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The BBC has had a powerful influence on our musical taste, and in this BBC centenary year, Nicholas Kenyon, a former controller of Radio 3 and director of the Proms, delves into the archives to explore the BBC’s role in reviving the centuries of early music from before the 18th century.
In his third essay, Kenyon explores how the launch of the BBC’s cultural Third Programme in 1946 rapidly advanced the revival of early music on the BBC. From Alfred Deller singing Purcell in the opening concert of the network, to huge and difficult undertakings like the History in Sound of European Music, the Third supported the scholarly exploration of earlier repertories. Leading figures on the staff were experts in early music, and worked with a new generation of emerging performers who were interested in performing the music of the past: Julian Bream on the lute and George Malcolm on harpsichord, Neville Marriner on the violin, and Arnold Goldsborough conducting chamber orchestras. In the title of one 1948 series featuring the violinist Norbert Brainin, leader of the Amadeus Quartet, they were creating ‘new life for old music’.
Presented by Nicholas Kenyon
By BBC Radio 34.2
8282 ratings
The BBC has had a powerful influence on our musical taste, and in this BBC centenary year, Nicholas Kenyon, a former controller of Radio 3 and director of the Proms, delves into the archives to explore the BBC’s role in reviving the centuries of early music from before the 18th century.
In his third essay, Kenyon explores how the launch of the BBC’s cultural Third Programme in 1946 rapidly advanced the revival of early music on the BBC. From Alfred Deller singing Purcell in the opening concert of the network, to huge and difficult undertakings like the History in Sound of European Music, the Third supported the scholarly exploration of earlier repertories. Leading figures on the staff were experts in early music, and worked with a new generation of emerging performers who were interested in performing the music of the past: Julian Bream on the lute and George Malcolm on harpsichord, Neville Marriner on the violin, and Arnold Goldsborough conducting chamber orchestras. In the title of one 1948 series featuring the violinist Norbert Brainin, leader of the Amadeus Quartet, they were creating ‘new life for old music’.
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