Paula Whyman joins Let’s Talk Memoir for a conversation about getting out of our comfort zone,  her attempt to restore native meadows in the foothills of the Blue Ridge Mountains, becoming obsessed with subjects and deep diving, writing about science and nature, controlling and selecting details for impact, being attentive to what readers need, writing tangentially, the need for deadlines, when your editor calls you a meanderer, leaning into exploration and not shutting ourselves down, allowing our writing to reflect the way our minds work, and her new memoir Bad Naturalist.

Also in this episode:

-jumping from fiction to nonfiction

-talking with experts

-reading work aloud

Books mentioned in this episode:

The Leaving Season by Kelly McMasters

H is for Hawk by Helen Macdonald

Late Migrations by Margaret Renkl

A Buzz in the Meadow by Dave Goulson

The Boys of My Youth by Jo Ann Beard

The Sweet Life in Paris by David Lebovitz

The Cost of Living by Deborah Levy 

Things I Don’t Want to Know by Deborah Levy 

Real Estate by Deborah Levy 

Paula Whyman’s new book, Bad Naturalist: One Woman’s Ecological Education on a Wild Virginia Mountaintop, is forthcoming from Timber Press/Hachette Book Group in January 2025. It’s a blend of memoir, natural history, and conservation science, a chronicle of her attempts to restore retired farmland to natural habitat and what she discovered along the way. Her first book, the linked short story collection You May See a Stranger, won praise from The New Yorker and a starred review in Publishers Weekly, and won the Towson Prize for Literature. Her stories have appeared in journals including McSweeney’s Quarterly, Virginia Quarterly Review, Ploughshares, The Hudson Review, and The Southampton Review. Her fiction was selected for the anthology Writes of Passage: Coming-of-Age Stories and Memoirs from The Hudson Review. Her nonfiction has been featured on NPR, and in the Washington Post, The American Scholar, and The Rumpus. She is co-founder and editor in chief of the literary journal Scoundrel Time.

Whyman has taught in writers-in-schools programs through the Pen/Faulkner Foundation in Washington, DC, and the Hudson Review in Harlem and the Bronx, New York. Her fiction is part of the curriculum at The Young Women’s Leadership School in Harlem.

Whyman’s work has been supported by fellowships from MacDowell, Yaddo, The Studios of Key West, and VCCA. She was a Tennessee Williams Scholar in Fiction at the Sewanee Writers Conference. She served two terms as Vice President of the MacDowell Fellows Executive Committee.

Whyman is the recipient of grants from the Maryland State Arts Council (MSAC) and the Arts and Humanities Council of Montgomery County. She was awarded an MSAC Creativity Grant and 2023 and 2024 Oak Spring Garden Foundation residencies and grants to support her work on Bad Naturalist. 

Connect with Paula:

Website: paulawhyman.com

Instagram: @paulawhymanauthor

Bluesky: @paulawhym

 Mastodon: @[email protected] 

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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 

She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.

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Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers