Weird Studies

The 1947 British film Black Narcissus is many things: an allegory of the end of empire, a chilling ghost story with nary a spook in sight, a psychological romance, and a meditation on the nature of the divine. Its weirdness is as undeniable as it is difficult to locate. On the surface, the story is straightforward: five nuns are tasked with opening a convent in the former seraglio of a dead potentate in the Himalayas. But on a deeper level, there is a lot more going on, as Phil and JF discover in this conversation touching on the presence of the past, the monstrosity of God, the mystery of the singular, and the eroticism of prayer, among other strangenesses.

REFERENCES

Michael Powell and Emeric Pressburged (dirs.), Black Narcissus

Stanley Kubrick, The Shining

Learn more about your ad choices. Visit megaphone.fm/adchoices

The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconced our modern, common-life construal of thinigs. It must become fantastic and incorporate aspects of "nature" that feel "supernatural" from a modern standpoint. Jonathan Demme's screen adaptation of The Silence of the Lambs is a powerful example. The film oscillates undecidably between a straightforward crime story and a work of supernatural horror. In this episode, JF and Phil cast Hannibal Lecter and Clarice Starling as figures in a myth that pits the individual against the institution, the singular against the type, and the forces of light against the forces of darkness.

REFERENCES

Jonathan Demme (dir.), The Silence of the Lambs

Learn more about your ad choices. Visit megaphone.fm/adchoices

Somebody once said, "No prophet is welcome in his own country." Whether this was true in the case of jazz musician and composer Sun Ra depends on whom you ask. With most, the dictum probably bears out. But there are those who can make out certain patterns in Ra's life and work, patterns that place him among the true mystics and prophets. Of course, these people already believe in mysticism and prophecy, but Sun Ra's total devotion to his myth does not leave much wiggle room on this front. He is asking us to choose: believe or disbelieve. And if you go with disbelief, you'll need to explain the sustained coherence and lucidity of his message, and the transformative power of his music. In this episode, Phil and JF take a look at Sun Ra's unforgettable film Space is the Place, interpreting it as a document in the history of esotericism, using gnostic thought and the tarotology as instruments to bring some of his secrets to light.

REFERENCES

Sun Ra, Space is the Place

Learn more about your ad choices. Visit megaphone.fm/adchoices

"Perhaps the truth depends on a walk around a lake." This line from Wallace Stevens' "Notes Toward a Supreme Fiction" captures something of the mysteries of walking. It points to the undeniable yet baffling relationship between walking and thinking, between putting one foot in front of the other and uncovering the secret of the soul and world. In this episode, JF and Phil exchange ideas about the weirdness of this thing most humans did on most days for most of world history. The conversation ranges over a vast territory, with zen monks, novelists, Jesuits and more joining your hosts on what turns out to be a journey to wondrous places.

Header image by Beatrice, Wikimedia Commons

REFERENCES

Dogen, The Mountains and Waters Sutra

Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are supposed to think and feel in its presence. Cast in in this mold, the critic is an arbiter, not just of taste, but also of sense and meaning. The American art critic Dave Hickey categorically rejects this interpretation, which he says gives off a mild stench of fascism. For Hickey, the critic plays a weak role, and it's this weakness that makes it essential. In his essay "Air Guitar," published in 1997, Hickey argues that criticism can never really penetrate the mystery of any artwork. Criticism is rather a way to capture the "enigmatic whoosh" of art as one instance of the more pervasive "whoosh" of ordinary experience. So, no act of criticism can ever exhaust an artwork. The critic interprets a singular experience of art into words so that others might be encouraged to have their own, equally singular experiences. In this episode, Phil and JF discuss what criticism has to do with art, life, politics, and ordinary experience.

Header image: Caravaggio, The Calling of Saint Matthew (1599-1600)

REFERENCES

Dave Hickey, Air Guitar: Essays on Art and Democracy

Learn more about your ad choices. Visit megaphone.fm/adchoices

Raiders of the Lost Ark is more than a Hollywood movie made in the summer blockbuster mold. As Phil says in his intro to this popping Weird Studies episode, the film is "a Trojan horse of the Weird, easy to let in but once inside, apt to take over." This conversation sees him and JF discuss a movie we dismiss at our own risk, a cinematic masterpiece replete with enigmas that reach back to the foundations of Western civilization. What does the Ark of the Covenant signify? What does it contain? What happens if you open that box of god(s)? And whose god is this, anyway? These are questions that have puzzled theologians and mystics for centuries, and Steven Spielberg's great work asks them anew for an age gone nuclear.

Image by arsheffield

REFERENCES

Steven Spielberg, Raiders of the Lost Ark

Learn more about your ad choices. Visit megaphone.fm/adchoices

The German poet and philosopher Jean Gebser's major work, The Ever-Present Origin, is a monumental study of the evolution of consciousness from prehistory to posthistory. For Gebser, consciousness adopts different "structures" at different times and in different contexts, and each structure reveals certain facets of reality while potentially occluding others. An integral human being is one who can utilize all of the structures according to the moment or situation. As Gebserian scholar Jeremy Johnson explains in this episode, modern humans are currently experiencing the transition from the "perspectival" structure which formed in the late Middle Ages to the "aperspectival," a new way of seeing and being that first revealed itself in the art of the Modernists. Grokking what the aperspectival means, and what it might look like, is just one of the tasks Jeremy, Phil and JF set themselves in this engaging trialogue.

Jeremy D. Johnson is the author of the recently released Seeing Through the World: Jean Gebser and Integral Consciousness.

REFERENCES

Jeremy Johnson, Seeing Through the World: Jean Gebser and the Integral Consciousness

Special Guest: Jeremy D. Johnson.

Learn more about your ad choices. Visit megaphone.fm/adchoices

No survey of weird literature would be complete without mentioning Algernon Blackwood (1869-1951). As with all masters of the genre, Blackwood's take on the weird is singular: here, it isn't the cold reaches of outer space that elicit in us a nihilistic frisson, but the vast expanses of our own planet's wild places -- especially the northern woods. In his story "The Wendigo," Blackwood combines the beliefs of the Indigenous peoples of the Eastern Woodlands with the folktales of his native Britain to weave an ensorcelling story that perfectly captures the mood of the Canadian wilderness. In this conversation, JF and Phil discuss their own experience of that wilderness growing up in Ontario. The deeper they go, the spookier things get. An episode best enjoyed in solitude, by a campfire.

Header Image: "Highway 60 Passing Through the Boreal Forest in Algonquin Park" by Dimana Koralova, Wikimedia Commons

SHOW NOTES

Glenn Gould, The Idea of North

Learn more about your ad choices. Visit megaphone.fm/adchoices

"All things feel," Pythagoas said. Panpsychism, the belief that consciousnes is a property of all things and not limited to the human brain, is back in vogue -- with good reason. The problem of how inert matter could give rise to subjectivity and feeling has proved insoluble under the dominant assumptions of a hard materialism. Recently, the American filmmaker Errol Morris presented his own brand of panpsychism in a long-form essay entitled, "The Pianist and the Lobster," published in the New York Times. The essay opens with an episode from the life of Sviatoslav Richter, namely a time where the famous Russian pianist couldn't perform without a plastic lobster waiting for him in the wings. In Morris's piece, the curious anecdote sounds the first note of what turns out to be a polyphony of thoughts and ideas on consciousness, agency, Nerval's image of the the "Hidden God," and the deep weirdness of music. Phil and JF use Morris's essay to create a polyphony of their own.

REFERENCES

Errol Morris, "The Pianist and the Lobster"

Sviatoslav Richter, Russian pianist

Learn more about your ad choices. Visit megaphone.fm/adchoices

William Gibson's Pattern Recognition was published in 2003, in the wake of 9/11. You would think that a novel about the early Internet's effects on the collective psyche would feel dated today. But Gibson's insight into the deeper implications of digital culture and soul-rending consumerism are such that we are still catching up with Cayce Pollard, the novel's protagonist, as she journeys into the hypermodern underworld, searching for the secrets of art, time, and death. In this episode, JF and Phil read Pattern Recognition as an exploration of the attention economy, an ascent of the all-seeing pyramid, a subtle rewilding of postmodern culture, and a handbook for the magicians of the future.

REFERENCES

William Gibson, Pattern Recognition

Learn more about your ad choices. Visit megaphone.fm/adchoices