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The legendary "Sweater Girl" was one of MGM’s prized contract players, the epitome of the mid-century sex goddess on-screen and an unlucky-in-love single mom off-screen who would burn through seven husbands and countless affairs. After nearly twenty years as a star not known for her acting prowess, Turner's career suddenly got interesting in the late 1950s, when the hits The Bad and the Beautiful, Peyton Place and Imitation of Life sparked a reappraisal of her talents. In the middle of this renaissance, Turner became embroiled in one of Hollywood history’s most shocking scandals: the murder of Turner’s boyfriend Johnny Stompanato at the hand of her 14 year-old daughter, Cheryl Crane.
In 1941, Selznick signed a young actress named Phylis, who was then married to actor Robert Walker. Selznick renamed Phylis “Jennifer Jones,” and set to work turning her into a star, helping her to earn an Oscar for her first film under her new name. Selznick and Jones also began an affair, and Selznick’s romantic and professional obsession with Jones would result in the destruction of both of their marriages, as well as at least two movies transparently about Selznick’s passion for his star actress. But in a tragic echo of Selznick’s own film A Star is Born, as he threw his weight behind turning Jones into a star, Selznick himself lost his footing in Hollywood. This episode is brought to you by Squarespace. Start building your website today at Squarespace.com. Enter offer code REMEMBER at checkout to get 10% off! Squarespace — Build it Beautiful.
In 1930, after putting in time at MGM and RKO, Paramount executive David O. Selznick married Irene Mayer, the daughter of L.B. Mayer. Irene’s father would soon thereafter bring Selznick to MGM to fill in for an ailing Irving Thalberg, but MGM was too small for Selznick’s dreams. He started his own independent studio, through which he created the original A Star is Born, the only Hitchcock movie to win Best Picture, and the biggest hit in the history of Hollywood, Gone with the Wind. This episode is brought to you by MUBI. To try MUBI for free for an entire month, go to mubi.com/rememberthis. This episode is also brought to you by Casper mattresses. Get $50 toward any mattress purchase by visiting www.casper.com/remember and using promo code REMEMBER. Terms and Conditions Apply.
When Spencer Tracy signed with MGM, he was a character actor better known for his problem drinking (and very public extramarital affair with Loretta Young) than for his movie hits. But the studio made him a star, and by the time Katharine Hepburn was looking for a male star who could play a prototypical American male opposite her very idiosyncratic persona, Tracy was the obvious choice. Tracy and Hepburn became one of the most legendary Hollywood couples of the century, on-screen and off, and their partnership helped to canonize both as important stars. But their personal relationship was complicated by his drinking and his relationships with other women -- including his wife. This episode is brought to you by Audible.com, with over 180,000 audio books and spoken word products. For a 30 day free trial and a free audiobook of your choice, go to audible.com/remember. This episode is brought to you by Squarespace. Start building your website today at Squarespace.com. Use offer code REMEMBER at check out to get 10% off. Squarespace. Build it beautiful. Mysteries of the Ancient World #12, Soldiers of the 20th Century provided by freesoundtrackmusic.com
In the new Hollywood satire from the Coen Brothers, Josh Brolin plays a studio "fixer" named Eddie Mannix. The real Eddie Mannix was a New Jersey-born reputed gangster who rose through the ranks at MGM to become the studio's general manager. His position required ensuring that the darker, more scandalous actions of MGM’s biggest names were kept hidden from the public and press at large. While devoting his career to protecting the personal lives of MGM’s employees, Mannix had his own colorful personal life: a chronic adulterer with a history of domestic violence, he married his mistress Toni, who went on to have an open, Mannix-endorsed affair with Superman star George Reeves, whose death under mysterious circumstances hung a cloud over Mannix's legacy.
After Irving Thalberg’s death in 1936, Louis B. Mayer doubled down on "family entertainment" at MGM. To support this new wave of content, Mayer started signing younger and younger performers to groom into stars — training them in song and dance, creating a schoolhouse on the MGM lot to comply with state educational requirements, and keeping the kids chaperoned by publicists day and night. This episode will cover the differing experiences of Mickey Rooney and Judy Garland -- best friends and screen partners who grew up together within MGM’s stable of child stars.
As part of the publicity campaign for his film Hell’s Angels, Howard Hughes made Jean Harlow a star, branding her “The Platinum Blonde.” But after Hell’s Angels, Hughes couldn’t figure out what to do with Harlow, so she ended up signing a contract with MGM, at the urging of Paul Bern, who became Harlow’s new impresario and husband. Despite the fact that Louis B. Mayer had dismissed her as a “floozy”, Harlow had five years of super stardom at MGM. But during that time, Bern died under mysterious circumstances — as did Harlow herself, in 1937, at the age of 26.
The rare silent star who made a relatively smooth transition to sound films, William “Billy” Haines was one of the top box office stars of the late 1920s-early 1930s. Beginning in 1926, Haines started living with Jimmie Shields, and the two men became one of the most popular couples on the Hollywood social scene, facing little if any homophobia among the industry’s elite. But as times changed and the heat from the censors began to get hotter, MGM began to put pressure on Haines to pretend to be someone he wasn’t.
Rising romantic lead John Gilbert signed with MGM in 1924 and the next year he starred in King Vidor’s The Big Parade, the studio’s biggest hit of the silent era. That same year, Louis B. Mayer brought his new discovery to Hollywood: an enigmatic Swedish actress named Greta Garbo. Garbo and Gilbert starred together in the romantic melodrama Flesh and the Devil, and began a relationship in real-life, which was eagerly exploited by the still-fledgling Hollywood publicity machine. Gilbert’s career suffered from his contentious relationship with Mayer, and his increasing alcoholism, while Garbo’s star continued to rise. In 1933, Garbo made it a condition of her MGM contract extension that the studio cast Gilbert as her love interest in Queen Christina. Within three years, Gilbert was dead. Within ten years, Garbo’s career had taken a turn, too. This episode was sponsored by Audible.com, with over 180,000 audio books and spoken word audio products. For a 30-day trial and FREE audiobook of your choice, go to audible.com/remember.
In 1928, silent comedy star Buster Keaton made what he would later call “the worst mistake of my career”: against the advice of fellow silent comedy auteurs like Charlie Chaplin, he gave up his independent production shingle and signed a contract with MGM. A vaudevillian who got his start working with Roscoe “Fatty” Arbuckle, by the late 1920s Keaton had established himself as a solo writer, director and star who was known for doing his own spectacular but reckless stunts. Keaton joined MGM with a promise from his friend Joe Schenck that nothing would change, only to find himself in his new situation demoted from artistic boss to employee of a corporation interested in protecting its investment above all. The lack of agency and ability to personally control the quality of his own work within the confines of Mayer’s studio drove Keaton to alcoholism, which further doomed his tenure at MGM. Keaton’s experience is perhaps the first major example of an indie filmmaker “selling out” to a big studio, only to be swallowed up by the system.
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