As the ramifications of the US election are set to continue for weeks, where do we stand in the art world? We look at the economics and the response of artists and art communities over the last four years and into the future. We talk to Felix Salmon, the chief financial correspondent at Axios, about the economic situation and its potential effects; Carolina Miranda of the Los Angeles Times reflects on individualism and collective action in the cultural sphere; and the Mexican artist Pedro Reyes talks about his project in New York City, Mañanaland, timed to coincide with the election. For this week’s Work of the Week, Martin Rowson, a cartoonist for the Guardian and the Daily Mirror, among others, talks about William Hogarth’s Gin Lane (1751), drawing President Trump, and the power of satire to address moments of crisis.

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