Sarah Jaffe joins Let’s Talk Memoir for a conversation about allowing ourselves to be known on the page, learning how to pivot from journalism to the very personal, processing experiences through writing, being upended by grief, taking care of ourselves when writing about violence and terror, witnessing and giving voice to other people’s hardships with integrity and respect, becoming undone on the page, how we are haunted by the losses we live through, sculpting material down during revision, and her new book From the Ashes: Grief and Revolution in a World on Fire.

Also mentioned in this episode:

-documenting activism and organizing

-climate change

-the cognitive dissonance of social media

Books mentioned in this episode:

-Ghostly Matters by Avery Gordon

-Love and Borders by Anna Lukas Miller

-Who Cares by Emily Kenway

Sarah Jaffe is the author of Work Won’t Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted and Alone, which Jane McAlevey called “a multiplex in still life; a stunning critique of capitalism, a collective conversation on the meaning of life and work, and a definite contribution to the we-won’t-settle-for-less demands of the future society everyone deserves,” and of Necessary Trouble: Americans in Revolt, both from Bold Type Books.

She is a Type Media Center reporting fellow and an independent journalist covering the politics of power, from the workplace to the streets. Her work has appeared in The New York Times, The Nation, the Guardian, the Washington Post, The New Republic, the Atlantic, and many other publications. She is the co-host, with Michelle Chen, of Dissent magazine’s Belabored podcast, as well as a columnist at The Progressive and New Labor Forum.

Sarah was formerly a staff writer at In These Times and the labor editor at AlterNet. She was a contributing editor on The 99%: How the Occupy Wall Street Movement is Changing America, from AlterNet books, as well as a contributor to the anthologies At the Tea Party and Tales of Two Cities, both from OR Books, and Nasty Women: Feminism, Resistance, and Revolution in Trump’s America, from Picador. She was also the web director at GRITtv with Laura Flanders.

She was one of the first reporters to cover Occupy and the Fight for $15, has appeared on numerous radio and television programs to discuss topics ranging from electoral politics to Superstorm Sandy, from punk rock to public-sector unions.

She has a master’s degree in journalism from Temple University in Philadelphia and a bachelor’s degree in English from Loyola University New Orleans. Sarah was born and raised in Massachusetts and has also lived in South Carolina, Louisiana, Colorado, New York and Pennsylvania.

Connect with Sarah:

Website: https://sarahljaffe.com/

X: https://x.com/sarahljaffe

Instagram: https://www.instagram.com/sarahljaffe/

Facebook: https://www.facebook.com/sarahjaffetrouble

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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 

She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

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Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers