Writer Unleashed

You’ve heard “show, don’t tell” a thousand times. But what does it actually mean to show effectively? And when is telling exactly what your story needs?

In this episode, we’ll look at common ways writers get showing wrong, what strong showing does, and when telling can deepen a scene or keep your story moving.

You’ll learn a more useful way to think about showing and telling - one that gives readers room to participate while bringing them deeper into your character’s experience.

Book mentioned in this episode: 

The Identicals by Elin Hilderbrand

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

Your story has several characters, multiple storylines, and probably some childhood flashbacks that keep sneaking in. And you can't quite answer the question every writer eventually has to face: what is your story about?

If you've ever struggled to answer that in one sentence, this episode is for you. I'm walking through why ambitious first drafts get overcrowded, how to find the single core desire your story should orbit around, and what to do with everything else. You'll walk away with a clear way to tell a rich story instead of a crowded one, and the confidence to cut what's creating noise instead of clarity.

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

Ever thought about quitting your draft and starting something new? You're not alone - lots of writers do. But before you abandon your story, listen to this episode first. 

Most of the time, the urge to start over isn't really about the story at all. It's one of three specific things, and each one has a way forward that doesn't involve throwing out everything you've built. In this episode, I walk through all three, along with examples, so you can figure out exactly what's going on with your draft, and what to do next.

Links mentioned in this episode:

Black and Blue by Anna Quindlen

The Perfect Couple by Elin Hilderbrand

Autobiography of a Face by Lucy Grealy

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

Whether you're staring at a blank page or halfway through a draft, overthinking can bring your novel to a standstill. Different symptoms, same root cause: both writers are trying to solve problems they're not ready to solve yet, overthinking to the point of paralysis. In this episode, I share a four-part framework to help you stop chasing certainty and start getting more clarity and direction for your story.

Links Mentioned In This Episode:

One Day by David Nicholls

Lolita by Vladimir Nabokov

The Perfect Couple by Elin Hilderbrand

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

For years I measured my work ethic by how many hours I put in at my desk. I'd arrive, coffee in hand at 7am, break around  Noon for lunch, back at my desk till 6 or 7pm, sometimes later. I thought putting in the time was the thing that would move the needle. It was actually the thing keeping me from doing my best work.

In this episode, I share two small, counterintuitive shifts I made to change not only the volume of creative work I get done, but the quality — and in half the time it used to take me.

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

How much exposition is too much? Should you begin your story with exposition? And how do you write exposition in a way that isn’t excessive, awkward, or dull?

In this encore episode, we'll talk about how to write exposition in a way that doesn’t sound like exposition. 

We'll cover:

• What exposition is, and why it's essential;
• When to begin your story with exposition and when not to
• Two different types of exposition; and
• How to slip exposition into the action so the reader isn't aware it's even there.

Episode Website

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

Most writers know when their dialogue isn't working. What they don't know is why. In this episode, I'm breaking down the three mistakes that make dialogue read false, and what to do to turn it around. So your reader feels like they're eavesdropping on a private conversation.

[00:00:00] Why dialogue feels so hard to write when conversation comes so naturally to us in real life.

[00:01:04] The eavesdropping illusion -- why the moment your characters start performing for the reader, the dialogue falls flat.

[00:02:21] Mistake #1: Your characters are explaining things they both already know -- and why this rings false even when the reader can't name why.

[00:04:57] Mistake #2: Your characters are saying exactly what they mean -- and why directness kills tension and deflates the scene.

[00:07:11] Mistake #3: The dialogue isn't doing anything -- why every line needs a job and how to know when a line isn't earning its place.

[00:11:04] All three mistakes come from the same place -- and what to do instead.

[00:12:24] Your final dialogue checklist -- three questions to ask every time a scene feels off.

SUBSCRIBE & REVIEW
If this episode resonated with you, please take a moment to subscribe and leave a review on Apple Podcasts! Your support helps other writers find this podcast and get the insights they need to write, revise, and finish their books. Thanks for tuning in!

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

If you've been writing your novel or memoir for months, maybe even years, and you still can't seem to cross the finish line, this episode is for you. Because the writers who finish their books don't have more talent, time, or a better story concept. They're separated by how they think about the work while they're inside it.

In this episode, I'm breaking down the five mindset shifts that make the difference. And the good news is that how you think is something you can always change.

What You'll Learn:

[00:01:00] Why the writers who finish aren't more talented than the writers who don't, and what actually separates them.

[00:01:45] Mindset #1: Why trying to write perfectly and finish at the same time is guaranteed to stall you, and what writers who finish do instead.

[00:04:00] Mindset #2: How to stop treating difficulty as a sign that something's wrong with you or your story, and what it actually means when the writing gets hard.

[00:06:00] Mindset #3: The identity shift that lets writers cut what isn't working, even scenes they spent weeks writing.

[00:09:00] Mindset #4: Why gripping your original concept too tightly keeps you from writing the book your story is actually trying to become.

[00:11:00] Mindset #5: The one practical strategy that keeps the weight of the whole book from flattening you every time you sit down to write.

SUBSCRIBE & REVIEW

If this episode resonated with you, please take a moment to subscribe and leave a review on Apple Podcasts! Your support helps other writers find this podcast and get the insights they need to write, revise, and finish their books. Thanks for tuning in to Writer Unleashed! See you next week!

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

Every character in your story is living a full, invisible life - not just your protagonist. In this episode, I'm breaking down the three levels of character, why secondary characters so often fade into the background, and what you need to know about every person in your protagonist's orbit before you write them into a scene.

Episode Web Page

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me

You think in chapters. You write in chapters. And that might be exactly why revision feels impossible. In this episode, I tackle one of the most universal misconceptions I see in first-time novelists — confusing chapters with scenes. I'll explain why scenes are the real building blocks of your story, what a scene actually does, and how understanding this distinction will help you write a tighter, more unified story.

Episode Web Page

📚 Get the character-led method to shape your story from start to finish, without the overwhelm, second-guessing, or endless rewriting. Enrollment closes Thursday, October 22, at 7 pm ET. → https://3actstory.me