This week’s film releases include “Gran Turismo,” “Retribution,” “Golda,” and “Bottoms.” KCRW gets reviews from Amy Nicholson, host of the podcast Unspooled and film reviewer for The New York Times; and William Bibbiani, film critic for The Wrap and co-host of the Critically Acclaimed Network of podcasts.

The latest film releases include “Blue Beetle” and “Strays.” KCRW gets reviews from Alison Willmore, film critic for New York Magazine and Vulture; and Witney Seibold, contributor to SlashFilm and co-host of the podcast “Critically Acclaimed.”

The latest film releases include “Jules,” “The Last Voyage of the Demeter,” “Medusa Deluxe,” “Men of Deeds,” and “Red, White, & Royal Blue.” KCRW gets reviews from Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day;” and Carlos Aguilar, film reviewer for the Los Angeles Times and The A.V. Club.

The hero of Robert Eggers's "The Northman," a Viking warrior in 9th century Iceland, thinks of nothing but avenging the death of his father, whose death may recall the plot of "Hamlet." Rivers of blood are spilled along the way in a dark saga that also casts a light on our time.

The lovers in "Paris 13th District," a romantic comedy by the French director Jacques Audiard, don't necessarily want to live the erratic lives they're living. They'd rather be solidly grounded, with good jobs and a stable network of friends. Or would they?

A new Netflix documentary, "Return To Space," may come on like a promotional piece for SpaceX, and why not? Elon Musk's aerospace venture has achieved remarkable things since it was founded two decades ago. The film is more than that, though. It charts the beginning of a new era in space exploration, and also serves as a testament to the power of failing upward. Way upward.

Watching the Oscarcast in all its astonishing amateurism and then watching "The Contractor" for review is an unwelcome reminder of the state of the movie medium.

Previous years of ratings declines don't bode well for the popularity of this year's Oscars show. Have the Oscars, and the movies, lost their place of preeminence in the entertainment universe?

By now it's no spoiler to say that the teenage heroine of Pixar's "Turning Red" turns into a panda whenever her emotions get out of control. It's a shame most people will see the film only on Disney+, but it's worth seeing anywhere for its buoyant spirit and brilliant animation.