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SEASON 2 - EPISODE 101 - WILLIE BURTON - PRODUCTION SOUND MIXER
On this episode of the Team Deakins Podcast, production sound mixer Willie Burton (OPPENHEIMER, LOVE & BASKETBALL, THE SHAWSHANK REDEMPTION) joins us to talk about his career and the world of audio. We learn how Willie's love for all things audio began as a teenager in Tuscaloosa, Alabama and drove him to hitching a ride with a visiting minister out to California to pursue a higher education and deepen his knowledge in the field. After a string of odd-jobs and an engineering career in the sonar division of the Long Beach Naval Shipyard, Willie weathered years of rejection before gaining admittance into the sound union, becoming the first African-American in the local's history, and finally began his long career in film and television. Throughout the episode, Willie remembers those who helped him advance in his career; among them fellow trailblazer Sidney Poitier, who gave Willie his first break sound mixing a feature on the Poitier-directed LET'S DO IT AGAIN. Willie later shares how he likes to prepare for a film, and we discuss some of the challenges Willie faced recording sound on OPPENHEIMER and TENET. Towards the end of our conversation, we ask Willie if he's ready to hang it up, and we also learn about Willie's involvement in a new educational program in Kansas City exposing young men and women to the world of filmmaking.
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This episode is sponsored by Aputure
By James Ellis Deakins, Roger Deakins4.9
11081,108 ratings
SEASON 2 - EPISODE 101 - WILLIE BURTON - PRODUCTION SOUND MIXER
On this episode of the Team Deakins Podcast, production sound mixer Willie Burton (OPPENHEIMER, LOVE & BASKETBALL, THE SHAWSHANK REDEMPTION) joins us to talk about his career and the world of audio. We learn how Willie's love for all things audio began as a teenager in Tuscaloosa, Alabama and drove him to hitching a ride with a visiting minister out to California to pursue a higher education and deepen his knowledge in the field. After a string of odd-jobs and an engineering career in the sonar division of the Long Beach Naval Shipyard, Willie weathered years of rejection before gaining admittance into the sound union, becoming the first African-American in the local's history, and finally began his long career in film and television. Throughout the episode, Willie remembers those who helped him advance in his career; among them fellow trailblazer Sidney Poitier, who gave Willie his first break sound mixing a feature on the Poitier-directed LET'S DO IT AGAIN. Willie later shares how he likes to prepare for a film, and we discuss some of the challenges Willie faced recording sound on OPPENHEIMER and TENET. Towards the end of our conversation, we ask Willie if he's ready to hang it up, and we also learn about Willie's involvement in a new educational program in Kansas City exposing young men and women to the world of filmmaking.
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This episode is sponsored by Aputure

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