We’re back in dystopia, soaking up the glamour, danger and decadence of the cyberpunk city. We’re reading William Gibson’s seminal science fiction novel Neuromancer (1984), which combines the pace of a thriller with a vivid and almost archaeological view of the technological and material fabric of the near future city – glue, chipboard, broken TVs, epoxy resin, dirty water, and a strange profusion of foam mattresses. Gibson has spoken about the city as a ‘compost heap’ – and we’re sifting through it alongside Case, Molly, Armitage, the AI Wintermute, and the rest of the misfit expedition – and considering Noir, technology, desire, fear of the suburbs, and the vast consensual hallucination you’re plugged into right now.

Some topics –

Music from Chris Zabriskie 'Cylinder Seven’ from the album ‘Cylinders’

Outro music is from the Neuromancer computer game (1988)

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