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Catherine Vericolli lives in a recording studio, or rather her studio has taken over most of her residence since its beginnings in 2005. As an owner, engineer, and occasional tech at Fivethirteen Recording in Phoenix, AZ, she is dedicated to keeping the traditional analog recording process alive in the desert. Going on a decade of being in business, Fivethirteen has grown out of its local musician homestead roots into a stop-off for touring nationals and international bands, guest engineers, and home for the occasional film score. Added on in 2010, Fivethirteen’s mixing suite has become one of Arizona’s premier mixing destinations, and with the installation of an RND 5088 in it’s tracking control room during the summer of 2013, Catherine has since taken on the studio’s management position full time. She also coedits and writes for Pink Noise Mag (pinknoisemag.com), an online pro audio publication dedicated to increasing the diversity and intellectual tradition of the practice of record making.
Catherine joins Matt for a chat about the challenges in building and running a residential studio in a market not known for its music scene, her role in Pinknoise (pinknoisemag.com) with Allen Farmello (WCA # 031) as well her love for analog recording.
513recording.com
By Working Class Audio4.8
203203 ratings
Catherine Vericolli lives in a recording studio, or rather her studio has taken over most of her residence since its beginnings in 2005. As an owner, engineer, and occasional tech at Fivethirteen Recording in Phoenix, AZ, she is dedicated to keeping the traditional analog recording process alive in the desert. Going on a decade of being in business, Fivethirteen has grown out of its local musician homestead roots into a stop-off for touring nationals and international bands, guest engineers, and home for the occasional film score. Added on in 2010, Fivethirteen’s mixing suite has become one of Arizona’s premier mixing destinations, and with the installation of an RND 5088 in it’s tracking control room during the summer of 2013, Catherine has since taken on the studio’s management position full time. She also coedits and writes for Pink Noise Mag (pinknoisemag.com), an online pro audio publication dedicated to increasing the diversity and intellectual tradition of the practice of record making.
Catherine joins Matt for a chat about the challenges in building and running a residential studio in a market not known for its music scene, her role in Pinknoise (pinknoisemag.com) with Allen Farmello (WCA # 031) as well her love for analog recording.
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