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'The Cotton Club' was supposed to be Robert Evans’ big comeback... Instead, it became the movie that finally took him down - and nearly dragged Francis Ford Coppola with him. Chris and Lizzie break down how Evans' desperation to make the film led to shady financing, a baffling creative curveball from Richard Gere, and a production so chaotic that an actual mobster came on board as a line producer. 

Even though 'The Cotton Club' began as a story highlighting the racial inequalities of the actual nightclub, it became a film that marginalized its own black talent. Find out why it took Coppola 30 years to correct this mistake, finally allowing Gregory and Maurice Hines to steal the show.  

Make sure you listen to our Out of Frame episode on The Cotton Club Murder first as a primer for this episode! 

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Before ‘The Cotton Club’ became one of Hollywood’s most notorious flops, it was connected to something much darker. In this episode of Out of Frame, Chris and Lizzie dig into the death of Roy Radin — a small-time producer whose obsession with breaking into Hollywood by financing ’The Cotton Club’ ended in murder. Find out how Radin got involved with Lanie Jacobs, a cocaine dealer with movie ambitions of her own, and why the entire case revolved around one of the most influential producers of all time: Robert Evans.

Listen to this episode first as a primer, then come back Monday when we break down exactly what went wrong with ‘The Cotton Club’ in our full main-feed episode.

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How did two lowly squires, an outsider king, and a network known more for sex than sorcery come together to make one of the most successful TV shows of all time? By completely botching it the first time around. This week, Chris & Lizzie brave the Hollywood game of thrones to learn what went wrong making Game of Thrones, from bad wigs and green screen White Walkers to ridiculous hats and the importance of second chances.

*ADDENDUM: David Benioff had crucially penned 2004’s Troy prior to Game of Thrones, as well.

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Lizzie, Chris, and special guests Henry Zebrowski and Ed Larson from the 'Last Podcast on the Left' investigate the extraordinary life and untimely death of River Phoenix. We dig into Phoenix’s complicated family dynamics, his deep discomfort with fame, and the pressures that followed him. Find out how his childhood - including a stint in the Children of God cult - informed his meteoric rise as one of Hollywood’s most sensitive and sought-after performers. We also explore the troubled production of his final film 'Dark Blood', and why it took almost 20 years to be released.

Out of Frame is a bonus series that pulls back the curtain on the offscreen lives of Hollywood’s most fascinating figures—where the real stories are often stranger, darker, and more revealing than anything you see on film.

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How did 'Don’t Worry Darling' become one of Hollywood’s biggest misfires since 'Ishtar'? Chris and Lizzie investigate how Olivia Wilde’s highly anticipated sophomore film began falling apart long before it reached theaters.

From Shia LaBeouf’s hotly disputed exit and last-minute replacement with Harry Styles, to how Wilde’s personal life hijacked the press tour, the off-screen drama proved far more compelling than the movie itself. Discover what changed from the original script, why key themes were misrepresented, and how Florence Pugh’s deafening silence helped fuel a media frenzy.

*CORRECTIONS: Cockburn is pronounced "co-burn", not "cock-burn" as we assert in this episode. That being said, it stands to reason Olivia Wilde chose to change her name precisely because America is filled with dummies like us.

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In 2000, Christopher Nolan had to believe in a world outside his own mind... even though no one seemed interested in what his imagination had wrought. Join Chris & Lizzie as they ring in the New Year with a dive into the early aughts' seminal neo-noir cult classic, Memento, and sleuth out how Nolan's breakout film was nearly forgotten. Plus, how Stephen Tobolowsky's penis snagged him the role of Sammy Jankis, the Hollywood hunk who almost took on the role of Leonard Shelby, and why Joey Pants owes Carrie-Anne Moss a lawn chair or two.

*CORRECTIONS: Editor extraordinaire Dody Dorn's name is pronounced "DOE-dee", not "Dotty" as Chris mispronounces it throughout this episode. Our apologies to Dody!

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