In this week’s episode of Unclear and Present Danger, Jamelle and John watch the satirical sci-fi action thriller “Demolition Man,” starring Sylvester Stallone as “John Spartan,” a Los Angeles city police officer who is cryogenically frozen as punishment for a failed rescue attempt; Wesley Snipes as “Simon Phoenix,” his primary antagonist; Sandra Bullock as a cop in the sterile, Brave New World-esque future society in which the film takes place; and Nigel Hawthorne as the leader of that future society.

In addition to their usual look at the headlines and news of the day, Jamelle and John discuss “Demolition Man” as one of the quintessentially conservative blockbusters of the 1990s, with a critique of liberalism as both permissive — and thus prone to disorder — and highly restrictive, and thus antagonistic to traditional ideas of manhood and masculinity. They also look at what the movie says about the role of violence in society, and try to place the film within the “end of history” context of the immediate post-Cold War period.

Episodes come out every two weeks, so we’ll see you then with an episode on “The Net,” starring Sandra Bullock.

“The Net” is available to rent on iTunes and Amazon.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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In this week’s episode of Unclear and Present Danger, Jamelle and John are joined by David Sims of The Atlantic magazine and the Blank Check podcast to discuss the 1995 comic book adaptation “Judge Dredd.” Made in the era when Hollywood had no idea what to do with comics and science fiction properties, “Judge Dredd” is, in most respects, a failure. But within that failure is interesting glimpse into one of the major political preoccupations of the 1990s — crime. As such, the conversation touches on the crime discourse of the decade, as well as the culture of American policing. They also talk a bit about Sylvester Stallone.

It’s a good episode, even if you disagree with us about the strength of the movie itself. We realized that we skipped an important entry in Stallone’s 1990s output, so our next episode will be on the 1993 film “Demolition Man.” We’ll see you then.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode is on the 1970 political thriller “The Confession,” directed by Costa-Gavras.

In this week’s episode of Unclear and Present Danger, Jamelle and John watch “True Lies,” James Cameron’s tonally-incoherent (but hugely successful) spy thriller starring Arnold Schwarzenegger and Jamie Lee Curtis. They discuss the film as a straightforward take on the American crisis of masculinity in the 1990s, as a depiction of American beliefs and ideologies around sex and power, and as the beginning of a significant turn in the cultural depiction of America’s enemies. They also talk about American interventions into Haiti, welfare reform and James Cameron’s marriages.

You can watch “True Lies” on Apple TV Plus or Paramount Plus.

Episodes are released every two weeks, so join Jamelle and John later this month for an episode on the 1995 adaptation of “Judge Dredd,” starring Sylvester Stallone.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of the Patreon is on the 1969 political thriller “Z,” directed by Costa-Gavras.

This week on Unclear and Present Danger, Jamelle and John watched “Canadian Bacon,” a 1995 political comedy written, produced and directed by Michael Moore, which takes aim at American politics in the wake of the Cold War. It stars an ensemble cast of John Candy (in his last film role), Alan Alda as the president of the United States, Bill Nunn, Kevin J. O’Connor, Rhea Perlman, Kevin Pollak and Rip Torn.

In their conversation, Jamelle and John discuss Michael Moore’s work and impact (especially on their political awareness), post-Cold War demobilization, deindustrialization and the ways that race and class work together in American life. New episodes come out every two weeks, so join the podcast then when we discuss James Cameron’s “True Lies.”

Connor Lynch produced this episode. Artwork by Rachel Eck.

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On this week’s episode of Unclear and Present Danger, we watched “Die Hard with a Vengeance,” the 1995 threequel to the original 1988 “Die Hard.” Directed by John McTiernan, who helmed the first film, it was written by prolific Holllywood screenwriter Jonathan Hensleigh based on an original screenplay and stars Bruce Willis as recurring hero John McClane, Samuel L. Jackson as “Zeus,” and Jeremy Irons as Simon Gruber, brother of Hans.

In the episode, Jamelle and John discuss Rudy Giuliani’s New York, the racial and class politics of the film and how this movie seems to anticipate the imagery of the 9/11 era.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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Our next episode is on the 1995 political satire “Canadian Bacon,” directed by Michael Moore and starring an ensemble cast of John Candy, Alan Alda, Bill Nunn and many others. You can find it to rent on iTunes and Amazon.

On this week’s episode of Unclear and Present Danger, Jamelle and John discuss Wolfgang Petersen’s medical thriller slash action movie “Outbreak.” We spend the bulk of the episode discussing the experience of watching this movie having lived through a pandemic, as well as the pandemic fears of the 1990s that might have inspired this film. Unfortunately, a few technical difficulties meant the audio quality isn’t as high as it should be, but we did our best to compensate and we appreciate your patience.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our most recent episode of the Patreon is on Alan J. Pakula’s paranoia thriller “The Parallax View.”

On our next episode of Unclear and Present Danger, we cover “Die Hard: With a Vengeance.”

This week, Jamelle and John are joined by Soraya Roberts of Defector and Pipe Wrench magazine to talk “Drop Zone,” a quintessentially 1990s action film starring Wesley Snipes and Gary Busey. They talk Snipes' career and his fall into “sovereign citizenship,” the 90s obsession with “extreme” sports, and race and Hollywood.

In our next episode, we’ll discuss the (ridiculous) disaster thriller “Outbreak,” directed by Wolfgang Petersen and starring Dustin Hoffman and Rene Russo. It’s available to rent or purchase on Amazon and iTunes.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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John Ganz

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And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our most recent episode is on the Clint Eastwood film “The Eiger Sanction,” and our next episode will be on the Alan J. Pakula paranoia thriller, “The Parallax View.”

In this week’s episode of Unclear and Present Danger, Jamelle and John watch “Toys,” a largely-forgotten fantasy-comedy film from director Barry Levinson. Despite its myriad flaws, the boys have a productive conversation about the film’s obvious themes — the military-industrial complex and the rise of remote and drone warfare — and its less obvious themes, specifically the bourgeois vision of family capitalism and industrial harmony at the heart of the film.

“Toys” is virtually impossible to watch if you don’t have a physical disc, but there is a low-quality version available to stream here.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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We are concluding our Graham Greene series with an obscure spy drama from director Otto Preminger, the 1979 film "The Human Factor." It is of a piece with "Tinker Tailor Soldier Spy" and to that point, Jamelle and John spend this episode discussing the connections between the two works and the similarities (and differences) between how Le Carre and Greene view betrayal and deception.

"The Human Factor" is pretty good — Preminger was a master — so we both recommend that you check it out. It's available to view for rent on iTunes and Amazon Prime.

To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well a monthly entry into a movie raffle, and whatever else we can think of.

Connor Lynch produced this episode. Artwork by Rachel Eck.

In this week’s episode, Jamelle and John watch Disney’s “The Rocketeer,” a throwback action-adventure film starring Billy Campbell, Alan Arkin, Jennifer Connelly, Paul Sorvino and Timothy Dalton. They discuss the 1930s revival of the late 80s and early 90s, the real-life conspiracies that might have inspired the plot of “The Rocketeer,” and the political power of nostalgia for Americans on the left and the right.

Episodes come out every other Friday, so we’ll see you two weeks from now with the 1992 film “Toys”" directed by Barry Levinson and starring Robin Williams. “Toys”" is basically impossible to find, so don’t worry about watching this one!

Connor Lynch produced this episode. Artwork by Rachel Eck.

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John Ganz

Jamelle Bouie

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And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.