Spooky Series. Episode # 2 of 4. If you look through recordings of country, western, and folk music ranging from the 1920s and 1930s through to present, you’ll notice a theme: songs about crime, murder, and executions are ever-present. From Grayson & Whittier’s recording of the centuries-old ballad “Rose Connelly” in 1927, to Lloyd Wilson’s “Stagger Lee”recorded in the 1950s, Bob Dylan’s “The Lonesome Death of Hattie Carroll”in the 1960s, to Johnny Cash’s “Delia’s Gone”in the 1990s, to Jason Isbell’s “Live Oak” or “Yvette”or Zach Bryan’s “Birmingham” in more recent years, songs about the murder are a staple of the American musical tradition. How did songs about violence and crime become so central?  Today, we’ll take a closer look at the murder ballad tradition, tracing them back to the real crimes that inspired them but also considering what they might teach us about race, gender, and American culture.

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