originally from Denver, CO, she writes often on themes of ritual, community, and place.

This talk is about two men of the twentieth century, giants in their own right, the monk Thomas Merton and the Beat writer Jack Kerouac who as Roman Catholics studied Zen Buddhism. Both had a great deal common: Celtic ancestry, students at Columbia University, grounded in a spirituality of nature and a love of animals that reflected their respect for all sensate creatures. Both too had a dark side, prone to depression, struggling with sanity, even suicide at times. This talk discusses their similarities and differences, focusing upon their satori experiences, a Zen term for awakenings, epiphanies, enlightenment.  

Ed Sellner, Ph.D., is professor emeritus in theology and spirituality at Saint Catherine University in St Paul, Minnesota, where he taught and administered programs for 35 years. A graduate of the University of Notre Dame, he is author of numerous books on Celtic spirituality, western and eastern monasticism, and animal theology. Ed is also a spiritual director, trained at the Jung Institute in Zurich, Switzerland.

Becky McIntyre and Sarah Fuller discuss their art and experiences as artists working in religious and social justice movements, particularly the Catholic Worker movement. They will discuss intersections of faith, resistance, creativity and justice in their own life histories and artistic practices. They discuss examples of their art, and discuss ways in which the art and work of Thomas Merton touches on their own artistic practices.  

Becky McIntyre is a community artist, printmaker, and muralist in Philadelphia, currently living as an artist in residence at St. Raphaela Center in Haverford, PA. She regularly creates the cover art for the Los Angeles Catholic Worker newspaper, is a community muralist who worked as Chief of Operations, project manager, and artist for Walls for Justice, and is the visual artist for the Synodality in Catholic Higher Education in the Archdiocese of Philadelphia (SCHEAP) project. Her website is www.sanaartista.com.

Sarah Fuller is a printmaker in Ventura, California, who creates art for the Catholic Worker movement.  She was an Artist in Residence at the Bartimaeus Kinsler Institute in 2023. She has had art published in magazines, books, and Catholic Worker newsletters and newspapers. Her most recent book illustration project was for The Anabaptist Community Bible project with MennoMedia. Her website is www.sarahfullerart.com.

with James Finley

Being A Healing Presence in a Wounded & Traumatized World

James Finley leads retreats and workshops throughout the United States and Canada, attracting men and women from all religious traditions who seek to live a contemplative way of life in the midst of today's busy world. He is also a clinical psychologist in private practice in Santa Monica, California.

In this presentation to celebrate the launch of the Catholic Institute for Nonviolence in Rome in September 2024, Sojourners senior editor Rose Marie Berger reflects on what led up to the launch of the Institute, what moral and theological questions top the Institute's research agenda, and what comes next for this tremendous new resource available to the global Church and beyond. Merton's own thinking and prayer on war and peace opened the way for the maturing of Catholic nonviolence as it is understood today. The launch of the Catholic Institute for Nonviolence is another dynamic experiment in Merton's thoughts on how the Church's "wars are fought without any weapons at all."

An excerpt from Conjectures of a Guilty Bystander lives as permanently as can be on the door entering the dining room in Maryhouse, one of the New York Catholic Worker houses of hospitality. In this personal talk, I hope to explore what it meant to read Merton in the context of living at a Catholic Worker house, and how I believe the Worker and Merton hold the tension of guilt and faithful living in a world inundated with violence.

Abbi Fraser, the child of two Protestant pastors, got her BA in Public Affairs from UCLA and instantly dove into the world of the Catholic Worker. Abbi loves talking about God and finds Them most in her friends, protests, and the park.

In this presentation on the anniversary of Thomas Merton’s death, iconographer Fr. Bill McNichols and theologian Christopher Pramuk reflect on the power of sacred art to quicken the hope of Advent in our hearts, and to bring the creativity and courage of love into “this demented inn,” where Christ “has come uninvited.” Their book together, All My Eyes See: The Artistic Vocation of Fr. William Hart McNichols, has been described as “incandescent,” an “intimate conversation between two soul friends,” which “not only preserves the legacy of a hidden master, but also contributes to the awakening of the world.”  

Ordained in 1979, Fr. William Hart McNichols was a member of the Society of Jesus from 1968-2002. He received a Master of Fine Arts from the Pratt Institute in Brooklyn, NY, and from 1983 to 1990 he worked in AIDS hospice ministry in Manhattan, while continuing to paint and illustrating many children’s books. In 1990 he moved to Albuquerque, NM, to study with master iconographer Br. Robert Lentz; he continues to serve the people of God as a priest in northern New Mexico.

Christopher Pramuk is Regis University Chair of Ignatian Thought and Imagination, and professor of theology at Regis University, Denver, CO. A past President of the ITMS, his seven books include two award-winning studies of Thomas Merton, the first of which sparked his long friendship with Fr. Bill.

Gray Matthews, assistant professor of Communication at the University of Memphis, Memphis TN, has served the International Thomas Merton Society as a member of the Board, co-editor of The Merton Annual, coordinator of the 2007 ITMS conference, as well as coordinator of the Memphis ITMS Chapter since 2001. Gray has been a frequent presenter at ITMS conferences and recently authored an exploratory essay on Merton and decolonial issues of contemplative concern.

This Presentation is a thought experiment in deep responsiveness. The question of contemplation—in a world of action that is deteriorating into a frantic order of hyper-activity, brutal re-activism, and paralyzed strategies of inaction—begs for a pause to deliberately rethink and reimagine the nature of not only the practice of contemplation, but the contemplative nature of life itself.  Given a diet of crises, catastrophes, and collapses, there is a tradition of self-deadening retreat from the maddening order of noise in order to seek rest in the privileged shelter of false tranquility. Instead of an orderly evasion of grief, I think our suffering world is calling for contemplative mayhem in responsive depth .