My guest today is Boston-based mastering and restoration engineer. Maria Rice, Maria works at Peerless mastering and has received three nominations for the Grammy award for Best Historical Album. Her remastering work also includes the 2018 reissue of Blondie's Heart of Glass. Maria and I connected over LinkedIn, and I reached out to her, and she graciously accepted my invitation to come on the show. So I'm very much looking forward to bringing you Maria Rice here on the Working Class Audio podcast.

In this episode, we discuss:

Matt's Monologue: Knowing Yourself

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My guest today is producer engineer mixer Steve Evetts, who has worked with the Dillinger Escape Plan, Sepultura, The Cure, Poison the Well, Alesana, The Wonder Years, and many, many others. Steve comes to us as a recommendation from our good friend, Joe Barresi.

In this episode, we discuss:

Matt's Monologue: Preparing and Practicing in the Off Hours

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My guest today is a friend of 20 years who plays a role in the formation of Working Class Audio. I'm talking about mastering engineer Michael Romanowski. Michael and I go way back. We were building partners at our studio in San Francisco. Michael had a mastering facility in the front. I had a recording studio in the back, and together we were co-tenants in the space that he helped bring me into. Michael played a part in the formation of Working Class Audio because he's the one that helped me get off the lease without damaging our relationship with the landlord, which was crucial. Very excited to bring you this interview with him. We met up over it at his house, where he has a residential mastering facility nominated for a TEC award. Michael Romanowski, coming up here on the Working Class Audio podcast. 

In this episode, we discuss:

Matt's Monologue: Supporting Small Business

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My guest today is the return of Robert L. Smith. Robert was originally on episode six of the Working Class Audio podcast. He's a producer-engineer mixer. He's based in New York City. That hasn't changed. And he has worked with some pretty big names out there. Lady Gaga, Michael Jackson, Aerosmith, David Byrne, and U2. We bring Robert back to check in about where things stand for him, where things stand during the COVID crisis, how he has navigated the whole thing, and how things have changed for him or not changed. And we're going to get to all of that. So very happy to have Robert back to join us. Robert L. Smith, coming up here on the Working Class Audio podcast.

In this episode, we discuss:

Matt's Monologue: Putting in the Work

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My guest today is Kevin Churko. Who's originally from Canada, currently resides in the United States, and he is a producer-engineer, mixer, and songwriter. He's worked with Ozzy Osbourne, Rob Zombie, Papa Roach, Modern Science, Five Finger Death Punch, Shania Twain, and Hellyeah amongst many, many others. One aspect of his career that's fascinating that we're going to talk about is that Kevin worked for four years for Mutt Lange in Switzerland. He moved the whole family there. We're going to talk all about that in his journey, which I think you'll find quite fascinating. And I'm very excited to have Kevin join us today. So Kevin Churko, coming up here on the working-class audio podcast.

In this episode, we discuss:

Matt's Monologue: Random Goings On

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My guest today is Nashville based mastering engineer Daniel Bacigalupi. Daniel is a member of the team over at Infrasonic Mastering. That includes Pete Lyman, Dave Gardner, and Piper Payne, all who have been guests here on WCA. We're going to get into Daniel's journey to Nashville and into mastering here shortly. Daniel Bacigalupi coming up here on the working class audio podcast.

In this episode, we discuss:

Matt's Monologue: Participation

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My guest today is Anne-Marie Pleau, who is an engineer and theatrical sound designer. And you might recognize her name because she just so happens to be the editor of the Working Class Audio Podcast. That's right. So every time I do an interview, I ship it right on over to Anne-Marie. She does her round of magic. She sends it back to me, and I assemble the show, and wallah, You have a podcast. So she plays a pretty, monumental role in the show and has since episode 220 with Butch Vig. She's been with WCA for quite some time now, and I'm pleased to have her with us today. Anne-Marie Pleau, coming up here on the Working Class Audio Podcast.

In this episode, we discuss:

Matt's Monologue: The Beginners Mindset

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My guest today is Joyce Lieberman. Joyce has been working at WHYY in Philadelphia for the last 44 years, starting in 1976. She worked for 11 years as a Technician, 11 years as a Technical Director of Fresh Air, and 22 years as a Radio Engineering Supervisor. Joyce and I met at a dinner in Los Angeles four or five years ago. I discovered that she worked for WHYY and Terry Gross, and I began lobbying her to come on the show. Fast forward five years later, I get an email from Joyce saying, "Hey, I've got some free time. I'm ready to do this." So we have a great conversation about Joyce's career and all the details of WHYY. Very excited to bring you, Joyce Lieberman, here on the Working Class Audio podcast.

In this episode, we discuss:

Matt's Monologue: The Passing of Moto, Recording and Perspective

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My guest today is Steve Baughman, also known as Steve B. Steve has worked with Dr. Dre, No Doubt, Michael Jackson, and Eminem as well as several others. And his credits include recording, mixing, mastering, and production on a wide array of projects that stretch from big-band jazz to rock, to hip hop, Steve Baughman, coming up here on the Working Class Audio Podcast

In this episode, we discuss:

Matt's Monologue: Filling Holes in Your Schedule

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My guest today is Leslie Gaston-Bird. She has been in the industry for over 30 years. Twelve of that in public radio (including National Public Radio), Seventeen in sound for picture, and Thirteen years as an educator. She's the author of the book "Women in Audio." She's a member of the AES, where she chairs numerous committees and on the board of governors. She runs Mix Messiah Productions as a freelance re-recording mixer and sound editor. She was a tenured associate professor of recording arts at the University of Colorado Denver and is co-director for the Sound Girls, UK chapter and Sound Girls scholarships, travel grants. She's been busy, to say the least, and I'm thrilled to have her on the show. Leslie Gaston-Bird, coming up here on the Working Class Audio Podcast.

In this episode, we discuss:

Matt's Monologue: Labeling Your Work

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