A clarinet plugged into an underwater hydrophone, playing with liquid humpback whale songs below the surface. A huddled group of musicians under a night-time forest in Berlin, singing with nightingales. A 17-year swarm of cicadas alighting upon a sole jazz musician. These are the scenographies that David Rothenberg provokes with his interspecies music compilations, asking us, why should we only play music with other humans and not improvise along with the original musicians of the planet herself? 

For human music and song emerged from a world that sings, hums, beats, chirps, and human translations of these sounds have captured our imaginations from our tribal origins through to the first recordings of humpback whales that spurred anti-whaling conventions in the 70s and electronic synthesizers. 

Today’s episode brings us into this creative engagement with the planet, exploring how we are transformed when we open up to a world of music, beauty and art created by nature every day. So my friends, listen wider, expand your sense of music, and have David Rothenberg, interspecies musician, writer, and philosopher, show us how to become not just passive listeners but active participants in the symphony.  

Episode Website Link

Show Links:

• David’s website
• David Rothenberg music on Spotify
• all David Rothenberg books on Amazon
• NYT making music with cicadas
• If Nietzche were an animal book
• Tim D recording wind
• Slowing down nightingale song into whale song
• On making music with whales
• Sounding Soils
• Bernie Krause
• David’s workshop in Costa Rica

Look out for meditations, poems, readings, and other snippets of inspiration in between episodes.

Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock & Ellie Kidd

Songs: Nightingale sounds are from David, and the Monkey Chant is from Kecak from Bali (Bridge Records)

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