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Marty Ross-Dolen joins Let’s Talk Memoir for a conversation discovering the story while writing, inviting the speculative and magical elements into a narrative, rediscovering lost relatives, advocating for our vision and for our books, scaffolding fragmented forms, being raised by a mother in protracted mourning, incorporating letters, photographs, and erasure poetry, when people tell you what your book is supposed to be, living with an inherited sense of grief, unspoken family pacts, when structure is a surprise, and her new memoir Always There, Always Gone: A Daughter’s Search for Truth.
Also in this episode:
--being raised in silence around a tragedy
-telling 3 stories at once
-memoir as erasure
Books mentioned in this episode:
-Safekeeping by Abigail Thomas
-Another Bullshit Night in Suck City by Nick Flynn
-Ghostbread by Sonja Livingston
-Disconto for My Father by Harrison Kandelaria Fletcher
-Fearless Confessions by Sue William SIlverman
Marty Ross-Dolen is a graduate of Wellesley College and Albert Einstein College of Medicine and is a retired child and adolescent psychiatrist. She holds an MFA in Writing from Vermont College of Fine Arts. Prior to her time at VCFA, she participated in graduate-level workshops at The Ohio State University. Her essays have appeared in North Dakota Quarterly, Redivider, Lilith, Willow Review, and the Brevity Blog, among others. Her essay entitled “Diphtheria” was named a notable essay in The Best American Essays series. She teaches writing and lives in Columbus, Ohio.
Connect with Marty:
Website: www.martyrossdolen.com
Instagram: https://www.instagram.com/martyrossdolen
Get the book: https://a.co/d/5HtWU4s
https://www.thurberhouse.org/adult-writers-studio
–
Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers
5
134134 ratings
Marty Ross-Dolen joins Let’s Talk Memoir for a conversation discovering the story while writing, inviting the speculative and magical elements into a narrative, rediscovering lost relatives, advocating for our vision and for our books, scaffolding fragmented forms, being raised by a mother in protracted mourning, incorporating letters, photographs, and erasure poetry, when people tell you what your book is supposed to be, living with an inherited sense of grief, unspoken family pacts, when structure is a surprise, and her new memoir Always There, Always Gone: A Daughter’s Search for Truth.
Also in this episode:
--being raised in silence around a tragedy
-telling 3 stories at once
-memoir as erasure
Books mentioned in this episode:
-Safekeeping by Abigail Thomas
-Another Bullshit Night in Suck City by Nick Flynn
-Ghostbread by Sonja Livingston
-Disconto for My Father by Harrison Kandelaria Fletcher
-Fearless Confessions by Sue William SIlverman
Marty Ross-Dolen is a graduate of Wellesley College and Albert Einstein College of Medicine and is a retired child and adolescent psychiatrist. She holds an MFA in Writing from Vermont College of Fine Arts. Prior to her time at VCFA, she participated in graduate-level workshops at The Ohio State University. Her essays have appeared in North Dakota Quarterly, Redivider, Lilith, Willow Review, and the Brevity Blog, among others. Her essay entitled “Diphtheria” was named a notable essay in The Best American Essays series. She teaches writing and lives in Columbus, Ohio.
Connect with Marty:
Website: www.martyrossdolen.com
Instagram: https://www.instagram.com/martyrossdolen
Get the book: https://a.co/d/5HtWU4s
https://www.thurberhouse.org/adult-writers-studio
–
Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers
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